Noah Smith (1798): Artwork and History
Noah Smith at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Noah Smith (1798) is in the Art Institute of Chicago collection. The museum lists its creator attribution as Ralph Earl American, 1751–1801.
The work and its context
The Art Institute of Chicago describes the work:
Ralph Earl garnered portrait commissions primarily from wealthy rural landowners in Connecticut, New York, and Vermont. A loyalist, Earl fled America for England during the Revolutionary War, developing his portrait style, in turn, by studying with Benjamin West (an American painter in London) and through contact with English artists. Returning in 1785, Earl painted this portrait of Noah Smith late in his career, having melded his British training with a simpler, linear style that appealed to his clients of the rural gentry. In this work, Smith, chief justice of the Vermont Supreme Court, sits assuredly before the viewer; the map at hand, pastoral view at left, and volumes of books behind him signal the sitter’s prominent position as a man of affairs in the young nation.
Object facts
- Title: Noah Smith
- Date: 1798
- Artist attribution: Ralph Earl American, 1751–1801
- Place of origin: Bennington
- Medium: Oil on canvas
- Dimensions: 163.2 × 107.3 cm (64 1/4 × 42 1/4 in.)
- Type: Painting
- Department: Arts of the Americas
- Reference number: 1956.126
Collection credit
Goodman Fund
View the original
Explore the artwork in the Art Institute's collection, including its image and the museum's current catalogue details.
The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.



