Net Worth →
Stage History

Ashtray belonging to Etta Moten Barnett: Museum Object and Cultural History

Ashtray belonging to Etta Moten Barnett: Date: ca. 1945. Manufactured by: Unidentified. Owned by: Etta Moten Barnett, American, 1901 - 2004.

Published by Pop Culture Files••2 min read•Automatically generated · review not guaranteed
AI-generated editorial illustration — not a photograph of the subject
AI-generated editorial illustration — not a photograph of the subject

The object in the museum catalogue

This is a metal and rhinestone ashtray belonging to Etta Moten Barnett. It is a circular gold-colored metal shape with a raised abstract floral motif around the rim. The center is a concave cup of clear glass. The ashtray rests on three metal feet. There is a ring of clear rhinestones bordering the glass center. There is a single oval shaped cradle in gold colored metal on one side of the rim. The cradle has the same abstract floral design as the rim.

Materials, dates and provenance

  • Date: ca. 1945
  • Manufactured by: Unidentified
  • Owned by: Etta Moten Barnett, American, 1901 - 2004
  • Type: ashtrays
  • Medium: metal and glass
  • Dimensions: H x W x D: 9/16 × 3 7/16 × 3 7/16 in. (1.5 × 8.8 × 8.8 cm)
  • Place used: Chicago, Cook County, Illinois, United States, North and Central America
  • Topic: African American
  • Topic: Activism
  • Topic: Actors
  • Topic: Broadway Theatre
  • Topic: Singers (Musicians)
  • Topic: Women
  • Object number: A2022.13.1.47
  • Credit Line: Collection of the Smithsonian National Museum of African American History and Culture
  • Data Source: National Museum of African American History and Culture

Sources and reuse

Catalogue descriptions and facts adapted from National Museum of African American History and Culture through the Smithsonian's official Open Access dataset. This record explicitly marks its metadata CC0 1.0; formatting and selection have been changed. The underlying object's rights statement is: No known copyright restrictions Proper usage is the responsibility of the user.

Sources

More in Stage & Theatre