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Christ before Pilate: Leaf from a Book of Hours (2 of 6 Excised Leaves) at the Cleveland Museum of Art: c. 1420–30, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Book of Hours: The Last Judgment at the Cleveland Museum of Art: 1430s, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from an Antiphonary: Historiated Initial P with the Prophet Samuel; Arms of the Visconti Family and the Olivetan Order at the Cleveland Museum of Art: c. 1439–47, ink, tempera and gold on vellum. Explore the work's context, creator att
![Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) and Music (verso) (c. 1420–50; Cleveland 1999.132)](https://openaccess-cdn.clevelandart.org/1999.132/1999.132_web.jpg)
Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) and Music (verso) at the Cleveland Museum of Art: c. 1420–50, ink, tempera, and gold on vellum. Explore the work's context, creator attribution
![Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) (c. 1420–1450; Cleveland 1999.132.a)](https://openaccess-cdn.clevelandart.org/1999.132.a/1999.132.a_web.jpg)
Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) at the Cleveland Museum of Art: c. 1420–1450, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection h
Leaf from a Gradual with Music (verso) at the Cleveland Museum of Art: c. 1420–1450, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf Excised from a Book of Hours: Angel with a Banderole within a Flourished Border (Prayer to the Holy Trinity) at the Cleveland Museum of Art: c. 1475, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and
Still Life with Statuary and Drapery at the Cleveland Museum of Art: c. 1850, albumenized salt print from wet collodion negative. Explore the work's context, creator attribution and collection history.
Landscape with Seated Figure on Stream Bank at the Cleveland Museum of Art: c. 1856, salted paper print from waxed paper negative. Explore the work's context, creator attribution and collection history.
Pair of Arched Fibulae at the Cleveland Museum of Art: 725–675 BCE, bronze. Explore the work's context, creator attribution and collection history.
Arched Fibulae (1 of 2) at the Cleveland Museum of Art: 725–675 BCE, bronze. Explore the work's context, creator attribution and collection history.
Arched Fibulae (2 of 2) at the Cleveland Museum of Art: 725–675 BCE, bronze. Explore the work's context, creator attribution and collection history.
Daedalic Pendant with Potnia Theron (Mistress of Animals) at the Cleveland Museum of Art: 650–600 BCE, gold and glass. Explore the work's context, creator attribution and collection history.
Pair of Portraits of Samurai-Officials: Hirai Kyosei and Hirai Rinsei at the Cleveland Museum of Art: 1776, hanging scrolls; ink and color on silk. Explore the work's context, creator attribution and collection history.
Portrait of Samurai-Official: Hirai KyoseiHirai Kyosei at the Cleveland Museum of Art: 1776, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
Portrait of Samurai-Official: Hirai Rinsei at the Cleveland Museum of Art: 1776, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.
Waves at the Cleveland Museum of Art: late 1700s-early 1800s, fan painting mounted as a hanging scroll; ink and color with gold on paper. Explore the work's context, creator attribution and collection history.
Vessel with Two Lugs at the Cleveland Museum of Art: 100s BCE, earthenware. Explore the work's context, creator attribution and collection history.
Bottle with a Flattened Side at the Cleveland Museum of Art: 700s–800s, stoneware with incised designs. Explore the work's context, creator attribution and collection history.
Leaf Excised from a Book of Hours: Decorated Initial H at the Cleveland Museum of Art: c. 1470–1480, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Cutting from a Missal: Initial O with Christ Performing an Exorcism at the Cleveland Museum of Art: c. 1520, ink, tempera, and liquid gold on vellum. Explore the work's context, creator attribution and collection history.
Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) and Ornamental Boarder with Carnations, a Thistle, and a Cook Ladling Soup (verso) (1 of 3 Excised Leaves) at the Cleveland Museum of Art
Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) at the Cleveland Museum of Art: c. 1524, ink, tempera and liquid gold on vellum. Explore the work's context, creator attribution and coll
Leaf from a Psalter and Prayerbook: Ornamental Border with Carnations, a Thistle, and a Cook Ladling Soup (verso) at the Cleveland Museum of Art: c. 1524, ink, tempera and liquid gold on vellum. Explore the work's context, creator attributi
Three Cuttings from a Missal at the Cleveland Museum of Art: c. 1470–1500, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Three Cuttings from a Missal: Initial L with the Annunciation to the Shepherds at the Cleveland Museum of Art: c. 1470–1500, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Three Cuttings from a Missal: Initial C with the Adoration of the Magi at the Cleveland Museum of Art: c. 1470–1500, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Three Cuttings from a Missal: Initial E with the Angels of the Entombment at the Cleveland Museum of Art: c. 1470–1500, ink, tempera and gold on vellum. Explore the work's context, creator attribution and collection history.
Haniwa in the Form of a Shield at the Cleveland Museum of Art: c. 500, Earthenware with applied, cut, and incised designs and red slip. Explore the work's context, creator attribution and collection history.
A Bride and Her Bridesmaids at the Cleveland Museum of Art: 1851 or later, whole-plate daguerreotype. Explore the work's context, creator attribution and collection history.
Portrait of a Lady with an Elaborate Cartouche at the Cleveland Museum of Art: 1785, Red chalk over graphite (portrait), pen and black ink and watercolor over graphite (surround), circular framing line in graphite. Explore the work's contex
Portrait of Tieleman Roosterman at the Cleveland Museum of Art: 1634, oil on canvas. Explore the work's context, creator attribution and collection history.
On Happiness, Calligraphy in Seal Script Style (zhuanshu) at the Cleveland Museum of Art: 1871, Set of six hanging scrolls; ink on paper. Explore the work's context, creator attribution and collection history.
On Happiness, Calligraphy in Seal Script Style (zhuanshu) at the Cleveland Museum of Art: 1871, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.
On Happiness, Calligraphy in Seal Script Style (zhuanshu) at the Cleveland Museum of Art: 1871, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.
On Happiness, Calligraphy in Seal Script Style (zhuanshu) at the Cleveland Museum of Art: 1871, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.
On Happiness, Calligraphy in Seal Script Style (zhuanshu) at the Cleveland Museum of Art: 1871, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.
On Happiness, Calligraphy in Seal Script Style (zhuanshu) at the Cleveland Museum of Art: 1871, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.
On Happiness, Calligraphy in Seal Script Style (zhuanshu) at the Cleveland Museum of Art: 1871, hanging scroll; ink on paper. Explore the work's context, creator attribution and collection history.
Pot at the Cleveland Museum of Art: 1900s, Terracotta. Explore the work's context, creator attribution and collection history.