Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity (c. 1410): Art, History and Details
Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity at the Cleveland Museum of Art: c. 1410, ink, tempera, and gold on parchment. Explore the work's context, creator attribution and collection history.
![Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity (c. 1410; Cleveland 1949.537)](https://openaccess-cdn.clevelandart.org/1949.537/1949.537_web.jpg)
Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity (c. 1410) is in the Cleveland Museum of Art collection.
The work and its context
The museum's open-access catalogue describes the work:
This beautiful initial comes from a choral book called an antiphonary. The text introduced by this initial is the antiphon that follows the reading of the nine psalms in the office of prime: Gloria tibi Trinitas... (Glory be to the Trinity). By the later Middle Ages, artists were representing the Trinity (Father, Son, and Holy Ghost) in the form shown here.
Object facts
- Title: Cutting from an Antiphonary: Initial G[loria tibi Trinitas]: The Trinity
- Date: c. 1410
- Culture: Bohemia, Prague, early 15th Century
- Type: Manuscript
- Technique: ink, tempera, and gold on parchment
- Dimensions: Sheet: 13 x 11 cm (5 1/8 x 4 5/16 in.)
- Collection: MED - Manuscript Illuminations
- Department: Medieval Art
- Accession number: 1949.537
Collection credit
Purchase from the J. H. Wade Fund
View the collection record
See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.



