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Cutting from a Missal: Initial O with Christ Performing an Exorcism (c. 1520): Art, History and Details

Cutting from a Missal: Initial O with Christ Performing an Exorcism at the Cleveland Museum of Art: c. 1520, ink, tempera, and liquid gold on vellum. Explore the work's context, creator attribution and collection history.

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Cutting from a Missal: Initial O with Christ Performing an Exorcism (c. 1520; Cleveland 1999.135)
Cleveland Museum of Art; The Jeanne Miles Blackburn Collection · CC0 1.0 / Public Domain

Cutting from a Missal: Initial O with Christ Performing an Exorcism (c. 1520) is in the Cleveland Museum of Art collection. The museum's creator attribution is Matteo da Milano (Italian).

The work and its context

The museum's open-access catalogue describes the work:

This initial is probably the O beginning the Introit for the Third Sunday in Lent, Occuli mei semper ad Dominum (My eyes are ever towards the Lord). The Gospel reading from that Sunday tells the story of Christ casting out a demon. The artist's style is easily recognized in the facial features, and in the borders, in which he typically mixed still-life motifs, scattered small red and blue flowers, strawberries, and simulated pearls and jewels. Matteo's life dates are not known. His career probably began in Milan in the 1490s, but his name occurs in the accounts of the d'Este family at Ferrara from 1502 to 1512. The climax of Matteo's career was his activity in Rome, where he was apparently responsible for a number of luxury illuminated liturgical manuscripts. In 1520 he illuminated a missal for Cardinal Giulio de' Medici, the future Pope Clement VII (1523–34). The initial shown here comes from another missal that he must have illuminated around the same time. This missal was most probably in the Sistine Chapel sacristy when it was sacked by Napoleon's troops in 1798.

Object facts

  • Title: Cutting from a Missal: Initial O with Christ Performing an Exorcism
  • Date: c. 1520
  • Creator attribution: Matteo da Milano (Italian)
  • Culture: Italy, Rome
  • Type: Manuscript
  • Technique: ink, tempera, and liquid gold on vellum
  • Dimensions: Each leaf: 7.7 x 6.7 cm (3 1/16 x 2 5/8 in.)
  • Collection: MED - Manuscript Illuminations
  • Department: Medieval Art
  • Accession number: 1999.135

Collection credit

The Jeanne Miles Blackburn Collection

Further reading listed by the museum

  • Fliegel, Stephen N. The Jeanne Miles Blackburn Collection of Manuscript Illuminations. Cleveland, Ohio: Cleveland Museum of Art, 1999.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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