The Fifth Foolish Virgin (1480-91): Artwork and History
The Fifth Foolish Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
#art institute of chicago
48 articles
The Fourth Foolish Virgin (1480-91): Artwork and History
The Fourth Foolish Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Third Foolish Virgin (1480-91): Artwork and History
The Third Foolish Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Second Foolish Virgin (1480-91): Artwork and History
The Second Foolish Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The First Foolish Virgin (1480-91): Artwork and History
The First Foolish Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Fifth Wise Virgin (1480-91): Artwork and History
The Fifth Wise Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Fourth Wise Virgin (1480-91): Artwork and History
The Fourth Wise Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Third Wise Virgin (1480-91): Artwork and History
The Third Wise Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Second Wise Virgin (1480-91): Artwork and History
The Second Wise Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The First Wise Virgin (1480-91): Artwork and History
The First Wise Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Saint George (1469/82): Artwork and History
Saint George at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Christ Blessing the Virgin (c. 1476): Artwork and History
Christ Blessing the Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Baptism of Christ (1480/90): Artwork and History
The Baptism of Christ at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Ornament With Flower and Eight Wild Folk (1490/1500): Artwork and History
Ornament With Flower and Eight Wild Folk at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Organ Player and His Wife (1495/1503): Artwork and History
The Organ Player and His Wife at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Singer and the Lute Player (c. 1495): Artwork and History
The Singer and the Lute Player at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Fight over the Trousers (c. 1495): Artwork and History
The Fight over the Trousers at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Falconer and the Lady (c. 1495): Artwork and History
The Falconer and the Lady at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Children's Bath (1480/90): Artwork and History
The Children's Bath at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Saint Christopher (n.d.): Artwork and History
Saint Christopher at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Flagellation, from The Passion (c. 1480): Artwork and History
The Flagellation, from The Passion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Christ Among the Doctors (1490–1500): Artwork and History
Christ Among the Doctors at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Judith (c. 1495): Artwork and History
Judith at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Garden of Love (1480/90): Artwork and History
The Garden of Love at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Madonna by the Fountain (1501): Artwork and History
The Madonna by the Fountain at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Saint Anne, the Virgin, and Child (n.d.): Artwork and History
Saint Anne, the Virgin, and Child at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse (1465–70): Artwork and History
The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Tureen with Cover (c. 1787–90): Artwork and History
Tureen with Cover at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Tureen with Cover (c. 1787–90): Artwork and History
Tureen with Cover at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Tureen with Cover and Stand (c. 1787–90): Artwork and History
Tureen with Cover and Stand at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" (1872–73): Artwork and History
Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Column Krater (Mixing Bowl) (460-450 BCE): Artwork and History
Column Krater (Mixing Bowl) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Hydria (Water Jar) (350-330 BCE): Artwork and History
Hydria (Water Jar) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
“- Adelaide, Adelaide.. I think I can see the comet coming!!... - Oh my God... this is the end of the world.... how annoying. They promised it wouldn't come until June 13!,” plate 31 from Croquis Pari
“- Adelaide, Adelaide.. I think I can see the comet coming!!... - Oh my God... this is the end of the world.... how annoying. They promised it wouldn't come until June 13!,” plate 31 from Croquis Parisiens at the Art Institute of Chicago: d
Basin (Western Zhou dynasty ( 1046–771 BC ), 9th/7th century B.C.): Artwork and History
Basin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Mirror with Images of Daoist Deities (Eastern Han dynasty (25–220 CE), 2nd or 3rd century CE): Artwork and History
Mirror with Images of Daoist Deities at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Pan and Syrinx (n.d.): Artwork and History
Pan and Syrinx at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Venus and Adonis (?) with the Duck Hunt (c. 1600): Artwork and History
Venus and Adonis (?) with the Duck Hunt at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Emperor Maximilian Presented to Christ by His Patron Saints (1519): Artwork and History
The Emperor Maximilian Presented to Christ by His Patron Saints at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Nydia, The Blind Flower Girl of Pompeii (modeled 1855–56, carved 1858): Artwork and History
Nydia, The Blind Flower Girl of Pompeii at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Coat of Arms of Maximilian I as King of the Romans (c. 1517): Artwork and History
Coat of Arms of Maximilian I as King of the Romans at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Arms of the Family Kress von Kressenstein (after 1530): Artwork and History
The Arms of the Family Kress von Kressenstein at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Sixth Knot (c. 1507): Artwork and History
The Sixth Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Fifth Knot (c. 1507): Artwork and History
The Fifth Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Fourth Knot (c. 1507): Artwork and History
The Fourth Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Third Knot (c. 1507): Artwork and History
The Third Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Second Knot (c. 1507): Artwork and History
The Second Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The First Knot (c. 1507): Artwork and History
The First Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.