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Lifestyle archive — Page 352

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Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) (c. 1710; Cleveland 2013.336.a)

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) (c. 1710): Art, History and Details

Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) at the Cleveland Museum of Art: c. 1710, Gum tempera and gold on paper. Explore the work's co

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso) (c. 1710; Cleveland 2013.337)

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso) (c. 1710): Art, History and Details

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso) at the Cleveland Museum of Art: c. 1710, Gum tempera, ink, and gold on paper. Explore the

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) (c. 1710; Cleveland 2013.337.a)

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) (c. 1710): Art, History and Details

A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto) at the Cleveland Museum of Art: c. 1710, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collec

A princess reclining on a terrace with attendants (c. 1730–1740; Cleveland 2013.338)

A princess reclining on a terrace with attendants (c. 1730–1740): Art, History and Details

A princess reclining on a terrace with attendants at the Cleveland Museum of Art: c. 1730–1740, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Shri Raga: An Illustration from a Ragamala Series (c. 1740; Cleveland 2013.339)

Shri Raga: An Illustration from a Ragamala Series (c. 1740): Art, History and Details

Shri Raga: An Illustration from a Ragamala Series at the Cleveland Museum of Art: c. 1740, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword (c. 1605–1610; Cleveland 2013.323.a)

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword (c. 1605–1610): Art, History and Details

A Courtier, Possibly Khan Alam, Holding a Spinel and a Deccan Sword at the Cleveland Museum of Art: c. 1605–1610, gum tempera, ink, and gold on paper, text on verso. Explore the work's context, creator attribution and collection history.

Page from the Mirror of Holiness (Mir’at al-quds) (c. 1605–10; Cleveland 2013.323.b)

Page from the Mirror of Holiness (Mir’at al-quds) (c. 1605–10): Art, History and Details

Page from the Mirror of Holiness (Mir’at al-quds) at the Cleveland Museum of Art: c. 1605–10, gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Todi Ragini, from a Ragamala Series (c. 1755; Cleveland 2013.340)

Todi Ragini, from a Ragamala Series (c. 1755): Art, History and Details

Todi Ragini, from a Ragamala Series at the Cleveland Museum of Art: c. 1755, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A princess on a terrace with attendants at night (recto); Calligraphy (verso) (c. 1760; Cleveland 2013.341)

A princess on a terrace with attendants at night (recto); Calligraphy (verso) (c. 1760): Art, History and Details

A princess on a terrace with attendants at night (recto); Calligraphy (verso) at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

A Princess on a Terrace with Attendants at Night (recto) (c. 1760; Cleveland 2013.341.a)

A Princess on a Terrace with Attendants at Night (recto) (c. 1760): Art, History and Details

A Princess on a Terrace with Attendants at Night (recto) at the Cleveland Museum of Art: c. 1760, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A prince celebrating Holi with palace women on a terrace at night (recto); calligraphy of a quatrain (verso) (c. 1760; Cleveland 2013.342)

A prince celebrating Holi with palace women on a terrace at night (recto); calligraphy of a quatrain (verso) (c. 1760): Art, History and Details

A prince celebrating Holi with palace women on a terrace at night (recto); calligraphy of a quatrain (verso) at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and c

A prince celebrating Holi with palace women on a terrace at night (recto) (c. 1760; Cleveland 2013.342.a)

A prince celebrating Holi with palace women on a terrace at night (recto) (c. 1760): Art, History and Details

A prince celebrating Holi with palace women on a terrace at night (recto) at the Cleveland Museum of Art: c. 1760, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A blindfolded suitor is brought before a princess; verso: scrolling floral vines (1755; Cleveland 2013.343)

A blindfolded suitor is brought before a princess; verso: scrolling floral vines (1755): Art, History and Details

A blindfolded suitor is brought before a princess; verso: scrolling floral vines at the Cleveland Museum of Art: 1755, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A blindfolded suitor is brought before a princess (recto) (1755; Cleveland 2013.343.a)

A blindfolded suitor is brought before a princess (recto) (1755): Art, History and Details

