Irises (1914–17): Artwork and History
Irises at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Irises (1914–17) is in the Art Institute of Chicago collection. The museum lists its creator attribution as Claude Monet (French, 1840–1926).
The work and its context
The Art Institute of Chicago describes the work:
Approximately six and a half feet square, Irises is one of a series of large paintings Claude Monet undertook during World War I experimenting with familiar motifs on an ever-expanding scale. Lacking a discernible horizon or clear sense of depth, the viewer is both on top of and submerged in this encrusted and disorienting surface, suggestive of water, on which various vegetal and floral forms float. Together with other related canvases, this work remained in the artist’s Giverny studio long after his death in 1926 and was only rediscovered in the 1950s, having suffered localized damage by shrapnel from shells during World War II. In 1956 the Art Institute’s pioneering curator of modern art, Katherine Kuh, bought this painting from Katia Granoff's gallery in Paris. Kuh recognized a formal affinity between Monet’s late experimental painting and the public’s growing interest in large-scale, abstract works like those by Jackson Pollock, whose Greyed Rainbow entered the Art Institute’s collection in 1955.
Object facts
- Title: Irises
- Date: 1914–17
- Artist attribution: Claude Monet (French, 1840–1926)
- Place of origin: France
- Medium: Oil on canvas
- Dimensions: 200 × 200.7 cm (78 3/4 × 79 in.); Framed: 203.8 × 204.5 × 6.4 cm (80 1/4 × 80 1/2 × 1 1/2 in.)
- Type: Painting
- Department: Painting and Sculpture of Europe
- Reference number: 1956.1202
Collection credit
Art Institute Purchase Fund
View the original
Explore the artwork in the Art Institute's collection, including its image and the museum's current catalogue details.
The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.



