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Art & Design archive — Page 87

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Spring at Cardross (1900; Cleveland 1941.632)

Spring at Cardross (1900): Art, History and Details

Spring at Cardross at the Cleveland Museum of Art: 1900, drypoint. Explore the work's context, creator attribution and collection history.

Double-Leaf Doors (1790s; Cleveland 1942.2.12)

Double-Leaf Doors (1790s): Art, History and Details

Double-Leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-Leaf Doors (1790s; Cleveland 1942.2.12.a)

Double-Leaf Doors (1790s): Art, History and Details

Double-Leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-Leaf Doors (c. 1790s; Cleveland 1942.2.12.b)

Double-Leaf Doors (c. 1790s): Art, History and Details

Double-Leaf Doors at the Cleveland Museum of Art: c. 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-leaf Doors (1790s; Cleveland 1942.2.13)

Double-leaf Doors (1790s): Art, History and Details

Double-leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-leaf Doors (1790s; Cleveland 1942.2.13.a)

Double-leaf Doors (1790s): Art, History and Details

Double-leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-leaf Doors (1790s; Cleveland 1942.2.13.b)

Double-leaf Doors (1790s): Art, History and Details

Double-leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Ladies Writing Desk (c. 1750–75; Cleveland 1942.40)

Ladies Writing Desk (c. 1750–75): Art, History and Details

Ladies Writing Desk at the Cleveland Museum of Art: c. 1750–75, Oak with straw marquetry. Explore the work's context, creator attribution and collection history.

Portrait of a Woman (c. 1540; Cleveland 1942.48)

Portrait of a Woman (c. 1540): Art, History and Details

Portrait of a Woman at the Cleveland Museum of Art: c. 1540, oil on wood. Explore the work's context, creator attribution and collection history.

A Boy in a Red-Lined Cloak (1780s; Cleveland 1942.49)

A Boy in a Red-Lined Cloak (1780s): Art, History and Details

A Boy in a Red-Lined Cloak at the Cleveland Museum of Art: 1780s, oil on wood. Explore the work's context, creator attribution and collection history.

Young Girl Carrying a Garland of Roses on a Platter (early 1770s; Cleveland 1942.50)

Young Girl Carrying a Garland of Roses on a Platter (early 1770s): Art, History and Details

Young Girl Carrying a Garland of Roses on a Platter at the Cleveland Museum of Art: early 1770s, terracotta. Explore the work's context, creator attribution and collection history.

Sleeping Endymion (1716; Cleveland 1942.51)

Sleeping Endymion (1716): Art, History and Details

Sleeping Endymion at the Cleveland Museum of Art: 1716, marble. Explore the work's context, creator attribution and collection history.

Faithful Love (1800s; Cleveland 1942.54.2)

Faithful Love (1800s): Art, History and Details

Faithful Love at the Cleveland Museum of Art: 1800s, marble. Explore the work's context, creator attribution and collection history.

Venus Anadyomène (1839; Cleveland 1942.83)

Venus Anadyomène (1839): Art, History and Details

Venus Anadyomène at the Cleveland Museum of Art: 1839, lithograph. Explore the work's context, creator attribution and collection history.

The Hundred Guilder Print, central section (c. 1649, printed later; Cleveland 1942.116)

The Hundred Guilder Print, central section (c. 1649, printed later): Art, History and Details

The Hundred Guilder Print, central section at the Cleveland Museum of Art: c. 1649, printed later, etching, drypoint, and engraving. Explore the work's context, creator attribution and collection history.

Mercenaries and a Woman with Death in a Tree (1524; Cleveland 1942.118)

Mercenaries and a Woman with Death in a Tree (1524): Art, History and Details

Mercenaries and a Woman with Death in a Tree at the Cleveland Museum of Art: 1524, woodcut. Explore the work's context, creator attribution and collection history.

Tea Bowl: Jian ware (960–1279; Cleveland 1942.129)

Tea Bowl: Jian ware (960–1279): Art, History and Details

Tea Bowl: Jian ware at the Cleveland Museum of Art: 960–1279, stoneware. Explore the work's context, creator attribution and collection history.

Nagakubo (Station 28) from the series Sixty-Nine Stations of the Kisokaido (1835 or 1836; Cleveland 1942.144)

Nagakubo (Station 28) from the series Sixty-Nine Stations of the Kisokaido (1835 or 1836): Art, History and Details

Nagakubo (Station 28) from the series Sixty-Nine Stations of the Kisokaido at the Cleveland Museum of Art: 1835 or 1836, color woodblock print. Explore the work's context, creator attribution and collection history.

Night Rain at the Azuma Shrine (from the series Eight Views of the Environs of Edo) (mid-1830s; Cleveland 1942.145)

Night Rain at the Azuma Shrine (from the series Eight Views of the Environs of Edo) (mid-1830s): Art, History and Details

Night Rain at the Azuma Shrine (from the series Eight Views of the Environs of Edo) at the Cleveland Museum of Art: mid-1830s, color woodblock print. Explore the work's context, creator attribution and collection history.

Altarpiece with Buddha Enthroned (mid-1100s; Cleveland 1942.149)

Altarpiece with Buddha Enthroned (mid-1100s): Art, History and Details

Altarpiece with Buddha Enthroned at the Cleveland Museum of Art: mid-1100s, bronze. Explore the work's context, creator attribution and collection history.

Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152)

Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 1 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.1.b)

Text, folio 1 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 1 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 2 (recto), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.2.a)

Text, folio 2 (recto), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 2 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 2 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.2.b)

Text, folio 2 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 2 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 3 (recto), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.3.a)

Text, folio 3 (recto), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 3 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 3 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.3.b)

Text, folio 3 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 3 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 4 (recto), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.4.a)

Text, folio 4 (recto), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 4 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 4 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.4.b)

Text, folio 4 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 4 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 5 (recto), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.5.a)

Text, folio 5 (recto), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 5 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Portrait of Matthew, folio 6 (recto), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.6.a)

Portrait of Matthew, folio 6 (recto), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Portrait of Matthew, folio 6 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection histo

Text, folio 5 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.5.b)

Text, folio 5 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 5 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 6 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.6.b)

Text, folio 6 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 6 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 7 (recto), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.7.a)

Text, folio 7 (recto), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 7 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 7 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.7.b)

Text, folio 7 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 7 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 8 (recto), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.8.a)

Text, folio 8 (recto), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 8 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 8 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.8.b)

Text, folio 8 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 8 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 9 (recto), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.9.a)

Text, folio 9 (recto), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 9 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 9 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.9.b)

Text, folio 9 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 9 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 10 (recto), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.10.a)

Text, folio 10 (recto), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 10 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 10 (verso), from a Gospel Book with Commentaries (c. 1000–1100; Cleveland 1942.152.10.b)

Text, folio 10 (verso), from a Gospel Book with Commentaries (c. 1000–1100): Art, History and Details

Text, folio 10 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.