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Well of Joab, Jerusalem (1857): Art, History and Details

Well of Joab, Jerusalem at the Cleveland Museum of Art: 1857, salt print from wet collodion negative. Explore the work's context, creator attribution and collection history.

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Well of Joab, Jerusalem (1857; Cleveland 1998.157)
Cleveland Museum of Art; John L. Severance Fund · CC0 1.0 / Public Domain

Well of Joab, Jerusalem (1857) is in the Cleveland Museum of Art collection. The museum's creator attribution is James Robertson (British, 1813 (?)-aft 1865); Felice A. Beato (British, 1832–1909).

The work and its context

The museum's open-access catalogue describes the work:

This charming view of the Well of Joab resulted from the pioneering photographic collaboration of James Robertson and his brother-in-law, Felice Beato, while on a trip to the Near East in 1857. Their high quality, large, beautifully executed, and carefully composed photographs are products of the first known use of the wet-collodion process in the Holy Land. The images depict the most holy places in and near Jerusalem, typically recording the sites from striking points of view, as in the lush salt print Well of Joab, Jerusalem. The camera was pointed upward, producing a three-quarter view of the well’s architectural stone ruins, which appear to merge into the rocky surface of the hilly background. In the foreground of the composition, a solitary seated figure establishes scale and instills this otherwise desolate scene with a sense of humanity. Of the Holy Land photographers, Robertson and Beato were the first to successfully integrate human figures into the surrounding scenery of their compositions.

Object facts

  • Title: Well of Joab, Jerusalem
  • Date: 1857
  • Creator attribution: James Robertson (British, 1813 (?)-aft 1865); Felice A. Beato (British, 1832–1909)
  • Culture: England, 19th century
  • Type: Photograph
  • Technique: salt print from wet collodion negative
  • Dimensions: Image: 25 x 29.7 cm (9 13/16 x 11 11/16 in.); Mounted: 45.6 x 59.3 cm (17 15/16 x 23 3/8 in.); Matted: 50.8 x 61 cm (20 x 24 in.)
  • Collection: PH - British 19th Century
  • Department: Photography
  • Accession number: 1998.157

Collection credit

John L. Severance Fund

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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