L'Art Pour l'Art: Free Audiobook and Listening Guide
L'Art Pour l'Art by Various: the LibriVox audiobook summary, 11 original MP3 tracks, 2:59:46 running time and a link to listen.
L'Art Pour l'Art, credited to Various, is available as a LibriVox volunteer audiobook. This guide identifies the recording, its source summary and its audio tracks.
About the work
The LibriVox catalogue summary, preserved with the recording, reads:
LibriVox recording of L'Art Pour l'Art by Various. Read in English by kilpatrick83; RebeccaG A disparate assemblage of lingual mastery spanning genres and prowess with an eye toward style in favor of capitulation. (summary by kilpatrick83) Tocsin was translated by W. H. Lowe (1848-1917) Maldoror was translated by John Rodker (1894-1955) Gridale was translated by F. S. Flint (1885-1960).
Recording facts
- Recording title: L'Art Pour l'Art
- Author credits: Various
- Language: English
- Original MP3 tracks: 11
- Listed recording duration: 2:59:46
Catalogue topics
- decadence
- Russian Literature
- French literature
- English literature
- art for art's sake
- genre
Track guide
- 01 - Sir Eustace Grey, by George Crabbe — 19:27
- 02 - The Stone Dog, by Sir Charles G. D. Roberts — 19:30
- 03 - Testament of a Man Forbid, by John Davidson — 13:16
- 04 - Stillness, by G. Ranger Wormser — 21:57
- 05 - Cain, by Francis S. Saltus — 10:29
- 06 - Silence, by Benjamin de Casseres — 12:29
- 07 - Mister Whistler's Ten O'Clock, by James Abbott McNeill Whistler — 32:59
- 08 - Tocsin, by Leonid Andreyev — 16:06
- 09 - from Maldoror, by Comte de Lautréamont — 25:08
- 10 - Gridale, by Jean de Bosschère — 6:43
- 11 - Lucifer in Starlight, by George Meredith — 1:42
Listen to this recording
Open the complete recording and player on Internet Archive. The player includes the full track list and available download formats.
Source and rights
This is a record from LibriVox's official Internet Archive collection, with a public-domain licence recorded in its metadata. LibriVox's policy includes its catalogue summaries as well as its recordings. Its public-domain assessment follows United States law; copyright status can differ elsewhere. The summary and track facts are reproduced and reformatted from that record. Dates attached to the archive upload are not treated as original book publication dates.
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