The Kiss of Peace and Justice (1654): Art, History and Details
The Kiss of Peace and Justice at the Cleveland Museum of Art: 1654, oil on canvas. Explore the work's context, creator attribution and collection history.
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The Kiss of Peace and Justice at the Cleveland Museum of Art: 1654, oil on canvas. Explore the work's context, creator attribution and collection history.

Diptych with Scenes from the Life of Saint Martin of Tours: The Consecration of Saint Martin as Bishop (left); Saint Martin Shares his Cloak with a Beggar at the Cleveland Museum of Art: 1340–1350, ivory with polychromy and gilding, origina

Fountain Figure of Abundance at the Cleveland Museum of Art: c. 1530–40, bronze. Explore the work's context, creator attribution and collection history.

Sketchbook at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 01: Self Portraits with Vignittes at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 02: Figure in a Landscape with Dog at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 03: " S.R. Gifford 15 10th Street New York" at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 04: Sea Scape with Color Notations at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 05: "Bethel ME Aug 19th" at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 06: "Gorham" (Maine) at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 07: "Carter Mt (?) Aug. 28th" at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 08: Carter Mountian (?) at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 09: Mountians and Rocks at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 10: Carter Mountian (?) at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 12: "White Mountians from foot of Randolph Hill" at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 14: "Berlin Falls September 2nd" at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 15: Landscapes, Berlin Falls ? at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 17: Dixville Notch, Maine at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 18: "Dixville Notch, Sept. 4, 89" at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 20: "Peak's Island, ME, Sept. 7th, 59" at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 37: Maine Landscape Vignittes at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Sketchbook, page 39: Maine Landscape Vignittes at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Pradyumna and Mayavati Fly to Dvaraka, from the Large Basohli Bhagavata Purana at the Cleveland Museum of Art: c. 1760–65, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Akrura and Kritavarma flee Dvaraka, page from the "Large Basohli" Bhagavata Purana at the Cleveland Museum of Art: c. 1760–65, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.

Princely ascetic in the forest visited by ladies at the Cleveland Museum of Art: c. 1760, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Sketchbook, page 40: Maine Landscape at the Cleveland Museum of Art: 1859, graphite. Explore the work's context, creator attribution and collection history.

Shiva as Lord of Music at the Cleveland Museum of Art: c. 1000, bronze. Explore the work's context, creator attribution and collection history.

The Monk Gautama, Enthroned: Folio 2 (recto), from a Kalpa-sutra and Story of Kalakacharya of Devachandra at the Cleveland Museum of Art: 1279, gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection

Monk Teaching Lay Disciple: Colophon page from a Kalpa-sutra and Story of Kalakacharya of Devachandra at the Cleveland Museum of Art: 1279, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection his

Folio 141, from a Kalpa-sutra and Story of Kalakacharya: Text (recto); Monk Holding a Flower Venerated by a Lay disciple (verso) at the Cleveland Museum of Art: 1287, Gum tempera and ink on palm leaf. Explore the work's context, creator att

Folio 141 (recto), from a Kalpa-sutra and Story of Kalakacharya at the Cleveland Museum of Art: 1287, gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection history.

Monk Holding a Flower Venerated by a Lay Disciple: Folio 141 (verso), from a Kalpa-sutra and Story of Kalakacharya at the Cleveland Museum of Art: 1287, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and c

Folio 2 from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri: Monk preaching to a disciple with a lay audience (recto); Text (verso) at the Cleveland Museum of Art: c. 1275–1300, Gum tempera and ink on palm leaf

Monk preaching to a disciple with a lay audience, folio 2 (recto) from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri at the Cleveland Museum of Art: c. 1275–1300, Gum tempera and ink on palm leaf. Explore the

Text, folio 2 (verso) from a Parshvanatha Charitra (Life and Stories of Lord Parshva) of Bhavadeva-suri at the Cleveland Museum of Art: c. 1275–1300, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and coll

Folio 167, from a Kalpa-sutra and Story of Kalakacharya: two nuns teaching lay women (recto); genealogical text (verso) at the Cleveland Museum of Art: 1278, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution

Two nuns teaching lay women, colophon page of folio 167 (recto) from a Kalpa-sutra and Story of Kalakacharya at the Cleveland Museum of Art: 1278, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collect

Genealogical text, folio 167 (verso) from a Kalpa-sutra and Story of Kalakacharya at the Cleveland Museum of Art: 1278, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection history.

Rishabha enthroned, folio 1 (verso) from a Yoga-shastra of Hemachandra at the Cleveland Museum of Art: c. 1275, Gum tempera and ink on palm leaf. Explore the work's context, creator attribution and collection history.

Folio 22 from a Yoga-shastra of Hemachandra: Jain Monk with disciple and two laymen, two Nuns, and a laywoman (recto); Text (verso) at the Cleveland Museum of Art: c. 1275, Gum tempera and ink on palm leaf. Explore the work's context, creat