Woman Reading to Two Children (1824–25): Art, History and Details

Woman Reading to Two Children (1824–25) is in the Cleveland Museum of Art collection. The museum's creator attribution is Francisco de Goya (Spanish, 1746–1828).

The work and its context

The museum's open-access catalogue describes the work:

Goya left Spain in 1824 to escape the repressive rule of King Ferdinand VII and settled in Bordeaux, France, where he met Gaulon, an expert lithographer. Working with him, Goya executed Woman Reading to Two Children, where he drew densely with a crayon and then scratched out fine highlights on the woman's arm, skirt, mantilla, and around her head. An onlooker described Goya's methods, "Usually he covered the whole stone with a uniform gray tone and then removed with the scraper those parts which were to appear light. . . . Next the crayon was again employed to strengthen the shadows, the accents." Goya's portrayal of the children's rapt attention and the tranquil figure of the young woman suggests that this charming domestic scene was observed by the artist in his own home. Goya was joined in Bordeaux by his companion Leocadia Weiss and her two younger children, Guillermo and María del Rosario. Only seven impressions of this lithograph are known, all of which are now in museum collections.

Object facts

• Title: Woman Reading to Two Children
• Date: 1824–25
• Creator attribution: Francisco de Goya (Spanish, 1746–1828)
• Culture: Spain
• Type: Print
• Technique: lithograph
• Dimensions: Image: 11.5 x 13 cm (4 1/2 x 5 1/8 in.); Platemark: 13.1 x 13.4 cm (5 3/16 x 5 1/4 in.); Sheet: 16.5 x 24.6 cm (6 1/2 x 9 11/16 in.)
• Collection: PR - Lithograph
• Department: Prints
• Accession number: 1998.171

Collection credit

John L. Severance Fund

Further reading listed by the museum

• Cleveland Museum of Art, “New Cleveland Indian Arrives at the CMA,” November 27, 1998, Cleveland Museum of Art Archives.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.