Afterword: Free Audiobook and Listening Guide

Afterword, credited to Madison Cawein, is available as a LibriVox volunteer audiobook. This guide identifies the recording, its source summary and its audio tracks.

About the work

The LibriVox catalogue summary, preserved with the recording, reads:

LibriVox volunteers bring you 17 recordings of Afterword by Madison Julius Cawein. This was the Weekly Poetry project for September 7, 2025. His output was thirty-six books and 1,500 poems. His writing presented Kentucky scenes in a language echoing Percy Bysshe Shelley and John Keats. He soon earned the nickname the "Keats of Kentucky". He was popular enough that, by 1900, he told the Louisville Courier-Journal that his income from publishing poetry in magazines amounted to about $100 a month. - Summary by Wikipedia

Recording facts

• Recording title: Afterword
• Author credits: Madison Cawein
• Language: English
• Original MP3 tracks: 17
• Listed recording duration: 19:06

Catalogue topics

• poetry
• philosophy
• traditions

Track guide

1. 01 - Afterword - read by AH — 1:21
2. 02 - Afterword - read by BK — 1:09
3. 03 - Afterword - read by BWC — 1:06
4. 04 - Afterword - read by CAJ — 0:56
5. 05 - Afterword - read by CRR — 1:21
6. 06 - Afterword - read by DBG — 0:58
7. 07 - Afterword - read by DC — 0:59
8. 08 - Afterword - read by DL — 1:11
9. 09 - Afterword - read by DLS — 1:11
10. 10 - Afterword - read by LAH — 1:07
11. 11 - Afterword - read by LC — 1:08
12. 12 - Afterword - read by LCW — 1:06
13. 13 - Afterword - read by MH — 1:11
14. 14 - Afterword - read by PR — 1:09
15. 15 - Afterword - read by SP — 1:05
16. 16 - Afterword - read by VLS — 1:03
17. 17 - Afterword - read by VOD — 1:05

Listen to this recording

Open the complete recording and player on Internet Archive. The player includes the full track list and available download formats.

Source and rights

This is a record from LibriVox's official Internet Archive collection, with a public-domain licence recorded in its metadata. LibriVox's policy includes its catalogue summaries as well as its recordings. Its public-domain assessment follows United States law; copyright status can differ elsewhere. The summary and track facts are reproduced and reformatted from that record. Dates attached to the archive upload are not treated as original book publication dates.