Spring at Cardross (1900): Art, History and Details
Spring at Cardross at the Cleveland Museum of Art: 1900, drypoint. Explore the work's context, creator attribution and collection history.
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Spring at Cardross at the Cleveland Museum of Art: 1900, drypoint. Explore the work's context, creator attribution and collection history.

Double-Leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-Leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-Leaf Doors at the Cleveland Museum of Art: c. 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Double-leaf Doors at the Cleveland Museum of Art: 1790s, oil on wood. Explore the work's context, creator attribution and collection history.

Ladies Writing Desk at the Cleveland Museum of Art: c. 1750–75, Oak with straw marquetry. Explore the work's context, creator attribution and collection history.

Portrait of a Woman at the Cleveland Museum of Art: c. 1540, oil on wood. Explore the work's context, creator attribution and collection history.

A Boy in a Red-Lined Cloak at the Cleveland Museum of Art: 1780s, oil on wood. Explore the work's context, creator attribution and collection history.

Young Girl Carrying a Garland of Roses on a Platter at the Cleveland Museum of Art: early 1770s, terracotta. Explore the work's context, creator attribution and collection history.

Sleeping Endymion at the Cleveland Museum of Art: 1716, marble. Explore the work's context, creator attribution and collection history.

Faithful Love at the Cleveland Museum of Art: 1800s, marble. Explore the work's context, creator attribution and collection history.

Venus Anadyomène at the Cleveland Museum of Art: 1839, lithograph. Explore the work's context, creator attribution and collection history.

The Hundred Guilder Print, central section at the Cleveland Museum of Art: c. 1649, printed later, etching, drypoint, and engraving. Explore the work's context, creator attribution and collection history.

Mercenaries and a Woman with Death in a Tree at the Cleveland Museum of Art: 1524, woodcut. Explore the work's context, creator attribution and collection history.

Tea Bowl: Jian ware at the Cleveland Museum of Art: 960–1279, stoneware. Explore the work's context, creator attribution and collection history.

Nagakubo (Station 28) from the series Sixty-Nine Stations of the Kisokaido at the Cleveland Museum of Art: 1835 or 1836, color woodblock print. Explore the work's context, creator attribution and collection history.

Night Rain at the Azuma Shrine (from the series Eight Views of the Environs of Edo) at the Cleveland Museum of Art: mid-1830s, color woodblock print. Explore the work's context, creator attribution and collection history.

Altarpiece with Buddha Enthroned at the Cleveland Museum of Art: mid-1100s, bronze. Explore the work's context, creator attribution and collection history.

Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 1 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 2 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 2 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 3 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 3 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 4 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 4 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 5 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Portrait of Matthew, folio 6 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection histo

Text, folio 5 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 6 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 7 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 7 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 8 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 8 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 9 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 9 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 10 (recto), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.

Text, folio 10 (verso), from a Gospel Book with Commentaries at the Cleveland Museum of Art: c. 1000–1100, ink, tempera, and gold on vellum; leather binding. Explore the work's context, creator attribution and collection history.