The Maid's Lament: Free Audiobook and Listening Guide

The Maid's Lament, credited to Walter Savage Landor, is available as a LibriVox volunteer audiobook. This guide identifies the recording, its source summary and its audio tracks.

About the work

The LibriVox catalogue summary, preserved with the recording, reads:

LibriVox volunteers bring you 11 recordings of The Maid's Lament by Walter Savage Landor.This was the Weekly Poetry project for August 25, 2019. Read in English by Algy Pug; Caitlin Buckley; ChadH94; Christina M Clark; David Lawrence; Eva Davis; Newgatenovelist; Graham Scott; Lee Ann Howlett; Tomas Peter and Kudrna. Walter Savage Landor was an English writer, poet, and activist. The critical acclaim he received from contemporary poets and reviewers was not matched by public popularity. As remarkable as his work was, it was equaled by his rumbustious character and lively temperament. - Summary by Wikipedia

Recording facts

• Recording title: The Maid's Lament
• Author credits: Walter Savage Landor
• Language: English
• Original MP3 tracks: 11
• Listed recording duration: 18:32

Catalogue topics

• lierature
• poetry
• romance
• regret

Track guide

1. 01 - The Maid's Lament - Read by ALP — 1:44
2. 02 - The Maid's Lament - Read by CB — 1:31
3. 03 - The Maid's Lament - Read by CJPH — 1:30
4. 04 - The Maid's Lament - Read by CMC — 1:33
5. 05 - The Maid's Lament - Read by DL — 1:41
6. 06 - The Maid's Lament - Read by ED — 1:35
7. 07 - The Maid's Lament - Read by EL — 1:55
8. 08 - The Maid's Lament - Read by GRS — 1:50
9. 09 - The Maid's Lament - Read by LAH — 1:52
10. 10 - The Maid's Lament - Read by TP — 1:50
11. 11 - The Maid's Lament - Read by VH — 1:30

Listen to this recording

Open the complete recording and player on Internet Archive. The player includes the full track list and available download formats.

Source and rights

This is a record from LibriVox's official Internet Archive collection, with a public-domain licence recorded in its metadata. LibriVox's policy includes its catalogue summaries as well as its recordings. Its public-domain assessment follows United States law; copyright status can differ elsewhere. The summary and track facts are reproduced and reformatted from that record. Dates attached to the archive upload are not treated as original book publication dates.