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Lifestyle archive — Page 320

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Book of Hours (Use of Utrecht): fol. 174v, Text (c. 1460–1465; Cleveland 1998.124.174.b)

Book of Hours (Use of Utrecht): fol. 174v, Text (c. 1460–1465): Art, History and Details

Book of Hours (Use of Utrecht): fol. 174v, Text at the Cleveland Museum of Art: c. 1460–1465, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards. Explore the work's context, creator attribution and collecti

Book of Hours (Use of Utrecht): fol. 175r, Text (c. 1460–1465; Cleveland 1998.124.175.a)

Book of Hours (Use of Utrecht): fol. 175r, Text (c. 1460–1465): Art, History and Details

Book of Hours (Use of Utrecht): fol. 175r, Text at the Cleveland Museum of Art: c. 1460–1465, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards. Explore the work's context, creator attribution and collecti

Book of Hours (Use of Utrecht): fol. 221v, Adoration of the Magi (c. 1460–1465; Cleveland 1998.124.221.b)

Book of Hours (Use of Utrecht): fol. 221v, Adoration of the Magi (c. 1460–1465): Art, History and Details

Book of Hours (Use of Utrecht): fol. 221v, Adoration of the Magi at the Cleveland Museum of Art: c. 1460–1465, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards. Explore the work's context, creator attribu

Book of Hours (Use of Utrecht): fol. 222r, Initial with Three Kings (c. 1460–1465; Cleveland 1998.124.222.a)

Book of Hours (Use of Utrecht): fol. 222r, Initial with Three Kings (c. 1460–1465): Art, History and Details

Book of Hours (Use of Utrecht): fol. 222r, Initial with Three Kings at the Cleveland Museum of Art: c. 1460–1465, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards. Explore the work's context, creator attr

Book of Hours (Use of Utrecht): fol. 62v, The Nativity (c. 1460–1465; Cleveland 1998.124.62.b)

Book of Hours (Use of Utrecht): fol. 62v, The Nativity (c. 1460–1465): Art, History and Details

Book of Hours (Use of Utrecht): fol. 62v, The Nativity at the Cleveland Museum of Art: c. 1460–1465, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards. Explore the work's context, creator attribution and c

Book of Hours (Use of Utrecht): fol. 63r, Initial with Holy Trinity (c. 1460–1465; Cleveland 1998.124.63.a)

Book of Hours (Use of Utrecht): fol. 63r, Initial with Holy Trinity (c. 1460–1465): Art, History and Details

Book of Hours (Use of Utrecht): fol. 63r, Initial with Holy Trinity at the Cleveland Museum of Art: c. 1460–1465, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards. Explore the work's context, creator attr

Gorges Du Tarn Castelbouc (1870s; Cleveland 1998.154)

Gorges Du Tarn Castelbouc (1870s): Art, History and Details

Gorges Du Tarn Castelbouc at the Cleveland Museum of Art: 1870s, salted paper print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Well of Joab, Jerusalem (1857; Cleveland 1998.157)

Well of Joab, Jerusalem (1857): Art, History and Details

Well of Joab, Jerusalem at the Cleveland Museum of Art: 1857, salt print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Portrait of Lisa Colt Curtis (1898; Cleveland 1998.168)

Portrait of Lisa Colt Curtis (1898): Art, History and Details

Portrait of Lisa Colt Curtis at the Cleveland Museum of Art: 1898, oil on canvas. Explore the work's context, creator attribution and collection history.

Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu) (c. 1525; Cleveland 1998.169)

Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu) (c. 1525): Art, History and Details

Poem on Imperial Gift of an Embroidered Silk: Calligraphy in Running-Standard Script (xingkaishu) at the Cleveland Museum of Art: c. 1525, Hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.

Storage Jar: Sueki ware (700s; Cleveland 1998.170)

Storage Jar: Sueki ware (700s): Art, History and Details

Storage Jar: Sueki ware at the Cleveland Museum of Art: 700s, stoneware with incised and impressed decoration and natural ash glaze. Explore the work's context, creator attribution and collection history.

