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Blaster beam: History and Key Facts

The blaster beam is a concept electric musical instrument consisting of a 12 to 18-foot (3.5 to 5.5 m) long metal beam strung with numerous tensed wires under which are mounted electric guitar pi

By the Pop Culture Files editorial team••2 min read•✓ Fact-checked
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The blaster beam is a concept electric musical instrument consisting of a 12 to 18-foot (3.5 to 5.5 m) long metal beam strung with numerous tensed wires under which are mounted electric guitar pickups which can be moved to alter the sound produced. The instrument is played by plucking the strings with fingers or striking with sticks, pipes or even large objects. The instrument produces a very distinctive bass tone, the sound of which is often described as 'dark' or 'sinister'.

The blaster beam was designed by John Lazelle in the early 1970s, and was first widely used by Francisco Lupica who built several out of iron. American child-actor-turned-musician Craig Huxley created his own refined version of the beam out of aluminum which was brought to fame in the soundtrack for Star Trek: The Motion Picture (1979) in which composer Jerry Goldsmith used the instrument to create the signature V'ger sound. Earlier that year, Huxley performed his custom-built blaster beam on Robert Prince's score for the season three Wonder Woman episode "Spaced Out". The instrument was also used by composer James Horner for several of his early soundtracks, including Battle Beyond the Stars (1980) and Star Trek II: The Wrath of Khan (1982), Michael Stearns for his score to the IMAX film Chronos, and in David Shire's soundtrack to 2010 (1984), which score was co-written by Huxley. Huxley also played the instrument on the Quincy Jones song, "Ai No Corrida”.

Huxley successfully patented his design of the beam in 1984.

The instrument has since been used to create dark unnatural sounds in other movie soundtracks in the late 1970s and early 1980s, including the films The Black Hole, Forbidden World, Dreamscape, and Meteor, in the last of which it was used during shots of the giant looming meteorite as it approached Earth. It has also been used by new age artists including Kitaro, Stearns and Huxley. The blaster beam was also used for the seismic charge sound used by Jango Fett, in Star Wars: Episode II – Attack of the Clones.

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Text excerpted from Blaster beam by Wikipedia contributors, available under Creative Commons Attribution-ShareAlike 4.0. The extract is abridged and formatting has been adjusted; the adapted text on this page is shared under the same licence. Revision history.

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