Net Worth →

Art & Design

Art, objects and design: documented collection guides from open museums.

Selections rotate about every minute. Loading more keeps this order.

Volume from the Great Perfection of Wisdom Sutra (late 1100s; Cleveland 1969.130.2.h)

Volume from the Great Perfection of Wisdom Sutra (late 1100s): Art, History and Details

Volume from the Great Perfection of Wisdom Sutra at the Cleveland Museum of Art: late 1100s, Handscroll; ink and gold on dyed paper. Explore the work's context, creator attribution and collection history.

Thunder God (Raijin) (1300s; Cleveland 1972.64)

Thunder God (Raijin) (1300s): Art, History and Details

Thunder God (Raijin) at the Cleveland Museum of Art: 1300s, wood with traces of gesso and red and black pigment. Explore the work's context, creator attribution and collection history.

Potpourri Vase with Cover (c. 1860–80; Cleveland 2020.200.2)

Potpourri Vase with Cover (c. 1860–80): Art, History and Details

Potpourri Vase with Cover at the Cleveland Museum of Art: c. 1860–80, blanc-de-chine porcelain; gilt bronze mount. Explore the work's context, creator attribution and collection history.

Text, folio 10 (recto) from a Kammavacha: Buddhist ordination text (1800s; Cleveland 1945.172.10.a)

Text, folio 10 (recto) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details

Text, folio 10 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.

Dog-shaped Paperweight (676–935; Cleveland 1987.160)

Dog-shaped Paperweight (676–935): Art, History and Details

Dog-shaped Paperweight at the Cleveland Museum of Art: 676–935, gilt bronze. Explore the work's context, creator attribution and collection history.

Cup with Four Faces (600–1000; Cleveland 2019.169)

Cup with Four Faces (600–1000): Art, History and Details

Cup with Four Faces at the Cleveland Museum of Art: 600–1000, Stone with shell inlay. Explore the work's context, creator attribution and collection history.

Box and Cover with Inlaid Chrysanthemum and Scroll Design (1200s; Cleveland 1928.167)

Box and Cover with Inlaid Chrysanthemum and Scroll Design (1200s): Art, History and Details

Box and Cover with Inlaid Chrysanthemum and Scroll Design at the Cleveland Museum of Art: 1200s, inlaid celadon ware. Explore the work's context, creator attribution and collection history.

Plate with Grapes and Floral Sprays (1403–24; Cleveland 1953.127)

Plate with Grapes and Floral Sprays (1403–24): Art, History and Details

Plate with Grapes and Floral Sprays at the Cleveland Museum of Art: 1403–24, porcelain with underglaze blue decoration. Explore the work's context, creator attribution and collection history.

Onoe Matsusuke as Usui Sadamitsu (1781; Cleveland 1921.314.b)

Onoe Matsusuke as Usui Sadamitsu (1781): Art, History and Details

Onoe Matsusuke as Usui Sadamitsu at the Cleveland Museum of Art: 1781, One of a triptych of color woodblock prints. Explore the work's context, creator attribution and collection history.

The Offer of Love (or The Ill-Assorted Couple) (1495–1496; Cleveland 1934.344)

The Offer of Love (or The Ill-Assorted Couple) (1495–1496): Art, History and Details

The Offer of Love (or The Ill-Assorted Couple) at the Cleveland Museum of Art: 1495–1496, engraving. Explore the work's context, creator attribution and collection history.

Joan of Arc (c. 1889; Cleveland 2008.358)

Joan of Arc (c. 1889): Art, History and Details

Joan of Arc at the Cleveland Museum of Art: c. 1889, graphite, red chalk, colored washes, and black and white gouache. Explore the work's context, creator attribution and collection history.

