Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Siyavush on His Horse Hitting a Rolling Target, from a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025) (recto) at the Cleveland Museum of Art: late 1400s, Opaque watercolor, silver, gold, and ink on paper. Explore the work's context
Persian verses (verso) from a Shahnama (Book of Kings) of Firdausi (940-1019 or 1025) at the Cleveland Museum of Art: late 1400s, opaque watercolor, ink, and gold on paper. Explore the work's context, creator attribution and collection hist
The Bell Telephone Building, Cleveland, Ohio at the Cleveland Museum of Art: 1926–27, etching. Explore the work's context, creator attribution and collection history.
Market Place, No. 1, Cleveland, Ohio at the Cleveland Museum of Art: 1926, etching. Explore the work's context, creator attribution and collection history.
Market Place, No. 2, Cleveland, Ohio at the Cleveland Museum of Art: 1926, etching. Explore the work's context, creator attribution and collection history.
Wash Line at the Cleveland Museum of Art: 1927, etching. Explore the work's context, creator attribution and collection history.
Brooklyn Bridge, New York at the Cleveland Museum of Art: 1927, drypoint. Explore the work's context, creator attribution and collection history.
Loading Hay at the Cleveland Museum of Art: 1926, drypoint. Explore the work's context, creator attribution and collection history.
Skyline at the Cleveland Museum of Art: 1926, drypoint. Explore the work's context, creator attribution and collection history.
Nürenberg at the Cleveland Museum of Art: 1929, lithograph. Explore the work's context, creator attribution and collection history.
If you knew how pretty you are! at the Cleveland Museum of Art: 1841, lithograph. Explore the work's context, creator attribution and collection history.
Bust of Mademoiselle Lender at the Cleveland Museum of Art: 1895, lithograph. Explore the work's context, creator attribution and collection history.
Yvette Guilbert: Sur la scène at the Cleveland Museum of Art: 1898, lithograph. Explore the work's context, creator attribution and collection history.
Romaine Lacaux at the Cleveland Museum of Art: 1864, oil on fabric. Explore the work's context, creator attribution and collection history.
The Biglin Brothers Turning the Stake at the Cleveland Museum of Art: 1873, graphite and brush and brown wash. Explore the work's context, creator attribution and collection history.
Adoration of the Magi at the Cleveland Museum of Art: 1482, engraving. Explore the work's context, creator attribution and collection history.
Silk and Gold Textile at the Cleveland Museum of Art: 1360–1400, lampas weave, silk and gold thread. Explore the work's context, creator attribution and collection history.
Three-Part Pitcher at the Cleveland Museum of Art: c. 800–700 BCE, earthenware, unglazed slip. Explore the work's context, creator attribution and collection history.
Amitabha at the Cleveland Museum of Art: mid-1000s, gilt bronze. Explore the work's context, creator attribution and collection history.
Halberd Standard at the Cleveland Museum of Art: c. 600–221 BCE, bronze inlaid with silver. Explore the work's context, creator attribution and collection history.
Head of Buddha at the Cleveland Museum of Art: early 800s, volcanic stone. Explore the work's context, creator attribution and collection history.
Altar Cross at the Cleveland Museum of Art: c. 1300–1310, gilt copper, champlevé enamel, gemstones, on wood core. Explore the work's context, creator attribution and collection history.
Mourning Virgin at the Cleveland Museum of Art: early 1400s, gilt copper. Explore the work's context, creator attribution and collection history.
Mourning Saint John the Evangelist at the Cleveland Museum of Art: early 1400s, gilt copper. Explore the work's context, creator attribution and collection history.
Mask at the Cleveland Museum of Art: 1–550 CE, greenstone. Explore the work's context, creator attribution and collection history.
Portrait of Louis XVIII at the Cleveland Museum of Art: c. 1822, watercolor on ivory in a gilt metal and enamel frame. Explore the work's context, creator attribution and collection history.
Portrait of a Man at the Cleveland Museum of Art: c. 1790, watercolor on ivory in a gold frame with blue and white enamel. Explore the work's context, creator attribution and collection history.
Portrait of the Hon. Anne Annesley, later Countess of Mountnorris at the Cleveland Museum of Art: c. 1800, watercolor on ivory in a gold frame. Explore the work's context, creator attribution and collection history.
Portrait of a Woman at a Harpsichord at the Cleveland Museum of Art: c. 1788, watercolor on ivory in a 19th-century stamped gold and gilt metal frame. Explore the work's context, creator attribution and collection history.
Portrait of Sir Thomas Baring, 2nd Baronet at the Cleveland Museum of Art: 1803, watercolor on ivory in a gilt metal frame with plaited brown hair in glazed reserve on back. Explore the work's context, creator attribution and collection his
Portrait of Ivan Grigorevich, Count Chernyshev at the Cleveland Museum of Art: c. 1785, watercolor on ivory in a later gilt metal and enamel frame. Explore the work's context, creator attribution and collection history.
Portrait of Lady Grace Anna Newenham at the Cleveland Museum of Art: 1784, watercolor on ivory. Explore the work's context, creator attribution and collection history.
Portrait of Susan Coren Towers at the Cleveland Museum of Art: 1796, watercolor on ivory. Explore the work's context, creator attribution and collection history.
Portrait of a Woman at the Cleveland Museum of Art: c. 1670, enamel in a silver gilt frame. Explore the work's context, creator attribution and collection history.
Portrait of a Young Man at the Cleveland Museum of Art: c. 1805, watercolor on ivory in original gold frame. Explore the work's context, creator attribution and collection history.
Portrait of Arthur Wellesley, later 1st Duke of Wellington at the Cleveland Museum of Art: c. 1806–7, watercolor on ivory in a gilt wood frame. Explore the work's context, creator attribution and collection history.
Portrait of Mrs. Nathaniel Bailey, née Lamack at the Cleveland Museum of Art: c. 1776, graphite and wash on laid paper in a modern gold frame. Explore the work's context, creator attribution and collection history.
Portrait of Lieutenant General Daniel Burr at the Cleveland Museum of Art: 1799, watercolor on ivory in a gold frame with glazed hair reverse. Explore the work's context, creator attribution and collection history.
Portrait of an Officer at the Cleveland Museum of Art: c. 1794, watercolor on ivory in a contemporary gold frame with plain back. Explore the work's context, creator attribution and collection history.
Portrait of Sandford Peacocke at the Cleveland Museum of Art: 1801, watercolor on ivory in a gold frame with glazed reverse. Explore the work's context, creator attribution and collection history.