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Skyphos (Drinking Cup) (About 500-480 BCE; Art Institute 1929.943)

Skyphos (Drinking Cup) (About 500-480 BCE): Artwork and History

Skyphos (Drinking Cup) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Young Woman Sewing (1879; Art Institute 1933.452)

Young Woman Sewing (1879): Artwork and History

Young Woman Sewing at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait Head of a Philosopher (Second half of the 2nd century; Art Institute 1923.49)

Portrait Head of a Philosopher (Second half of the 2nd century): Artwork and History

Portrait Head of a Philosopher at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Opening of the Sixth Seal (1555; Art Institute 1956.1051)

Opening of the Sixth Seal (1555): Artwork and History

Opening of the Sixth Seal at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Salisbury Cathedral from the Meadows: the Rainbow (1834; Art Institute 1929.276)

Salisbury Cathedral from the Meadows: the Rainbow (1834): Artwork and History

Salisbury Cathedral from the Meadows: the Rainbow at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Theodosius Repulsed from the Church by Saint Ambrose (c. 1705; Art Institute 1961.43)

Theodosius Repulsed from the Church by Saint Ambrose (c. 1705): Artwork and History

Theodosius Repulsed from the Church by Saint Ambrose at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Te burao (The Hibiscus Tree) (1892; Art Institute 1923.308)

Te burao (The Hibiscus Tree) (1892): Artwork and History

Te burao (The Hibiscus Tree) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Inlay Depicting the Face of a King (Ptolemaic Period (332–30 BCE); Art Institute 1892.170)

Inlay Depicting the Face of a King (Ptolemaic Period (332–30 BCE)): Artwork and History

Inlay Depicting the Face of a King at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Urania, plate twelve from Apollo and the Muses (c. 1465; Art Institute 1924.39.32)

Urania, plate twelve from Apollo and the Muses (c. 1465): Artwork and History

Urania, plate twelve from Apollo and the Muses at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Calvary (c. 1503–04; Art Institute 1959.527)

Calvary (c. 1503–04): Artwork and History

Calvary at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Column-Krater (Mixing Bowl) (about 460 BCE; Art Institute 1889.16)

Column-Krater (Mixing Bowl) (about 460 BCE): Artwork and History

Column-Krater (Mixing Bowl) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Aureus (Coin) Portraying Emperor Tiberius (15-37, issued by Tiberius; Art Institute 1922.4857)

Aureus (Coin) Portraying Emperor Tiberius (15-37, issued by Tiberius): Artwork and History

Aureus (Coin) Portraying Emperor Tiberius at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

France preparing to get her candidates to pass muster under the measure of standards, plate 73 from Actualités (1869; Art Institute 1960.828)

France preparing to get her candidates to pass muster under the measure of standards, plate 73 from Actualités (1869): Artwork and History

France preparing to get her candidates to pass muster under the measure of standards, plate 73 from Actualités at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Mousetrap (c. 1655; Art Institute 1923.995)

The Mousetrap (c. 1655): Artwork and History

The Mousetrap at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Head of Guanyin (late Northern Qi/Sui dynasty, late 6th century; Art Institute 1923.1114)

Head of Guanyin (late Northern Qi/Sui dynasty, late 6th century): Artwork and History

Head of Guanyin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Saint Helen Testing the True Cross (c. 1545; Art Institute 1932.44)

Saint Helen Testing the True Cross (c. 1545): Artwork and History

Saint Helen Testing the True Cross at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Flower Girl in Holland (1887; Art Institute 1888.169)

Flower Girl in Holland (1887): Artwork and History

Flower Girl in Holland at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

An Elegant Company (1632; Art Institute 1933.1069)

An Elegant Company (1632): Artwork and History

An Elegant Company at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Pair of Tomb Chamber Doors (Western Han dynasty (206 B.C.–A.D. 9), 1st century B.C.; Art Institute 1924.447a-b)

Pair of Tomb Chamber Doors (Western Han dynasty (206 B.C.–A.D. 9), 1st century B.C.): Artwork and History

Pair of Tomb Chamber Doors at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Family Concert (1666; Art Institute 1891.65)

The Family Concert (1666): Artwork and History

The Family Concert at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Mrs. George Swinton (Elizabeth Ebsworth) (1897; Art Institute 1922.4450)

Mrs. George Swinton (Elizabeth Ebsworth) (1897): Artwork and History

Mrs. George Swinton (Elizabeth Ebsworth) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Denarius (Coin) Portraying Emperor Augustus (2 BCE-4 CE; Art Institute 1923.1253)

Denarius (Coin) Portraying Emperor Augustus (2 BCE-4 CE): Artwork and History

Denarius (Coin) Portraying Emperor Augustus at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Fall of the Giants (1663; Art Institute 1887.249)

