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The Temple of Flora, or Garden of Nature: A Group of Auriculas at the Cleveland Museum of Art: 1803, aquatint, stipple, and etching with watercolor added by hand. Explore the work's context, creator attribution and collection history.
The Prophets: Jeremiah at the Cleveland Museum of Art: c. 1470–75, engraving. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (recto) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (recto) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (recto) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (recto) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (recto) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (recto) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Leaf from a Buddhist Manuscript (recto) at the Cleveland Museum of Art: c. 1700, fiber paper. Explore the work's context, creator attribution and collection history.
Top Cover for a Buddhist Manuscript (recto) at the Cleveland Museum of Art: c. 1700, Gum tempera on wood. Explore the work's context, creator attribution and collection history.
Bottom Cover for a Buddhist Manuscript (recto) at the Cleveland Museum of Art: c. 1700, Gum tempera on wood. Explore the work's context, creator attribution and collection history.
Top Cover for a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, Gum tempera on wood. Explore the work's context, creator attribution and collection history.
Bottom Cover for a Buddhist Manuscript (verso) at the Cleveland Museum of Art: c. 1700, Gum tempera on wood. Explore the work's context, creator attribution and collection history.
Condemnation and Martyrdom of Saint Lawrence at the Cleveland Museum of Art: c. 1180, gilded copper, champlevé enamel. Explore the work's context, creator attribution and collection history.
Pyx at the Cleveland Museum of Art: c. 1170–1180, gilded copper, champlevé and cloisonné enamel, wood core (modern). Explore the work's context, creator attribution and collection history.
Head of a Tahitian Woman at the Cleveland Museum of Art: 1891, graphite with stumping and graphite wash on parchment. Explore the work's context, creator attribution and collection history.
Section of Silk Fabric with Falconers Amid Rose Bushes at the Cleveland Museum of Art: c. 1675, Silk and silver-metal thread: twill weave with complementary and discontinuous weft. Explore the work's context, creator attribution and collect
Ceremonial Mace (Club) Head: Feline (Jaguar?) at the Cleveland Museum of Art: c. 300 BCE–600 CE, stone. Explore the work's context, creator attribution and collection history.
Mentuemhat as Priest with Staff and Scepter at the Cleveland Museum of Art: c. 667–647 BCE, limestone. Explore the work's context, creator attribution and collection history.
Seated Couple: Mentuemhat's Ancestors at the Cleveland Museum of Art: c. 667–647 BCE, limestone. Explore the work's context, creator attribution and collection history.
Female Offering Bearer at the Cleveland Museum of Art: c. 667–647 BCE, limestone. Explore the work's context, creator attribution and collection history.
Male Offering Bearer at the Cleveland Museum of Art: c. 667–647 BCE, limestone. Explore the work's context, creator attribution and collection history.
Marsh Scene with Cat and Birds at the Cleveland Museum of Art: c. 667–647 BCE, limestone. Explore the work's context, creator attribution and collection history.
Spearing Fish at the Cleveland Museum of Art: c. 667–647 BCE, limestone. Explore the work's context, creator attribution and collection history.
Orphrey Band: The Tree of Jesse at the Cleveland Museum of Art: c. 1350, Silk, gold and silver thread, linen; embroidery: split and couching stitches. Explore the work's context, creator attribution and collection history.
The Breaking Waves, Tide of September 1901 at the Cleveland Museum of Art: 1901, color woodcut. Explore the work's context, creator attribution and collection history.
Initial T from a Choral Book with Isaac and Esau at the Cleveland Museum of Art: c. 1460–70, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.
![Initial D[eus in loco] with a Prophet Excised from a Gradual (1409–10; Cleveland 1949.536)](https://openaccess-cdn.clevelandart.org/1949.536/1949.536_web.jpg)
Initial D[eus in loco] with a Prophet Excised from a Gradual at the Cleveland Museum of Art: 1409–10, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
![Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity (c. 1410; Cleveland 1949.537)](https://openaccess-cdn.clevelandart.org/1949.537/1949.537_web.jpg)
Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity at the Cleveland Museum of Art: c. 1410, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.
Cabinet at the Cleveland Museum of Art: c. 1690, ebony, marquetry in metal and tortoise shell. Explore the work's context, creator attribution and collection history.
Side Drawer for Cabinet at the Cleveland Museum of Art: c. 1690, ebony, marquetry in metal and tortoise shell. Explore the work's context, creator attribution and collection history.
Marble Top for Cabinet at the Cleveland Museum of Art: c. 1690, ebony, marquetry in metal and tortoiseshell. Explore the work's context, creator attribution and collection history.