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Book of Hours (Use of Rouen): fol. 152r at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 152v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 153r at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 153v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 154a at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 154v at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Rouen): fol. 154r at the Cleveland Museum of Art: c. 1470, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Seated Male Holding Chief’s Baton at the Cleveland Museum of Art: 200 BCE–300 CE, ceramic, pigment. Explore the work's context, creator attribution and collection history.
Leaf Excised from a Psalter: The Annunciation at the Cleveland Museum of Art: c. 1325–50, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
![Initial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb (c. 1280–1300; Cleveland 1952.232)](https://openaccess-cdn.clevelandart.org/1952.232/1952.232_web.jpg)
Initial A[ngelus Domini descendit] from an Antiphonary: The Three Marys at the Tomb at the Cleveland Museum of Art: c. 1280–1300, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.
Backrest of a Litter at the Cleveland Museum of Art: 1185–1275 (radiocarbon date, 95.4% probability), mixed media: wood, gold alloy, pigment, shell inlay. Explore the work's context, creator attribution and collection history.
The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series) at the Cleveland Museum of Art: 1750s, oil on canvas. Explore the work's context, creator attribution and co
The Sacrifice of Isaac at the Cleveland Museum of Art: 1750s, oil on canvas. Explore the work's context, creator attribution and collection history.
Tobias and the Angel at the Cleveland Museum of Art: 1750s, oil on canvas. Explore the work's context, creator attribution and collection history.
The Angels Appearing to Abraham at the Cleveland Museum of Art: 1750s, oil on canvas. Explore the work's context, creator attribution and collection history.
Abraham Welcoming the Three Angels at the Cleveland Museum of Art: 1750s, oil on canvas. Explore the work's context, creator attribution and collection history.
Roundel with figure at the Cleveland Museum of Art: 1000s, Linen and silk: plain weave with inwoven tapestry weave. Explore the work's context, creator attribution and collection history.
Fragmentary Icon Panel, Christ in Glory (?) and Evangelists at the Cleveland Museum of Art: 750 – 850, slit-and dovetailed-tapestry weave; wool. Explore the work's context, creator attribution and collection history.
Embroidered border and field of animals in large roundels at the Cleveland Museum of Art: 1000s–1100s, plain weave: silk warp and cotton weft (mulham): plain weave; silk and gold thread: embroidery, couched, split, running, and outline stit
Mirror with Engraved Scene: Thesan and Memnun (Eos and Memnon) at the Cleveland Museum of Art: c. 470–460 BCE, bronze. Explore the work's context, creator attribution and collection history.
Portrait Head of a Noble or Official at the Cleveland Museum of Art: 175–200 CE, marble. Explore the work's context, creator attribution and collection history.
Pendant: Crocodile at the Cleveland Museum of Art: 1930 or earlier, Gold. Explore the work's context, creator attribution and collection history.
Landscape with Saint Jerome and Two Lions at the Cleveland Museum of Art: c. 1530–35, woodcut. Explore the work's context, creator attribution and collection history.
Beads from a Rosary at the Cleveland Museum of Art: early 1500s, gilt copper with champlevé enamel. Explore the work's context, creator attribution and collection history.
Historiated Initial (E) Excised from a Gradual: Adoration of the Magi at the Cleveland Museum of Art: c. 1200–1240, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.
![Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity (1471; Cleveland 1952.282)](https://openaccess-cdn.clevelandart.org/1952.282/1952.282_web.jpg)
Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity at the Cleveland Museum of Art: 1471, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.
The Haven of the Peach-Blossom Spring at the Cleveland Museum of Art: mid-1400s, Album leaf; ink and slight color on silk. Explore the work's context, creator attribution and collection history.
Landscape with Flying Geese at the Cleveland Museum of Art: mid-1200s, Album leaf; ink and slight color on silk. Explore the work's context, creator attribution and collection history.
Swift Bull from the Ten Swift Bulls at the Cleveland Museum of Art: late 1200s–early 1300s, section of a handscroll mounted as a hanging scroll; ink and slight color on paper. Explore the work's context, creator attribution and collection h
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.
The Submersion of Pharaoh's Army in the Red Sea at the Cleveland Museum of Art: 1514–15, printed 1549, woodcut. Explore the work's context, creator attribution and collection history.