Six Creepy Tales by Edgar Allan Poe: Free Audiobook and Listening Guide
Six Creepy Tales by Edgar Allan Poe by Edgar Allan Poe: the LibriVox audiobook summary, 6 original MP3 tracks, 1:59:56 running time and a link to listen.
Six Creepy Tales by Edgar Allan Poe, credited to Edgar Allan Poe, is available as a LibriVox volunteer audiobook. This guide identifies the recording, its source summary and its audio tracks.
About the work
The LibriVox catalogue summary, preserved with the recording, reads:
LibriVox recording of Six Creepy Tales by Edgar Allan Poe. Read by Phil Chenevert Edgar Allan Poe has the genius to manipulate language so well that he could engage my imagination and get me terrified even though little was 'done' in the sense of horrible actions described. My imagination, under the power of his creepy words, conjured the atmosphere and amplified the scariness all by itself. In this recording I've chosen some of his stories that did this so well and succeed in leaving lingering hair raising memories with me to enjoy all through my life: The Telltale Heart; The Masque of the Red Death; The Black Cat; The Raven, the Casque of Amontillado and Berenice. I hope you enjoy listening to them as much as I did reading them. (Summary by phil chenevert)
Recording facts
- Recording title: Six Creepy Tales by Edgar Allan Poe
- Author credits: Edgar Allan Poe
- Language: English
- Original MP3 tracks: 6
- Listed recording duration: 1:59:56
Catalogue topics
- creepy
- scary
- poe
Track guide
- 1 - The Telltale Heart — 16:48
- 2 - The Masque of the Red Death — 18:27
- 3 - The Black Cat — 29:55
- 4 - The Raven — 9:28
- 5 - The Casque of Amontillado — 18:28
- 6 - Berenice — 26:52
Listen to this recording
Open the complete recording and player on Internet Archive. The player includes the full track list and available download formats.
Source and rights
This is a record from LibriVox's official Internet Archive collection, with a public-domain licence recorded in its metadata. LibriVox's policy includes its catalogue summaries as well as its recordings. Its public-domain assessment follows United States law; copyright status can differ elsewhere. The summary and track facts are reproduced and reformatted from that record. Dates attached to the archive upload are not treated as original book publication dates.
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