A blindfolded suitor is brought before a princess (recto) at the Cleveland Museum of Art: 1755, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Women bathing before an architectural panorama (c. 1765; Cleveland 2013.344)

Women bathing before an architectural panorama (c. 1765): Art, History and Details

Women bathing before an architectural panorama at the Cleveland Museum of Art: c. 1765, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature (c. 1735; Cleveland 2013.345)

Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature (c. 1735): Art, History and Details

Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature at the Cleveland Museum of Art: c. 1735, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso) (1764; Cleveland 2013.347)

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso) (1764): Art, History and Details

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto); Calligraphy (verso) at the Cleveland Museum of Art: 1764, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribu

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto) (1764; Cleveland 2013.347.a)

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto) (1764): Art, History and Details

Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto) at the Cleveland Museum of Art: 1764, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection h

Calligraphic exercises and verses of Hafiz (Persian, about 1325–1389) (verso) (1575–76; Cleveland 2013.347.b)

Calligraphic exercises and verses of Hafiz (Persian, about 1325–1389) (verso) (1575–76): Art, History and Details

Calligraphic exercises and verses of Hafiz (Persian, about 1325–1389) (verso) at the Cleveland Museum of Art: 1575–76, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Court Lady Pouring Wine (recto); Calligraphy of Lyrical Quatrains (verso) (c. 1760; borders mid-1700s; Cleveland 2013.348)

Court Lady Pouring Wine (recto); Calligraphy of Lyrical Quatrains (verso) (c. 1760; borders mid-1700s): Art, History and Details

Court Lady Pouring Wine (recto); Calligraphy of Lyrical Quatrains (verso) at the Cleveland Museum of Art: c. 1760; borders mid-1700s, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection histor

Court Lady Pouring Wine (recto) (c. 1760; Cleveland 2013.348.a)

Court Lady Pouring Wine (recto) (c. 1760): Art, History and Details

Court Lady Pouring Wine (recto) at the Cleveland Museum of Art: c. 1760, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Calligraphy of Lyrical Quatrains (verso) (mid-1700s; Cleveland 2013.348.b)

Calligraphy of Lyrical Quatrains (verso) (mid-1700s): Art, History and Details

Calligraphy of Lyrical Quatrains (verso) at the Cleveland Museum of Art: mid-1700s, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Court lady singing and playing the vina (c. 1760; Cleveland 2013.349)

Court lady singing and playing the vina (c. 1760): Art, History and Details

Court lady singing and playing the vina at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Court lady singing and playing the vina (recto) (c. 1760; Cleveland 2013.349.a)

Court lady singing and playing the vina (recto) (c. 1760): Art, History and Details

Court lady singing and playing the vina (recto) at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collection history.

Calligraphy from a ghazal of Fakhr al-Din Iraqi (Persian, 1213–1289) and a verse from the Tuhfat al-ahrar (The Gift of the Free) of Abd al-Rahman Jami (verso) (c. 1760; Cleveland 2013.349.b)

Calligraphy from a ghazal of Fakhr al-Din Iraqi (Persian, 1213–1289) and a verse from the Tuhfat al-ahrar (The Gift of the Free) of Abd al-Rahman Jami (verso) (c. 1760): Art, History and Details

Calligraphy from a ghazal of Fakhr al-Din Iraqi (Persian, 1213–1289) and a verse from the Tuhfat al-ahrar (The Gift of the Free) of Abd al-Rahman Jami (verso) at the Cleveland Museum of Art: c. 1760, Gum tempera, ink, and gold on paper. Exp

A night scene of Shiva puja (recto); Calligraphy (verso) (c. 1760–70; Cleveland 2013.350)

A night scene of Shiva puja (recto); Calligraphy (verso) (c. 1760–70): Art, History and Details

A night scene of Shiva puja (recto); Calligraphy (verso) at the Cleveland Museum of Art: c. 1760–70, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

A Night Scene of Shiva Puja (recto) (c. 1760–70; Cleveland 2013.350.a)