Woman Reading to Two Children (1824–25; Cleveland 1998.171)

Woman Reading to Two Children (1824–25): Art, History and Details

Woman Reading to Two Children at the Cleveland Museum of Art: 1824–25, lithograph. Explore the work's context, creator attribution and collection history.

Kriophoros (Ram-Bearer), Statuette (650–600 BCE; Cleveland 1998.172)

Kriophoros (Ram-Bearer), Statuette (650–600 BCE): Art, History and Details

Kriophoros (Ram-Bearer), Statuette at the Cleveland Museum of Art: 650–600 BCE, terracotta and polychrome. Explore the work's context, creator attribution and collection history.

Statuette of a Horse (750–700 BCE; Cleveland 1998.173)

Statuette of a Horse (750–700 BCE): Art, History and Details

Statuette of a Horse at the Cleveland Museum of Art: 750–700 BCE, bronze. Explore the work's context, creator attribution and collection history.

Artist (or Assistant) with Pipe (1853–1857; Cleveland 1998.174)

Artist (or Assistant) with Pipe (1853–1857): Art, History and Details

Artist (or Assistant) with Pipe at the Cleveland Museum of Art: 1853–1857, salt print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Battery, Malakoff (1855; Cleveland 1998.175)

Battery, Malakoff (1855): Art, History and Details

Battery, Malakoff at the Cleveland Museum of Art: 1855, varnished salt or albumen print from waxed paper negative. Explore the work's context, creator attribution and collection history.

Courtyard with Painters (late 1860s; Cleveland 1998.176)

Courtyard with Painters (late 1860s): Art, History and Details

Courtyard with Painters at the Cleveland Museum of Art: late 1860s, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Operating on Guan Yu's Arm (1840s; Cleveland 1998.178)

Operating on Guan Yu's Arm (1840s): Art, History and Details

Operating on Guan Yu's Arm at the Cleveland Museum of Art: 1840s, hanging scroll; ink, color, and gold on silk. Explore the work's context, creator attribution and collection history.

Saint-Tropez (1897; Cleveland 1998.185)

Saint-Tropez (1897): Art, History and Details

Saint-Tropez at the Cleveland Museum of Art: 1897, color lithograph. Explore the work's context, creator attribution and collection history.

Self-Portrait (negative) (c. 1853; Cleveland 1998.195)

Self-Portrait (negative) (c. 1853): Art, History and Details

Self-Portrait (negative) at the Cleveland Museum of Art: c. 1853, waxed paper negative. Explore the work's context, creator attribution and collection history.

Don Quixote (vol II) (1863; Cleveland 1998.197.2)

Don Quixote (vol II) (1863): Art, History and Details

Don Quixote (vol II) at the Cleveland Museum of Art: 1863, wood engraving. Explore the work's context, creator attribution and collection history.

Plate (c. 1760; Cleveland 1998.257)

Plate (c. 1760): Art, History and Details

Plate at the Cleveland Museum of Art: c. 1760, salt-glazed stoneware. Explore the work's context, creator attribution and collection history.

Young Girl Seated on Straw, Leaning on a Basket (1862; Cleveland 1998.273)

Young Girl Seated on Straw, Leaning on a Basket (1862): Art, History and Details

Young Girl Seated on Straw, Leaning on a Basket at the Cleveland Museum of Art: 1862, albumen print from wet collodion negative. Explore the work's context, creator attribution and collection history.

Painting of One Hundred Themes (late 1800s; Cleveland 1998.286)

Painting of One Hundred Themes (late 1800s): Art, History and Details

Painting of One Hundred Themes at the Cleveland Museum of Art: late 1800s, Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk. Explore the work's context, creator attribution and colle

Painting of One Hundred Themes (obverse) (late 1800s; Cleveland 1998.286.a)

Painting of One Hundred Themes (obverse) (late 1800s): Art, History and Details

Painting of One Hundred Themes (obverse) at the Cleveland Museum of Art: late 1800s, Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk. Explore the work's context, creator attribution

Calligraphy (reverse) (late 1800s; Cleveland 1998.286.b)

Calligraphy (reverse) (late 1800s): Art, History and Details

Calligraphy (reverse) at the Cleveland Museum of Art: late 1800s, Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk. Explore the work's context, creator attribution and collection his

Lid for Bamboo Shoot-shaped Ewer (1100s; Cleveland 1998.289)

Lid for Bamboo Shoot-shaped Ewer (1100s): Art, History and Details

Lid for Bamboo Shoot-shaped Ewer at the Cleveland Museum of Art: 1100s, earthenware with carved designs and celadon glaze. Explore the work's context, creator attribution and collection history.

