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Amplifier used as part of a DJ setup: Museum Object and Cultural History

Amplifier used as part of a DJ setup: Date: 1970s. Manufactured by: Tapco, American, founded 1969. Used by: Angelo T. King, American, born 1959.

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Amplifier used as part of a DJ setup
National Museum of African American History and Culture · CC0 1.0

The object in the museum catalogue

A metal Tapco amplifier model CP 500. The front of the amplifier has black dials that include two power lock dials, a power dial, and two channel dials. Above the dials, white text reads: [TAPCO CP 500 / dual channel power amplifier]. There are two black handles on either side of the front, as well as a white sticker that written by hand: [# 19]. The back of the amplifier has four inputs, a fan, a fuse, a power cord, and four outputs.

Materials, dates and provenance

  • Date: 1970s
  • Manufactured by: Tapco, American, founded 1969
  • Used by: Angelo T. King, American, born 1959
  • Type: amplifiers
  • Medium: metal and plastic
  • Dimensions: H x W x D (without cord): 5 1/4 × 19 × 18 1/4 in. (13.3 × 48.3 × 46.4 cm)
  • Dimensions: H x W x D (with cord): 6 × 19 × 18 3/4 in., 41 lb. (15.2 × 48.3 × 47.6 cm, 18.6 kg)
  • Place used: New York City, New York, United States, North and Central America
  • Topic: African American
  • Topic: Hip-hop (Music)
  • Object number: 2012.47.12
  • Credit Line: Collection of the Smithsonian National Museum of African American History and Culture, Angelo T. King / The Original DJ Tony Tone AKA Tony Crush of The Cold Crush Brothers
  • Data Source: National Museum of African American History and Culture

Sources and reuse

Catalogue descriptions and facts adapted from National Museum of African American History and Culture through the Smithsonian's official Open Access dataset. This record explicitly marks its metadata CC0 1.0; formatting and selection have been changed. The displayed image also has an explicit CC0 designation. The underlying object's rights statement is: No Known Copyright Restrictions Proper usage is the responsibility of the user.

Sources

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