The Fall of the Giants (1663): Artwork and History

The Fall of the Giants at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy (1894; Art Institute 1931.501)

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy (1894): Artwork and History

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Polyhymnia, plate fifteen from Apollo and the Muses (c. 1465; Art Institute 1924.39.5)

Polyhymnia, plate fifteen from Apollo and the Muses (c. 1465): Artwork and History

Polyhymnia, plate fifteen from Apollo and the Muses at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Aureus (Coin) Portraying Emperor Tiberius (26-37; Art Institute 1922.4255)

Aureus (Coin) Portraying Emperor Tiberius (26-37): Artwork and History

Aureus (Coin) Portraying Emperor Tiberius at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Cover for the first album of L'Estampe originale (1893; Art Institute 1932.1326)

Cover for the first album of L'Estampe originale (1893): Artwork and History

Cover for the first album of L'Estampe originale at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Judith (c. 1540; Art Institute 1956.1109)

Judith (c. 1540): Artwork and History

Judith at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Boar Hunt (1717; Art Institute 1956.1214)

Boar Hunt (1717): Artwork and History

Boar Hunt at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Fudo Myo-o (13th century; Art Institute 1958.321)

Fudo Myo-o (13th century): Artwork and History

Fudo Myo-o at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Irises (1914–17; Art Institute 1956.1202)

Irises (1914–17): Artwork and History

Irises at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Hydria (Water Jar) (480-470 BCE; Art Institute 1889.95)

Hydria (Water Jar) (480-470 BCE): Artwork and History

Hydria (Water Jar) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Aeneas Carrying His Father, Anchises (1643; Art Institute 1960.839)

Aeneas Carrying His Father, Anchises (1643): Artwork and History

Aeneas Carrying His Father, Anchises at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Tea Bowl and Dish (c. 1784–95; Art Institute 1958.222a-b)

Tea Bowl and Dish (c. 1784–95): Artwork and History

Tea Bowl and Dish at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Fragment (200 CE-900 CE; Art Institute 1956.170)

Fragment (200 CE-900 CE): Artwork and History

Fragment at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Third Knot (c. 1507; Art Institute 1929.315)

The Third Knot (c. 1507): Artwork and History

The Third Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Three Studies of a Dancer in Fourth Position (1879/80; Art Institute 1962.703)

Three Studies of a Dancer in Fourth Position (1879/80): Artwork and History

Three Studies of a Dancer in Fourth Position at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Stag Hunt, from Pastoral Hunting Scenes (c. 1775; Art Institute 1958.523)

The Stag Hunt, from Pastoral Hunting Scenes (c. 1775): Artwork and History

The Stag Hunt, from Pastoral Hunting Scenes at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina (1908; Art Institute 1959.859)

Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina (1908): Artwork and History

Sadie Pfeifer, a Cotton Mill Spinner, Lancaster, South Carolina at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Oribe-Type Ewer (early 17th century; Art Institute 1959.5)

Oribe-Type Ewer (early 17th century): Artwork and History

Oribe-Type Ewer at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Woman Spinning (1652; Art Institute 1962.800)

The Woman Spinning (1652): Artwork and History

The Woman Spinning at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Capture of Samson (1609–10; Art Institute 1923.551)

The Capture of Samson (1609–10): Artwork and History

The Capture of Samson at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Calliope, plate eleven from Apollo and the Muses (c. 1465; Art Institute 1924.39.33)

Calliope, plate eleven from Apollo and the Muses (c. 1465): Artwork and History

Calliope, plate eleven from Apollo and the Muses at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Necklace with Pendant (2nd-3rd century; Art Institute 1894.266)

Necklace with Pendant (2nd-3rd century): Artwork and History

Necklace with Pendant at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Vries, Frederik de (died 1613) son of the painter Dirck de Vries, pupil of Goltzius, with Goltzius's dog (1597; Art Institute 1959.217)

Vries, Frederik de (died 1613) son of the painter Dirck de Vries, pupil of Goltzius, with Goltzius's dog (1597): Artwork and History

Vries, Frederik de (died 1613) son of the painter Dirck de Vries, pupil of Goltzius, with Goltzius's dog at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Bathsheba, from A Collection of Prints in Imitation of Drawings (1764, published 1778; Art Institute 1932.1457)

Bathsheba, from A Collection of Prints in Imitation of Drawings (1764, published 1778): Artwork and History

Bathsheba, from A Collection of Prints in Imitation of Drawings at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Gian Lodovico Madruzzo (1551–52; Art Institute 1929.912)

Gian Lodovico Madruzzo (1551–52): Artwork and History

Gian Lodovico Madruzzo at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Altar Cross (c. 1325; foot: 15th century; Art Institute 1931.263)

Altar Cross (c. 1325; foot: 15th century): Artwork and History

Altar Cross at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.