Lovers parting, page from a book of fables (c. 1590–95; Cleveland 2013.303)

Lovers parting, page from a book of fables (c. 1590–95): Art, History and Details

Lovers parting, page from a book of fables at the Cleveland Museum of Art: c. 1590–95, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Mummy Bundle "Mask" (200 BCE–1 CE; Cleveland 1940.517)

Mummy Bundle "Mask" (200 BCE–1 CE): Art, History and Details

Mummy Bundle "Mask" at the Cleveland Museum of Art: 200 BCE–1 CE, plain warp-faced cloth, painted. Explore the work's context, creator attribution and collection history.

The Nymphs (1890; Cleveland 2015.152)

The Nymphs (1890): Art, History and Details

The Nymphs at the Cleveland Museum of Art: 1890, Woodcut, hand-colored with watercolor. Explore the work's context, creator attribution and collection history.

Leaf from an Antiphonary with Historiated Initial (H) with The Nativity (recto) and Music (verso) (early 1300s; Cleveland 1953.285)

Leaf from an Antiphonary with Historiated Initial (H) with The Nativity (recto) and Music (verso) (early 1300s): Art, History and Details

Leaf from an Antiphonary with Historiated Initial (H) with The Nativity (recto) and Music (verso) at the Cleveland Museum of Art: early 1300s, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collecti

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 194r (c. 1500; Cleveland 1963.256.194.a)

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 194r (c. 1500): Art, History and Details

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 194r at the Cleveland Museum of Art: c. 1500, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Royal Round Tent made for Muhammad Shah (wall panel with one design unit) (1834–48; Cleveland 2014.388.3)

Royal Round Tent made for Muhammad Shah (wall panel with one design unit) (1834–48): Art, History and Details

Royal Round Tent made for Muhammad Shah (wall panel with one design unit) at the Cleveland Museum of Art: 1834–48, Interior: wool: plain weave, inlaid work; silk: embroidery, chain stitch; tape, leather; Exterior: cotton, wool: plain weave;

Tetradrachm Coin of Herognetos, Magistrate of Magnesia (155–145 BCE; Cleveland 2011.209)

Tetradrachm Coin of Herognetos, Magistrate of Magnesia (155–145 BCE): Art, History and Details

Tetradrachm Coin of Herognetos, Magistrate of Magnesia at the Cleveland Museum of Art: 155–145 BCE, silver. Explore the work's context, creator attribution and collection history.

Hours of Charles the Noble, King of Navarre (1361-1425), fol. 313r, Text (c. 1405; Cleveland 1964.40.313.a)

Hours of Charles the Noble, King of Navarre (1361-1425), fol. 313r, Text (c. 1405): Art, History and Details

Hours of Charles the Noble, King of Navarre (1361-1425), fol. 313r, Text at the Cleveland Museum of Art: c. 1405, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Portrait of Anne Vallayer-Coster (1804; Cleveland 1943.639)

Portrait of Anne Vallayer-Coster (1804): Art, History and Details

Portrait of Anne Vallayer-Coster at the Cleveland Museum of Art: 1804, watercolor on ivory in a gilt metal and enamel frame. Explore the work's context, creator attribution and collection history.

Vishnu (650–99; Cleveland 1942.562)

Vishnu (650–99): Art, History and Details

Vishnu at the Cleveland Museum of Art: 650–99, gray sandstone. Explore the work's context, creator attribution and collection history.

Fol. 364r, Haggai, historiated initial I, Haggai with a scroll standing on a hybrid (c. 1275–1300; Cleveland 2008.2.364.a)

Fol. 364r, Haggai, historiated initial I, Haggai with a scroll standing on a hybrid (c. 1275–1300): Art, History and Details

Fol. 364r, Haggai, historiated initial I, Haggai with a scroll standing on a hybrid at the Cleveland Museum of Art: c. 1275–1300, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.

Tiger Resting in the Desert (1846; Art Institute 1960.302)

Tiger Resting in the Desert (1846): Artwork and History

Tiger Resting in the Desert at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Miniature Round Basket (late 1800s-early 1900s; Cleveland 1917.532)

Miniature Round Basket (late 1800s-early 1900s): Art, History and Details

Miniature Round Basket at the Cleveland Museum of Art: late 1800s-early 1900s, plant materials. Explore the work's context, creator attribution and collection history.

