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Text, folio 411 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 411 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 412 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 412 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 413 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 413 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 414 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 414 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 415 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 415 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 416 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 416 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 417 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 417 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 418 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 418 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 419 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 419 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 420 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 420 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 421 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 421 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 422 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 422 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 423 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 423 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 424 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 424 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Text, folio 425 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.
Man's Cap at the Cleveland Museum of Art: late 1500s, embroidery; silk and silver gilt thread on linen. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris) at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Crucifixion at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Decorated Initial at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Decorated Initial at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Decorated Initial at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Annunciation at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Adoration of the Magi at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Book of Hours (Use of Paris): Presentation at the Temple at the Cleveland Museum of Art: c. 1420, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Pendant: Face in Diamond at the Cleveland Museum of Art: 1900s, Gold. Explore the work's context, creator attribution and collection history.
Bull Head Attachment at the Cleveland Museum of Art: c. 700–600 BCE, bronze. Explore the work's context, creator attribution and collection history.