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Text, folio 111 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 111 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 112 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 112 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 113 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 113 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 114 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 114 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 115 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 115 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 116 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 116 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 117 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 117 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 118 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 118 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 119 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 119 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 120 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 120 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 121 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 121 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 122 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 122 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 123 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 123 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 124 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 124 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 125 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Portrait of Mark, folio 132 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection histor
Text, folio 125 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 126 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 126 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 127 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 127 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 128 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 128 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 129 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 129 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 130 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.