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Text, folio 418 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 418 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 419 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 419 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 420 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 420 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 421 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 421 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 422 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 422 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 423 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 423 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 424 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 424 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 425 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Man's Cap at the Cleveland Museum of Art: late 1500s, embroidery; silk and silver gilt thread on linen. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris) at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Crucifixion at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Decorated Initial at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Decorated Initial at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Decorated Initial at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Annunciation at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Adoration of the Magi at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Presentation at the Temple at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Pendant: Face in Diamond at the Cleveland Museum of Art: 1900s, Gold. Explore the work's context, creator attribution and collection history.
Bull Head Attachment at the Cleveland Museum of Art: c. 700–600 BCE, bronze. Explore the work's context, creator attribution and collection history.
Box with Ink Cakes at the Cleveland Museum of Art: 1795–1820, Lacquer and silk box; molded ink in red, yellow, blue, and green. Explore the work's context, creator attribution and collection history.
Box with Ink Cakes at the Cleveland Museum of Art: 1795–1820, lacquer and silk box. Explore the work's context, creator attribution and collection history.
Box with Ink Cakes (lid) at the Cleveland Museum of Art: 1795–1820, lacquer and silk box. Explore the work's context, creator attribution and collection history.
Box with Ink Cakes: Green Ink Cake in Shape of Coiled Dragon at the Cleveland Museum of Art: 1795–1820, Molded ink in green. Explore the work's context, creator attribution and collection history.
Box with Ink Cakes: Red Ink Cake in Shape of a Brocade Knot at the Cleveland Museum of Art: 1795–1820, Molded ink in red. Explore the work's context, creator attribution and collection history.
Box with Ink Cakes: Yellow Ink Stick in Shape of a Buddhist "Wheel of the Law" at the Cleveland Museum of Art: 1795–1820, Molded ink in yellow. Explore the work's context, creator attribution and collection history.
Box with Ink Cakes: Red Ink Cake in Shape of a Kui Dragon at the Cleveland Museum of Art: 1795–1820, Molded ink in red. Explore the work's context, creator attribution and collection history.
Box with Ink Cakes: Blue Ink Cake in Shape of a Gui Scepter at the Cleveland Museum of Art: 1795–1820, Molded ink in blue. Explore the work's context, creator attribution and collection history.
Ink Cake with Architectural Design at the Cleveland Museum of Art: 1736–95, molded ink. Explore the work's context, creator attribution and collection history.
Text, folio 425 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 426 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 426 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 427 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 427 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.