Guitar: Stringing the Guitar: An Open Learning Guide
Aside from the physical shape of the guitar body, strings are the most important thing for determining the sound of a guitar. New strings sound bright and full, while old strings tend to sou

Aside from the physical shape of the guitar body, strings are the most important thing for determining the sound of a guitar. New strings sound bright and full, while old strings tend to sound dull and dead. Many guitarists believe that strings should be changed regularly, not just when they break. This is because sweat and dirt corrode the strings, and over time this degrades their sound quality. Other guitarists believe that new strings sound much worse than old ones, feeling that a string's tonal quality only improves over time. Individual string quality may vary drastically from string to string.
When one breaks a string, all of the strings should be changed at once. This is especially true if the newer string is of a different brand or gauge. The string's manufacturing process, thickness and age all affect its tone, and one new string being played with a bunch of old strings can make your guitar sound strange. Players should be advised that guitars are usually set up for a particular gauge of string. The guitar will still function fine with a different gauge of strings, however for optimal sound, the guitar may need to be adjusted. See the chapter on adjusting the guitar for more details.
Because there are several different types of guitar, and each type is designed differently, each type has its own method of stringing. The type of strings you use mostly depends on what style of music you play and how long you've been playing. Thinner strings are generally preferred by beginners, but many experienced players prefer the feel of thin strings over thicker strings. Please see the guitar accessories section for details on different types of strings.
The first thing you always need to do when stringing a guitar is to take off the old strings. You should never just cut the strings of a tuned guitar in half, because the sudden release of tension on the neck can damage the guitar. Instead, always turn the tuning pegs to decrease tension, until the string is so loose that it doesn't produce a note when struck, then cut or unwind them. In most cases, the string is bent at the end where it was inserted, to insure that it would stay during tuning. Unbend the string, then pull it out of the peg hole. If the peg end of the string is too bent or curled from the winding, cut the string on a straight part of the string. This will make it easier to remove the string from the hole at the other end and reduce the risk of scratching the body or the bridge while trying to get it out. Slide the string out of the bridge at the bottom end of the guitar. Some people string one at a time to make sure the neck sustains tension, or they just take all of the strings off at the same time.
Standard guitars typically have a ball-head peg at the bridge section. This peg has a hollow shaft, with a groove that allows the string to come out from the peg.
Pick one of the strings, usually either the first or sixth string, and begin loosening it. If you have a string winder, put the rectangular box over the tuning peg and unwind the string.
Once the string is loose enough, pull the peg out of the bridge. If you have a string winder, it will have a notch that can fit underneath the head to pull it out.
Push the ball-head peg back in. as you do, pull on the string so that the peg can hold the string tightly on the bridge end.
Find the hole on the winder, and place the string through it, leaving about 5cm out on the other side. For the thicker strings, it is recommended to bend it a bit.
Use one hand to hold the string so that the section between this hand and the peg is tight. Wind one wound.
Source and licence
Text adapted from Guitar/Stringing the Guitar by Wikibooks contributors under CC BY-SA 4.0. Paragraphs have been selected and abridged, and formatting adjusted. This adapted text is shared under the same licence. Contributor history.