A Night Scene of Shiva Puja (recto) (c. 1760–70): Art, History and Details

A Night Scene of Shiva Puja (recto) at the Cleveland Museum of Art: c. 1760–70, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso) (c. 1765; Cleveland 2013.351)

Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso) (c. 1765): Art, History and Details

Women enjoying the river at the forest’s edge (recto) and flowering marigold (verso) at the Cleveland Museum of Art: c. 1765, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Women Enjoying the River at the Forest’s Edge (recto) (c. 1765; Cleveland 2013.351.a)

Women Enjoying the River at the Forest’s Edge (recto) (c. 1765): Art, History and Details

Women Enjoying the River at the Forest’s Edge (recto) at the Cleveland Museum of Art: c. 1765, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Flowering Marigold (verso) (c. 1765; Cleveland 2013.351.b)

Flowering Marigold (verso) (c. 1765): Art, History and Details

Flowering Marigold (verso) at the Cleveland Museum of Art: c. 1765, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Radha and Krishna meet in the forest during a storm (c. 1770; Cleveland 2013.352)

Radha and Krishna meet in the forest during a storm (c. 1770): Art, History and Details

Radha and Krishna meet in the forest during a storm at the Cleveland Museum of Art: c. 1770, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Vase with flower arrangement and scrollwork (c. 1750–1800; Cleveland 2013.354)

Vase with flower arrangement and scrollwork (c. 1750–1800): Art, History and Details

Vase with flower arrangement and scrollwork at the Cleveland Museum of Art: c. 1750–1800, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Sheriff of Pecos (1931–32; Cleveland 2013.357)

Sheriff of Pecos (1931–32): Art, History and Details

Sheriff of Pecos at the Cleveland Museum of Art: 1931–32, ceramic. Explore the work's context, creator attribution and collection history.

Nanda Solves Vasudeva’s Dilemma, from a Bhagavata Purana (c. 1610; Cleveland 2013.365)

Nanda Solves Vasudeva’s Dilemma, from a Bhagavata Purana (c. 1610): Art, History and Details

Nanda Solves Vasudeva’s Dilemma, from a Bhagavata Purana at the Cleveland Museum of Art: c. 1610, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Mask (wan-balinga) (early 1900s; Cleveland 2014.1)

Mask (wan-balinga) (early 1900s): Art, History and Details

Mask (wan-balinga) at the Cleveland Museum of Art: early 1900s, Wood and paint. Explore the work's context, creator attribution and collection history.

Landscape with Figure and Houses (c. 1891; Cleveland 2014.2)

Landscape with Figure and Houses (c. 1891): Art, History and Details

Landscape with Figure and Houses at the Cleveland Museum of Art: c. 1891, pastel on brown wove paper. Explore the work's context, creator attribution and collection history.

Vale of Kashmir (1867; Cleveland 2014.12)

Vale of Kashmir (1867): Art, History and Details

Vale of Kashmir at the Cleveland Museum of Art: 1867, oil on canvas. Explore the work's context, creator attribution and collection history.

Embroidered Armenian liturgical curtain (1763; Cleveland 2014.13)

Embroidered Armenian liturgical curtain (1763): Art, History and Details

Embroidered Armenian liturgical curtain at the Cleveland Museum of Art: 1763, twill weave: wool; embroidery, chain stitch: silk, gilt- and silver-metal thread. Explore the work's context, creator attribution and collection history.

They Spin Finely, Plate 44 (1799; Cleveland 2014.15)

They Spin Finely, Plate 44 (1799): Art, History and Details

They Spin Finely, Plate 44 at the Cleveland Museum of Art: 1799, Etching, aquatint, drypoint, and engraving printed in sepia. Explore the work's context, creator attribution and collection history.

Chintz door curtain (1800s; Cleveland 2014.20)

Chintz door curtain (1800s): Art, History and Details

Chintz door curtain at the Cleveland Museum of Art: 1800s, Cotton: plain weave; chintz; hand drawing and block printing: bleach, mordant, and dye. Explore the work's context, creator attribution and collection history.