Margo Marionette: Museum Object and Cultural History

The object in the museum catalogue

Known as "Margo", this marionette is the malicious wife of Martin, the wood cutter, from Donald Cordry's production of The Three Wishes that played between 1931-1934. The play is an old world folk tale that includes a wood-chopper, his wife, a nosy neighbor, and a green fairy. The woodcutter frees a spirit trapped in a tree and she grants him three wishes but instead of finding happiness the three wishes are squandered away and they lose everything through ill natured greed. Dressed in a yellow blouse with a brown print skirt, a red wool shawl draped over her shoulders, striped socks and brown leather shoes, her face is an exaggerated version of her nasty personality. She is operated with an airplane holder and six strings.

Donald Cordry (1907-1978) was a well known and highly respected American artist, craftsman, and puppeteer of the 1920s and '30s. He was gifted with a great decorative sense and his craftsmanship was extraordinary. Born in Minnesota, Cordry attended the Minneapolis School of Art from 1924-1929 and after graduation he went to work for the Board of Education. While his main job was to lecture and teach classes, Cordry used the opportunity to create and perform his own puppet show with both hand puppets and marionettes. From late 1930 to early 1931 Cordry joined the Rufus Rose Company, owned by Rupert and Margo Rose that played the school and college circuit on the East coast.

In the summer of 1931 he traveled to Mexico where he developed a lifelong interest and dedication to the arts and landscape of Mexico. An avid collector of ethnographic material for over 40 years, Cordry amassed a large collection of indigenous Mexican arts and crafts which he meticulously documented and researched. His passion also included Native American cultures, and in the mid 1930s he worked at the Heye Museum of Indian Art in New York City where he cataloged and researched objects for the museum.

After returning to Minneapolis in late 1931, Cordry started creating his own puppets. He formed his own company and performed shows until 1934. The Dolly Sisters and The Three Wishes were popular with young and old audiences alike.

In June of 1934, Cordry moved to New York and worked with Tony Sarg, a well known and established puppeteer in his own right, and taught classes at Sarg's Summer School. Cordry made a number of puppets for Sarg and toured with his company from 1934-1936.

By 1937, poor health forced him to give up puppetry and he moved to Mexico. He did, however, continue his field research on indigenous peoples and later published two books: Mexican Indian Costumes (1968) and Mexican Masks (c 1980). The Three Wishes was Cordry's final production before he moved to Mexico with his wife.

Materials, dates and provenance

• Date made: 1930 - 1934
• user: Cordry, Donald
• maker: Cordry, Donald
• Object Name: puppet
• Physical Description: wood (overall material)
• Physical Description: leather (overall material)
• Measurements: overall: 24 in x 7 in; 60.96 cm x 17.78 cm
• Associated Place: United States: New York, New York
• used: Puppetry
• ID Number: 1982.0238.066
• accession number: 1982.0238
• catalog number: 1982.0238.066
• Credit Line: Dorothy Mann Cordry in memory of Donald Cordry
• Data Source: National Museum of American History

Sources and reuse

Catalogue descriptions and facts adapted from National Museum of American History through the Smithsonian's official Open Access dataset. This record explicitly marks its metadata CC0 1.0; formatting and selection have been changed.