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Hexagonal Jar at the Cleveland Museum of Art: late 1600s, porcelain with overglaze enamel and gold decoration (Hizen ware, Kakiemon type). Explore the work's context, creator attribution and collection history.
Square Jar with Birds and Flowers at the Cleveland Museum of Art: late 1600s, Porcelain with overglaze color enamels and gold (Hizen ware, Kakiemon type). Explore the work's context, creator attribution and collection history.
Square Jar with Birds and Flowers at the Cleveland Museum of Art: late 1600s, Porcelain with overglaze color enamels and gold (Hizen ware, Kakiemon type). Explore the work's context, creator attribution and collection history.
Square Jar with Birds and Flowers (lid) at the Cleveland Museum of Art: late 1600s, Porcelain with overglaze color enamels and gold (Hizen ware, Kakiemon type). Explore the work's context, creator attribution and collection history.
Shōtoku Taishi at Sixteen at the Cleveland Museum of Art: 1400s-1500s, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
Chinese Landscape at the Cleveland Museum of Art: 1500s, Pair of six-fold screens; ink and slight color on paper. Explore the work's context, creator attribution and collection history.
Chinese Landscape at the Cleveland Museum of Art: 1500s, One of a pair of six-fold screens; ink and slight color on paper. Explore the work's context, creator attribution and collection history.
Chinese Landscape at the Cleveland Museum of Art: 1500s, One of a pair of six-fold screens; ink and slight color on paper. Explore the work's context, creator attribution and collection history.
Portrait of a Child (Anton Peschka Jr.) at the Cleveland Museum of Art: 1916, Gouache, watercolor, and graphite. Explore the work's context, creator attribution and collection history.
Mme. Dufresne at the Cleveland Museum of Art: c. 1816, oil on paper mounted on fabric. Explore the work's context, creator attribution and collection history.
Hunters Near Ruins at the Cleveland Museum of Art: 1648, oil on canvas. Explore the work's context, creator attribution and collection history.
Abundance at the Cleveland Museum of Art: c. 1730, terracotta. Explore the work's context, creator attribution and collection history.
Peregrine Falcons (Duck Hawks) at the Cleveland Museum of Art: c. 1827, oil on canvas. Explore the work's context, creator attribution and collection history.
Altarpiece with Relics at the Cleveland Museum of Art: c. 1735–40, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper. Explore the work's context, cr
Altarpiece with Relics - God the Father at the Cleveland Museum of Art: 1735–40, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper. Explore the work
Altarpiece with Relics - Putto with Ewer, upper left at the Cleveland Museum of Art: c. 1735–40, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper.
Altarpiece with Relics - Putto with column, upper right at the Cleveland Museum of Art: 1735–1740, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper
Altarpiece with Relics - Putto, middle left at the Cleveland Museum of Art: c. 1735–1740, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper. Explore
Altarpiece with Relics - Putto, middle right at the Cleveland Museum of Art: c. 1735–40, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper. Explore
Altarpiece with Relics - Angel, lower left at the Cleveland Museum of Art: c. 1735–40, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper. Explore th
Altarpiece with Relics - Angel, lower right at the Cleveland Museum of Art: c. 1735–1740, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper. Explore
Altarpiece with Relics - Sponge, lower left at the Cleveland Museum of Art: c. 1735–1740, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper. Explore
Altarpiece with Relics - Lance, lower right at the Cleveland Museum of Art: c. 1735–1740, gilded wood, with relics in niches: gilded wood, mother-of-pearl, ebony, red silk, gold wire, seed pearls, rock crystal, pen and ink on paper. Explore
Tomb Relief at the Cleveland Museum of Art: 230 CE, limestone. Explore the work's context, creator attribution and collection history.
Kneeling Prophet from the Reliquary Chasse of Saint-Germain-des-Prés at the Cleveland Museum of Art: 1409, gilt bronze. Explore the work's context, creator attribution and collection history.
Pair of Bowls: Kakiemon Ware at the Cleveland Museum of Art: late 1600s, Imari ware porcelain with overglaze enamel and gold decoration. Explore the work's context, creator attribution and collection history.
Bowl: Kakiemon Ware (1 of 2) at the Cleveland Museum of Art: late 1600s, Imari ware porcelain with overglaze enamel and gold decoration. Explore the work's context, creator attribution and collection history.
Bowl: Kakiemon Ware (2 of 2) at the Cleveland Museum of Art: late 1600s, porcelain. Explore the work's context, creator attribution and collection history.
Standing Figure of a Beauty at the Cleveland Museum of Art: c. 1690, Porcelain with overglaze color enamels (Hizen ware, Kakiemon type). Explore the work's context, creator attribution and collection history.
Forbidden to the Vulgar at the Cleveland Museum of Art: late 1800s-early 1900s, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.
A Guardian of Shiva at the Cleveland Museum of Art: 1200s, Chloritic schist. Explore the work's context, creator attribution and collection history.
Bodhisattva of Wisdom (Manjushri) at the Cleveland Museum of Art: 1400s, Gilt bronze with precious and semiprecious stones, gum tempera, and cold gold. Explore the work's context, creator attribution and collection history.
Twelve Views of Tiger Hill at the Cleveland Museum of Art: after 1490, Album of twelve leaves; ink or ink and slight color on paper. Explore the work's context, creator attribution and collection history.
Distant View of Tiger Hill from the Canal Mooring, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attributio
Tiger-Flight Spring at the Back Gate, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collect
Bamboo Pavilion, Tiger Hill, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection histo
Cloud-Climbing Pavilion, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection history.
The Fool's Spring, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection history.
The Pine Retreat, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection history.
The Enlightened Stone Retreat, from Twelve Views of Tiger Hill, Suzhou at the Cleveland Museum of Art: after 1490, Album leaf; ink on paper or ink and slight color on paper. Explore the work's context, creator attribution and collection his