Double Cup (Mazer) (c. 1530): Art, History and Details
Double Cup (Mazer) at the Cleveland Museum of Art: c. 1530, maple wood with gilt-silver mounts. Explore the work's context, creator attribution and collection history.
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →

Double Cup (Mazer) at the Cleveland Museum of Art: c. 1530, maple wood with gilt-silver mounts. Explore the work's context, creator attribution and collection history.

Double Cup (Mazer) (lid) at the Cleveland Museum of Art: c. 1530, maple wood with gilt-silver mounts. Explore the work's context, creator attribution and collection history.

Fragment with confronted animal medallions and kufic bands at the Cleveland Museum of Art: 1480–1649 (radiocarbon date, 95% probability), Silk: diasper, tabby weave. Explore the work's context, creator attribution and collection history.

Chasuble Back with Embroidered Orphrey Band at the Cleveland Museum of Art: 1415–25, Velvet: cut pile and voided; silk, gold and silver thread: embroidery; split and couching stitches. Explore the work's context, creator attribution and col

Buddha of the Future (Miroku Bosatsu) at the Cleveland Museum of Art: late 600s, cast bronze, incised, with traces of gilding. Explore the work's context, creator attribution and collection history.

Reading at the Cleveland Museum of Art: 1873, oil on canvas. Explore the work's context, creator attribution and collection history.

Inscribed Tombstone of Shaikh al-Husain ibn Abdallah ibn al-Hasan (died 1110) at the Cleveland Museum of Art: 1110, limestone. Explore the work's context, creator attribution and collection history.

Café Wepler at the Cleveland Museum of Art: c. 1908–10, reworked in 1912, oil on fabric. Explore the work's context, creator attribution and collection history.

Buddha of the Future (Miroku Bosatsu) at the Cleveland Museum of Art: late 600s, cast bronze, incised, with traces of gilding. Explore the work's context, creator attribution and collection history.

Halo for Buddha of the Future (Miroku Bosatsu) at the Cleveland Museum of Art: late 600s, cast bronze, incised, with traces of gilding. Explore the work's context, creator attribution and collection history.

Altar Frontal with the Lamentation at the Cleveland Museum of Art: c. 1474, Wool, silk, gold and silver threads. Explore the work's context, creator attribution and collection history.

Fragment with Lion Strangler from a Dalmatic of Saint Bernard Calvo at the Cleveland Museum of Art: 1200–1243, Silk and gold thread: lampas, taqueté, and plain-weave variant. Explore the work's context, creator attribution and collection hi

Fragment of a Tunic at the Cleveland Museum of Art: 400s, tabby weave with inwoven tapestry ornament: linen. Explore the work's context, creator attribution and collection history.

Leaf from a Greek Psalter and New Testament at the Cleveland Museum of Art: 1084, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.

Plate with Arms of the Vitelleschi Family at the Cleveland Museum of Art: 1527, tin-glazed earthenware with gold luster (maiolica). Explore the work's context, creator attribution and collection history.

Plate Depicting the Myth of Cadmus at the Cleveland Museum of Art: 1526, tin-glazed earthenware with gold lustre (maiolica). Explore the work's context, creator attribution and collection history.

Bowl at the Cleveland Museum of Art: c. 1665, Wheel engraved glass; enamel. Explore the work's context, creator attribution and collection history.

Cup at the Cleveland Museum of Art: c. 1720, glass. Explore the work's context, creator attribution and collection history.

Eccentric Flint at the Cleveland Museum of Art: 600–900, chipped flint. Explore the work's context, creator attribution and collection history.

A Hussar Officer on Horseback at the Cleveland Museum of Art: 1812, black and white chalk. Explore the work's context, creator attribution and collection history.

The Holy Family (Christ in the Lap of Truth) at the Cleveland Museum of Art: c. 1805, black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow, and green wash. Explore the work's context, creator attribution and co

The Knight and Lansquenet at the Cleveland Museum of Art: c. 1512, chiaroscuro woodcut (in blue and black). Explore the work's context, creator attribution and collection history.

Portrait of a Man, Possibly Girolamo Rosati at the Cleveland Museum of Art: 1533–34, oil on canvas. Explore the work's context, creator attribution and collection history.

The Annunciation at the Cleveland Museum of Art: c. 1580, oil on canvas. Explore the work's context, creator attribution and collection history.

A Bearded Man Wearing a Hat at the Cleveland Museum of Art: c. 1655–60, oil on canvas. Explore the work's context, creator attribution and collection history.

Fortune at the Cleveland Museum of Art: 1901, graphite. Explore the work's context, creator attribution and collection history.

The King's Sons Shooting at their Dead Father's Body at the Cleveland Museum of Art: 1495–1504, engraving on olive-gray tinted paper. Explore the work's context, creator attribution and collection history.

Man's Nightcap at the Cleveland Museum of Art: late 1500s, Silk, silver thread, plaited braiding, linen; embroidery: chain and buttonhole stitches. Explore the work's context, creator attribution and collection history.

Ikat tiraz at the Cleveland Museum of Art: 960–80, resist-dyed warp (ikat); plain weave with inscription: cotton and gold leaf. Explore the work's context, creator attribution and collection history.

Turban end with tiraz at the Cleveland Museum of Art: 983–990, plain weave with inwoven tapestry weave: linen and silk. Explore the work's context, creator attribution and collection history.

Crucifix at the Cleveland Museum of Art: 1500s, silver. Explore the work's context, creator attribution and collection history.

Miniature Excised from a Gospel Book: The Symbol of St. Matthew (recto) and Canon Tables (verso) at the Cleveland Museum of Art: c. 1125–50, ink and tempera on vellum. Explore the work's context, creator attribution and collection history.
![Miniature Excised from a Gospel Book with Initial L[iber generationis]: The Symbol of Saint Matthew (recto) (c. 1125–50; Cleveland 1950.373.a)](https://openaccess-cdn.clevelandart.org/1950.373.a/1950.373.a_web.jpg)
Miniature Excised from a Gospel Book with Initial L[iber generationis]: The Symbol of Saint Matthew (recto) at the Cleveland Museum of Art: c. 1125–50, ink and tempera on vellum. Explore the work's context, creator attribution and collectio

Miniature from a Mariegola: The Flagellation at the Cleveland Museum of Art: c. 1365–75, tempera and gold on parchment. Explore the work's context, creator attribution and collection history.

Base for a Satyr and Satyress Group at the Cleveland Museum of Art: early 1500s or later, bronze. Explore the work's context, creator attribution and collection history.

Chalice from the Beth Misona Treasure at the Cleveland Museum of Art: c. 500–700, silver. Explore the work's context, creator attribution and collection history.

Chalice from the Beth Misona Treasure at the Cleveland Museum of Art: c. 500–700, silver. Explore the work's context, creator attribution and collection history.

Chalice from the Beth Misona Treasure at the Cleveland Museum of Art: c. 500–700, silver. Explore the work's context, creator attribution and collection history.

Paten (Dedicated to Saint Sergius) from the Beth Misona Treasure at the Cleveland Museum of Art: c. 500, silver. Explore the work's context, creator attribution and collection history.

Ring at the Cleveland Museum of Art: 1300s, gilded silver, sapphire. Explore the work's context, creator attribution and collection history.