Text, folio 380 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.380.b)

Text, folio 380 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 380 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Rustam Takes Aim at Ashkabus, from a Shah-nama (Book of Kings) (c. 1425–50; Cleveland 2020.204)

Rustam Takes Aim at Ashkabus, from a Shah-nama (Book of Kings) (c. 1425–50): Art, History and Details

Rustam Takes Aim at Ashkabus, from a Shah-nama (Book of Kings) at the Cleveland Museum of Art: c. 1425–50, Gum tempera and ink on paper. Explore the work's context, creator attribution and collection history.

Lace Lappet (1700s; Cleveland 1920.1275)

Lace Lappet (1700s): Art, History and Details

Lace Lappet at the Cleveland Museum of Art: 1700s, Bobbin lace (Valenciennes). Explore the work's context, creator attribution and collection history.

Pipa (1800s; Cleveland 1918.344)

Pipa (1800s): Art, History and Details

Pipa at the Cleveland Museum of Art: 1800s, Wood, ivory, bone, gut. Explore the work's context, creator attribution and collection history.

Text, folio 3 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.3.b)

Text, folio 3 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 3 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

The Gotha Missal: Fol. 102r, Text (c. 1375; Cleveland 1962.287.102.a)

The Gotha Missal: Fol. 102r, Text (c. 1375): Art, History and Details

The Gotha Missal: Fol. 102r, Text at the Cleveland Museum of Art: c. 1375, ink, tempera, and gold on vellum; blind-tooled leather binding. Explore the work's context, creator attribution and collection history.

Sword (1400s; Cleveland 1916.1600)

Sword (1400s): Art, History and Details

Sword at the Cleveland Museum of Art: 1400s, steel; wood and leather grip. Explore the work's context, creator attribution and collection history.

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 75r, Text (c. 1405; Cleveland 1964.40.75.a)

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 75r, Text (c. 1405): Art, History and Details

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 75r, Text at the Cleveland Museum of Art: c. 1405, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 14r, Text (c. 1405; Cleveland 1964.40.14.a)

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 14r, Text (c. 1405): Art, History and Details

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 14r, Text at the Cleveland Museum of Art: c. 1405, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Spoon(?) (c. 500–200 BCE; Cleveland 1958.187)

Spoon(?) (c. 500–200 BCE): Art, History and Details

Spoon(?) at the Cleveland Museum of Art: c. 500–200 BCE, hammered and cut gold. Explore the work's context, creator attribution and collection history.

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 40v, Text (c. 1405; Cleveland 1964.40.40.b)

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 40v, Text (c. 1405): Art, History and Details

Hours of Charles the Noble, King of Navarre (1361-1425): fol. 40v, Text at the Cleveland Museum of Art: c. 1405, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Saint Jerome (1763–64; Cleveland 1974.266)

Saint Jerome (1763–64): Art, History and Details

Saint Jerome at the Cleveland Museum of Art: 1763–64, etching. Explore the work's context, creator attribution and collection history.

Leaf from a Buddhist Manuscript (verso) (c. 1700; Cleveland 1949.227.27.b)

Leaf from a Buddhist Manuscript (verso) (c. 1700): Art, History and Details

Leaf from a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night (c. 1560; Cleveland 1962.279.229.b)

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night (c. 1560): Art, History and Details

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night at the Cleveland Museum of Art: c. 1560, gum tempera, ink, and gold on paper. Explo

Sagot's Gallery (1898; Cleveland 1998.42.2)

Sagot's Gallery (1898): Art, History and Details

Sagot's Gallery at the Cleveland Museum of Art: 1898, color separation proof in gray. Explore the work's context, creator attribution and collection history.

The Mousetrap (c. 1655; Art Institute 1923.995)

The Mousetrap (c. 1655): Artwork and History

The Mousetrap at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.