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Face Mask (Tehe gla) at the Cleveland Museum of Art: early 1900s, Wood, boar tusks, pelt, cloth, human hair, probably aluminum, reeds, iron alloy, copper alloy, plant fiber, and paint. Explore the work's context, creator attribution and col
Face Mask at the Cleveland Museum of Art: early 1900s, Wood, paint, and colorant. Explore the work's context, creator attribution and collection history.
Figure Pair (asye usu) at the Cleveland Museum of Art: late 1800s–early 1900s, Wood, resin, glass beads, plant fiber, and metal. Explore the work's context, creator attribution and collection history.
Male Figure from a Pair (asye usu) at the Cleveland Museum of Art: late 1800s–early 1900s, Wood, resin, glass beads, plant fiber, and metal. Explore the work's context, creator attribution and collection history.
Female Figure from a Pair (asye usu) at the Cleveland Museum of Art: late 1800s–early 1900s, Wood, resin, glass beads, plant fiber, and metal. Explore the work's context, creator attribution and collection history.
Heddle Pulley (Bo Nun Amuin mask) at the Cleveland Museum of Art: 1900s, Wood, metal, and plant fiber. Explore the work's context, creator attribution and collection history.
Krishna returns with the cowherds to Braj, from a Bhagavata Purana at the Cleveland Museum of Art: c. 1830, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.
Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto); Calligraphy, Persian Verses (verso) at the Cleveland Museum of Art: late 1500s, opaque watercolor, ink, gold and silver on paper. Explore the work's context, creator attribution and
Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto) at the Cleveland Museum of Art: 1400s-1500s, opaque watercolor, gold, and silver on paper. Explore the work's context, creator attribution and collection history.
Doorknocker with Gorgon Head at the Cleveland Museum of Art: mid-1500s, bronze. Explore the work's context, creator attribution and collection history.
Lions and Tigers in Peony and Bamboo at the Cleveland Museum of Art: 1668, pair of six-panel folding screens; ink and color on gilded paper. Explore the work's context, creator attribution and collection history.
Lions and Tigers in Peony and Bamboo at the Cleveland Museum of Art: 1668, One of a pair of six-panel folding screens; ink and color on gilded paper. Explore the work's context, creator attribution and collection history.
Lions and Tigers in Peony and Bamboo at the Cleveland Museum of Art: 1668, One of a pair of six-panel folding screens; ink and color on gilded paper. Explore the work's context, creator attribution and collection history.
The Saltmaker's Story at the Cleveland Museum of Art: early 1600s, Pair of handscrolls; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.
The Saltmaker's Story at the Cleveland Museum of Art: early 1600s, One of a pair of handscrolls; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.
The Saltmaker's Story at the Cleveland Museum of Art: early 1600s, One of a pair of handscrolls; ink, color, and gold on paper. Explore the work's context, creator attribution and collection history.
Jar with Dragon and Phoenix Design at the Cleveland Museum of Art: 1522–66, carved lacquer in cinnabar and other colors. Explore the work's context, creator attribution and collection history.
Gazing at a Waterfall at the Cleveland Museum of Art: 1790, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
General Jean-Baptiste Kléber and Egyptian Family (Sketches for "The Battle of the Pyramids") at the Cleveland Museum of Art: c. 1835, oil on linen. Explore the work's context, creator attribution and collection history.
General Jean-Baptiste Kléber (Sketch for "The Battle of the Pyramids") at the Cleveland Museum of Art: c. 1835, oil on linen. Explore the work's context, creator attribution and collection history.
Egyptian Family (Sketch for "The Battle of the Pyramids") at the Cleveland Museum of Art: c. 1835, oil on linen. Explore the work's context, creator attribution and collection history.
Return from the Fields at the Cleveland Museum of Art: c. 1846–47, oil on fabric. Explore the work's context, creator attribution and collection history.
Engaged Capital with a Lion and a Basilisk at the Cleveland Museum of Art: 1175–1200, marble. Explore the work's context, creator attribution and collection history.
Engaged Capital with Figures of a Man and of an Eagle at the Cleveland Museum of Art: 1175–1200, marble. Explore the work's context, creator attribution and collection history.
Fragment of a Capital with the Ox of Saint Luke at the Cleveland Museum of Art: c. 1175–1200, marble. Explore the work's context, creator attribution and collection history.
Ornament at the Cleveland Museum of Art: 250–550 CE, jadeite. Explore the work's context, creator attribution and collection history.
Celt-Shaped Pendant at the Cleveland Museum of Art: c. 300 BCE–600 CE, jadeite. Explore the work's context, creator attribution and collection history.
Statuette of Harpocrates at the Cleveland Museum of Art: c. 50 BCE, bronze, hollow cast, with silver inlays. Explore the work's context, creator attribution and collection history.
Water Container (Mizusashi) with Riverscape at the Cleveland Museum of Art: late 1500s–early 1600s, Stoneware with underglaze iron oxide slip decoration (Mino ware, Shino type) and lacquer lid (modern replacement). Explore the work's contex
Water Container (Mizusashi) with Riverscape at the Cleveland Museum of Art: late 1500s–early 1600s, Stoneware with underglaze iron oxide slip decoration (Mino ware, Shino type). Explore the work's context, creator attribution and collection
Water Container (Mizusashi) with Riverscape (lid) at the Cleveland Museum of Art: late 1500s–early 1600s, Black lacquer. Explore the work's context, creator attribution and collection history.
Mirror with 'Shan' (Mountain) Pattern at the Cleveland Museum of Art: 200s BCE, bronze. Explore the work's context, creator attribution and collection history.
Female Attendants at the Cleveland Museum of Art: 700s, ivory. Explore the work's context, creator attribution and collection history.
Footed Platter with Design of Mythical Beasts amid Grapevines at the Cleveland Museum of Art: 700s, silver with gilt, incised, and chased decoration. Explore the work's context, creator attribution and collection history.
Bodhidharma Meditating Facing a Cliff at the Cleveland Museum of Art: late 1200s, Hanging scroll; ink on silk. Explore the work's context, creator attribution and collection history.
Standing Buddha at the Cleveland Museum of Art: 150–200 CE, schist. Explore the work's context, creator attribution and collection history.
Cylindrical Container with Cover (Lian) at the Cleveland Museum of Art: 100 BCE–100 CE, gilt bronze with openwork and chased designs. Explore the work's context, creator attribution and collection history.
Cylindrical Container with Cover (Lian) at the Cleveland Museum of Art: 100 BCE–100 CE, gilt bronze with openwork and chased designs. Explore the work's context, creator attribution and collection history.
Cylindrical Container with Cover (Lian) at the Cleveland Museum of Art: 100 BCE–100 CE, gilt bronze with openwork and chased designs. Explore the work's context, creator attribution and collection history.
Temple Relief of a Deity at the Cleveland Museum of Art: 360–246 BCE, limestone. Explore the work's context, creator attribution and collection history.