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Photograph of Howlin' Wolf, Pete Cosey, and Gene Barge during recording session: Museum Object and Cultural History

Photograph of Howlin' Wolf, Pete Cosey, and Gene Barge during recording session: Date: 1968. Photograph by: Unidentified. Subject of: Howlin' Wolf, American, 1910 - 1976.

Published by Pop Culture Files••2 min read•Automatically generated · review not guaranteed
AI-generated editorial illustration — not a photograph of the subject
AI-generated editorial illustration — not a photograph of the subject

The object in the museum catalogue

A black-and-white photograph of Howlin' Wolf, Pete Cosey, Gene Barge and two unidentified men in a recording studio. At left, largely obscured by an acoustic panel, is a man holding an electric guitar. Howlin' Wolf is second from left, seated in front of acoustic panels with a microphone and music stand positioned in front of him. He wears a short-sleave button-down shirt, trousers, and dark shoes and socks. In front of him are Pete Cosey holding an electric guitar and Gene Barge wearing a white shirt and dark trousers. All four are looking to an unidentified man facing away from the camera. Man is balding and appears to be wearing a suit. Foreground has amplifiers and a record player. There are no marks on the back.

Materials, dates and provenance

  • Date: 1968
  • Photograph by: Unidentified
  • Subject of: Howlin' Wolf, American, 1910 - 1976
  • Subject of: Pete Cosey, American, 1943 - 2012
  • Subject of: Gene Barge, American, born 1926
  • Subject of: Unidentified Man or Men
  • Type: black-and-white photographs
  • Medium: silver and photographic gelatin on photographic paper
  • Dimensions: H x W (image): 6 1/4 × 8 1/8 in. (15.8 × 20.6 cm)
  • Dimensions: H x W (sheet): 8 × 8 9/16 in. (20.3 × 21.8 cm)
  • Topic: African American
  • Topic: Blues (Music)
  • Topic: Instrumentalists (Musicians)
  • Topic: Music
  • Topic: Musicians
  • Object number: 2021.105.13
  • Credit Line: Collection of the Smithsonian National Museum of African American History and Culture, Gift of Karumah, Dunni, Ishmak, Aribania and Mariama Cosey in memory of Baba Pete Cosey
  • Data Source: National Museum of African American History and Culture

Sources and reuse

Catalogue descriptions and facts adapted from National Museum of African American History and Culture through the Smithsonian's official Open Access dataset. This record explicitly marks its metadata CC0 1.0; formatting and selection have been changed. The underlying object's rights statement is: Unknown – Restrictions Possible Rights assessment and proper usage is the responsibility of the user.

Sources

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