Courtesan Seated on a Bench Enjoying the Evening Cool in Summer (1615–1868; Cleveland 1998.290)

Courtesan Seated on a Bench Enjoying the Evening Cool in Summer (1615–1868): Art, History and Details

Courtesan Seated on a Bench Enjoying the Evening Cool in Summer at the Cleveland Museum of Art: 1615–1868, hanging scroll, ink and color on silk. Explore the work's context, creator attribution and collection history.

Tigers and Leopard Frolicking (1700s; Cleveland 1998.292)

Tigers and Leopard Frolicking (1700s): Art, History and Details

Tigers and Leopard Frolicking at the Cleveland Museum of Art: 1700s, Hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.

The Sick Child (1858; Cleveland 1998.300)

The Sick Child (1858): Art, History and Details

The Sick Child at the Cleveland Museum of Art: 1858, black crayon; framing lines in black crayon. Explore the work's context, creator attribution and collection history.

Cup and Saucer (1827; Cleveland 1998.412)

Cup and Saucer (1827): Art, History and Details

Cup and Saucer at the Cleveland Museum of Art: 1827, porcelain. Explore the work's context, creator attribution and collection history.

Cup (1827; Cleveland 1998.412.a)

Cup (1827): Art, History and Details

Cup at the Cleveland Museum of Art: 1827, porcelain. Explore the work's context, creator attribution and collection history.

Saucer (1827; Cleveland 1998.412.b)

Saucer (1827): Art, History and Details

Saucer at the Cleveland Museum of Art: 1827, porcelain. Explore the work's context, creator attribution and collection history.

Plaque (1500s–1600s; Cleveland 1999.1)

Plaque (1500s–1600s): Art, History and Details

Plaque at the Cleveland Museum of Art: 1500s–1600s, Copper alloy. Explore the work's context, creator attribution and collection history.

Double-Bat Bowl (c. 900–1550 (thermoluminescence date, 810–1310); Cleveland 1999.12)

Double-Bat Bowl (c. 900–1550 (thermoluminescence date, 810–1310)): Art, History and Details

Double-Bat Bowl at the Cleveland Museum of Art: c. 900–1550 (thermoluminescence date, 810–1310), earthenware. Explore the work's context, creator attribution and collection history.

Lidded Pot (1900s; Cleveland 1999.13)

Lidded Pot (1900s): Art, History and Details

Lidded Pot at the Cleveland Museum of Art: 1900s, Terracotta and plant fiber. Explore the work's context, creator attribution and collection history.

Pot (1900s; Cleveland 1999.13.a)

Pot (1900s): Art, History and Details

Pot at the Cleveland Museum of Art: 1900s, Terracotta. Explore the work's context, creator attribution and collection history.

Pot Lid (1900s; Cleveland 1999.13.b)

Pot Lid (1900s): Art, History and Details

Pot Lid at the Cleveland Museum of Art: 1900s, Plant fiber. Explore the work's context, creator attribution and collection history.

Portraits of Cho Hyun-myeong and Cho Jae-ho (early 1800s; Cleveland 1999.15)

Portraits of Cho Hyun-myeong and Cho Jae-ho (early 1800s): Art, History and Details

Portraits of Cho Hyun-myeong and Cho Jae-ho at the Cleveland Museum of Art: early 1800s, Pair of album paintings; ink and color on silk. Explore the work's context, creator attribution and collection history.

Cho Hyun-myeong from Punhyang Cho Family (1800s; Cleveland 1999.15.1)

Cho Hyun-myeong from Punhyang Cho Family (1800s): Art, History and Details

Cho Hyun-myeong from Punhyang Cho Family at the Cleveland Museum of Art: 1800s, album painting, ink and color on silk. Explore the work's context, creator attribution and collection history.