The Flagellation, from The Passion (c. 1480): Artwork and History
The Flagellation, from The Passion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Art & DesignPage 2
Art, objects and design: documented collection guides from open museums.
Christ Among the Doctors (1490–1500): Artwork and History
Christ Among the Doctors at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Judith (c. 1495): Artwork and History
Judith at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Garden of Love (1480/90): Artwork and History
The Garden of Love at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Madonna by the Fountain (1501): Artwork and History
The Madonna by the Fountain at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Saint Anne, the Virgin, and Child (n.d.): Artwork and History
Saint Anne, the Virgin, and Child at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse (1465–70): Artwork and History
The Vintage of the Grapes of the Vine, from the Blockbook Apocalypse at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Tureen with Cover (c. 1787–90): Artwork and History
Tureen with Cover at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Tureen with Cover (c. 1787–90): Artwork and History
Tureen with Cover at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Tureen with Cover and Stand (c. 1787–90): Artwork and History
Tureen with Cover and Stand at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" (1872–73): Artwork and History
Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle" at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Column Krater (Mixing Bowl) (460-450 BCE): Artwork and History
Column Krater (Mixing Bowl) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Hydria (Water Jar) (350-330 BCE): Artwork and History
Hydria (Water Jar) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
“- Adelaide, Adelaide.. I think I can see the comet coming!!... - Oh my God... this is the end of the world.... how annoying. They promised it wouldn't come until June 13!,” plate 31 from Croquis Pari
“- Adelaide, Adelaide.. I think I can see the comet coming!!... - Oh my God... this is the end of the world.... how annoying. They promised it wouldn't come until June 13!,” plate 31 from Croquis Parisiens at the Art Institute of Chicago: d
Basin (Western Zhou dynasty ( 1046–771 BC ), 9th/7th century B.C.): Artwork and History
Basin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Mirror with Images of Daoist Deities (Eastern Han dynasty (25–220 CE), 2nd or 3rd century CE): Artwork and History
Mirror with Images of Daoist Deities at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Pan and Syrinx (n.d.): Artwork and History
Pan and Syrinx at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Venus and Adonis (?) with the Duck Hunt (c. 1600): Artwork and History
Venus and Adonis (?) with the Duck Hunt at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Emperor Maximilian Presented to Christ by His Patron Saints (1519): Artwork and History
The Emperor Maximilian Presented to Christ by His Patron Saints at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Nydia, The Blind Flower Girl of Pompeii (modeled 1855–56, carved 1858): Artwork and History
Nydia, The Blind Flower Girl of Pompeii at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Coat of Arms of Maximilian I as King of the Romans (c. 1517): Artwork and History
Coat of Arms of Maximilian I as King of the Romans at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Arms of the Family Kress von Kressenstein (after 1530): Artwork and History
The Arms of the Family Kress von Kressenstein at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Sixth Knot (c. 1507): Artwork and History
The Sixth Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Fifth Knot (c. 1507): Artwork and History
The Fifth Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Fourth Knot (c. 1507): Artwork and History
The Fourth Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Third Knot (c. 1507): Artwork and History
The Third Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Second Knot (c. 1507): Artwork and History
The Second Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The First Knot (c. 1507): Artwork and History
The First Knot at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Fragment (200 CE-900 CE): Artwork and History
Fragment at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Salisbury Cathedral from the Meadows: the Rainbow (1834): Artwork and History
Salisbury Cathedral from the Meadows: the Rainbow at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Wedding at Cana (c. 1686): Artwork and History
The Wedding at Cana at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Noah Smith (1798): Artwork and History
Noah Smith at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Lights of Other Days (1906): Artwork and History
Lights of Other Days at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Tunic (600-800): Artwork and History
Tunic at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
View of the Port of St.Paul, Paris (1784): Artwork and History
View of the Port of St.Paul, Paris at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
View of Port St. Bernard (1784): Artwork and History
View of Port St. Bernard at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Fragment Displaying Stepped-Fret Motif (About 200-500): Artwork and History
Fragment Displaying Stepped-Fret Motif at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Sampler (1 CE-200 CE): Artwork and History
Sampler at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Kesa (Early 19th century, Late Edo period (1789–1868)): Artwork and History
Kesa at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Bracelet (14th-15th century): Artwork and History
Bracelet at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.