Sagot's Gallery (1898): Art, History and Details
Sagot's Gallery at the Cleveland Museum of Art: 1898, color lithograph. Explore the work's context, creator attribution and collection history.
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Sagot's Gallery at the Cleveland Museum of Art: 1898, color lithograph. Explore the work's context, creator attribution and collection history.

Sagot's Gallery at the Cleveland Museum of Art: 1898, color separation proof in black. Explore the work's context, creator attribution and collection history.

Sagot's Gallery at the Cleveland Museum of Art: 1898, color proof of the Remarque Woman with Cat. Explore the work's context, creator attribution and collection history.

Sagot's Gallery at the Cleveland Museum of Art: 1898, color separation proof in green. Explore the work's context, creator attribution and collection history.

Embroidered Sleeve from a Dalmatic at the Cleveland Museum of Art: 1500–1525, Silk, gold and silver thread; velvet, embroidery: or nué (shaded gold), split, satin, and couching stitches. Explore the work's context, creator attribution and c

Academic Nude, Reclining on a Sofa at the Cleveland Museum of Art: c. 1855, salted paper print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Fear at the Cleveland Museum of Art: 1866, etching. Explore the work's context, creator attribution and collection history.

Vessel with Oculate Being at the Cleveland Museum of Art: 300 BCE–1 CE, earthenware with resin-based paint. Explore the work's context, creator attribution and collection history.

Architectural Bracket with Wrestlers at the Cleveland Museum of Art: 100s–200s CE, schist. Explore the work's context, creator attribution and collection history.

Westminster Abbey at the Cleveland Museum of Art: before 1844, salted paper print from calotype negative. Explore the work's context, creator attribution and collection history.

Portrait of Edmond Cottinet (1824-1895) at the Cleveland Museum of Art: c. 1848–50, salted paper print from a paper negative. Explore the work's context, creator attribution and collection history.

Ut Pictura Poesis at the Cleveland Museum of Art: 1745–1746, Gray wash, watercolor, graphite, black chalk, and red chalk on cream laid paper. Explore the work's context, creator attribution and collection history.

Set of Bells with Diamond-Shaped Insignia at the Cleveland Museum of Art: 300s–100s BCE, bronze. Explore the work's context, creator attribution and collection history.

Bell with Diamond-Shaped Insignia at the Cleveland Museum of Art: 300s–100s BCE, bronze. Explore the work's context, creator attribution and collection history.

Bell with Diamond-Shaped Insignia at the Cleveland Museum of Art: 300s–100s BCE, bronze. Explore the work's context, creator attribution and collection history.

Bell with Diamond-Shaped Insignia at the Cleveland Museum of Art: 300s–100s BCE, bronze. Explore the work's context, creator attribution and collection history.

Bell with Diamond-Shaped Insignia at the Cleveland Museum of Art: 300s–100s BCE, bronze. Explore the work's context, creator attribution and collection history.

Eighteen Views of Huzhou at the Cleveland Museum of Art: c. 1588, Album of eighteen leaves; ink and color on silk. Explore the work's context, creator attribution and collection history.

Xintang (Immortal's Peak) at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Mt. Shenchang at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Guiyun Shrine at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Mt. Fenghuang (Mt. Phoenix) at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Mt. Wuzhan at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Mt. Biyan (Green Cliff) at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Mt. Dong (Grotto Mountain) at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Yutai Peak (Jade Terrace Peak) at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Huanglong Cave (Yellow Dragon Cave) at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Fushan Monastery at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Hexi at the Cleveland Museum of Art: c. 1588, Album leaf; ink and color on silk. Explore the work's context, creator attribution and collection history.

Maharana Jagat Singh II Hunting at the Cleveland Museum of Art: 1747, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.

Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems at the Cleveland Museum of Art: c. 1765–74, Etchings, mounted in album form, 16 leaves plus two additional leaves of inscriptions. Explore the work's co

Receiving Surrender from the Eli: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems at the Cleveland Museum of Art: c. 1765–74; poem dated 1755, etching, mounted in album form, 16 leaves plus two a

Battle at Heshi Kuluke: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems at the Cleveland Museum of Art: c. 1765–74; poem dated 1766, etching, mounted in album form, 16 leaves plus two additional

Battle at A'erchu'er: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems at the Cleveland Museum of Art: c. 1765–74; poem dated 1766, etching, mounted in album form, 16 leaves plus two additional le

Battle at Yixi'er Ku'ernao'er: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems at the Cleveland Museum of Art: c. 1765–74; poem dated 1766, etching, mounted in album form, 16 leaves plus two addi

Attacking the Camp at Gatan Ola: from Battle Scenes of the Quelling of Rebellions in the Western Region, with Imperial Poems at the Cleveland Museum of Art: c. 1765–74; poem dated 1755, etching, mounted in album form, 16 leaves plus two add

The Battle at Elei Zhalatu: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems at the Cleveland Museum of Art: c. 1765–74; poem dated 1766, etching, mounted in album form, 16 leaves plus two additio

Victory at Heluo Heshi: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems at the Cleveland Museum of Art: c. 1765–74; poem dated 1758, etching, mounted in album form, 16 leaves plus two additional

Battle of Kulongkui: from Battle Scenes of the Quelling of Rebellions in the Western Regions, with Imperial Poems at the Cleveland Museum of Art: c. 1765–74; poem dated 1766, etching, mounted in album form, 16 leaves plus two additional lea

Chieftain Wushe Surrendering the City: from Battle Scenes of the Quelling of the Rebellions in the Western Regions, with imperial Poems at the Cleveland Museum of Art: c. 1765–74; poem dated 1758, etching, mounted in album form, 16 leaves p