48 articles
Seal with Two-Horned Bull and Inscription at the Cleveland Museum of Art: c. 2000 BCE, steatite. Explore the work's context, creator attribution and collection history.
Covered Box for Shawabtys of Ditamenpaankh at the Cleveland Museum of Art: 715–656 BCE, painted wood. Explore the work's context, creator attribution and collection history.
Composite textile at the Cleveland Museum of Art: 1800s, Silk, dye. Explore the work's context, creator attribution and collection history.
Jesus Raises Jairus’s Daughter from the Dead (folio 82 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier at the Cleveland Museum of Art: 1602–4, Gum tempera, ink, color, and gold on paper. Explore the work's context
Reverberations of Taiga, Volume 1 (leaf 18) at the Cleveland Museum of Art: mid- to late 1700s, double-leaf from a pair of albums; ink and light color on paper. Explore the work's context, creator attribution and collection history.
Wine Pot (lid) at the Cleveland Museum of Art: 918–1392, pottery. Explore the work's context, creator attribution and collection history.
Chrysanthemums by a Stream at the Cleveland Museum of Art: c. 1715–30 or later, Pair of six-panel folding screens; ink and color on gilded paper. Explore the work's context, creator attribution and collection history.
Stool at the Cleveland Museum of Art: by 1928, wood. Explore the work's context, creator attribution and collection history.
Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 43v, Procession of the Sacrament at the Cleveland Museum of Art: c. 1500, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
The Brothers Eberhard at the Cleveland Museum of Art: 1822, lithograph printed in black and gray. Explore the work's context, creator attribution and collection history.
Buddhist Sutra Container at the Cleveland Museum of Art: 1100s–1200s, gilt silver with incised Buddhist designs. Explore the work's context, creator attribution and collection history.
Drinking Cup from Dining Set with Plum Blossoms and Cracked-Ice at the Cleveland Museum of Art: c. 1875–78, Porcelain with molded designs. Explore the work's context, creator attribution and collection history.
Dish with Reeds and Mist at the Cleveland Museum of Art: c. 1700, Porcelain with underglaze blue and overglaze color enamel (Hizen ware, Nabeshima type). Explore the work's context, creator attribution and collection history.
Hours of Charles the Noble, King of Navarre (1361-1425): fol. 244v, Text at the Cleveland Museum of Art: c. 1405, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
One of a Pair of Decorated Palanquin Hooks and Rings at the Cleveland Museum of Art: 1100–1175, bronze. Explore the work's context, creator attribution and collection history.
The Forest Maiden at the Cleveland Museum of Art: 1845, etching on steel on wove paper. Explore the work's context, creator attribution and collection history.
Ono no Komachi Washing the Copybook (Soshiarai Komachi) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Sarah Bernhardt Reclining on a Divan, Reading at the Cleveland Museum of Art: c. 1885–1890, Graphite with lead white heightening. Explore the work's context, creator attribution and collection history.
King Bana in his court, from an Usha-Aniruddha at the Cleveland Museum of Art: c. 1760–70, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.
Kesa at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Haniwa Horse at the Cleveland Museum of Art: 400s–500s CE, earthenware with traces of pigment. Explore the work's context, creator attribution and collection history.
House in Pau at the Cleveland Museum of Art: 1854, salted paper print from a paper negative. Explore the work's context, creator attribution and collection history.
Strolling Actresses Dressing in a Barn at the Cleveland Museum of Art: 1738, engraving. Explore the work's context, creator attribution and collection history.
Monumental Entrance of the Gardens, Secundra at the Cleveland Museum of Art: 1865–68, published 1869–70, Albumen print from glass plate negative. Explore the work's context, creator attribution and collection history.
Qur'an Manuscript Folio (recto) at the Cleveland Museum of Art: 1200s–1300s, ink, gold, and color on parchment. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 84v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
The River God Tiber (Study for a fresco, Miracle of the Snow, or the Foundation of Santa Maria Maggiore, Rome in the Canigiani chapel of S. Felicita, Florence) at the Cleveland Museum of Art: 1589, black chalk on antique laid paper. Explore
Viewing Cherry Blossoms at Gotenyama at the Cleveland Museum of Art: late 1700s–early 1800s, Hanging scroll; ink, color, and gold on silk. Explore the work's context, creator attribution and collection history.
The Virgin Seated at the Foot of a Tree at the Cleveland Museum of Art: 1522, engraving. Explore the work's context, creator attribution and collection history.
Portrait of Jean-Baptiste Lemoyne the Younger at the Cleveland Museum of Art: 1774, oil on canvas. Explore the work's context, creator attribution and collection history.
Market Place, No. 1, Cleveland, Ohio at the Cleveland Museum of Art: 1926, etching. Explore the work's context, creator attribution and collection history.
The street cleaner, on his way to meet King Bhojaraja, sleeps under a tree where four thieves disguised as fellow travelers deprive him of a priceless pearl, from a Tuti-nama (Tales of a Parrot): Twelfth Night at the Cleveland Museum of Art
If you knew how pretty you are! at the Cleveland Museum of Art: 1841, lithograph. Explore the work's context, creator attribution and collection history.
The Sphinx at the Cleveland Museum of Art: c. 1853, salted paper print from waxed paper negative. Explore the work's context, creator attribution and collection history.
The Agony in the Garden, from The Small Passion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Chopstick at the Cleveland Museum of Art: 918–1392, silver bronze. Explore the work's context, creator attribution and collection history.
Calvary at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Jar with Four Lugs at the Cleveland Museum of Art: 500s–600s, stoneware with traces of ash glaze. Explore the work's context, creator attribution and collection history.
Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto) at the Cleveland Museum of Art: c. 1524, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
Peonies at the Cleveland Museum of Art: early 1900s, Eight-panel folding screen; ink and color on silk. Explore the work's context, creator attribution and collection history.
Covered Tureen on Stand at the Cleveland Museum of Art: 1812, silver. Explore the work's context, creator attribution and collection history.
The Emperor Maximilian Presented to Christ by His Patron Saints at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Mirror with Engraved Scene: Man Threatening Child (Telephos and Orestes?) at the Cleveland Museum of Art: c. 330–300 BCE, bronze. Explore the work's context, creator attribution and collection history.
Dog with pups at the Cleveland Museum of Art: c. 1780, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.
Head of a Woman at the Cleveland Museum of Art: c. 1500–1525, marble. Explore the work's context, creator attribution and collection history.
Paul Lafond and Alphonse Cherfils Examining a Painting at the Cleveland Museum of Art: c. 1878–80, oil on wood panel. Explore the work's context, creator attribution and collection history.
Male figure (nkisi nkondi) at the Cleveland Museum of Art: late 1800s-early 1900s, Wood, metalized glass, iron, organic material, ivory or plastic, and natural fiber. Explore the work's context, creator attribution and collection history.
Drachm (Coin) Depicting the Nymph Amphitrite at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.