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Lifestyle archive — Page 42

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Jousting Glove (Main-de-Fer Gauntlet) (c.1530–60; Cleveland 1916.1511.1)

Jousting Glove (Main-de-Fer Gauntlet) (c.1530–60): Art, History and Details

Jousting Glove (Main-de-Fer Gauntlet) at the Cleveland Museum of Art: c.1530–60, steel. Explore the work's context, creator attribution and collection history.

Pauldron (proper right) and Gardbrace (c. 1560–1580; Cleveland 1916.1511.a)

Pauldron (proper right) and Gardbrace (c. 1560–1580): Art, History and Details

Pauldron (proper right) and Gardbrace at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Pauldron (proper left) and Grandguard (c. 1560–1580; Cleveland 1916.1511.b)

Pauldron (proper left) and Grandguard (c. 1560–1580): Art, History and Details

Pauldron (proper left) and Grandguard at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Breastplate (c. 1560–1580; Cleveland 1916.1511.c)

Breastplate (c. 1560–1580): Art, History and Details

Breastplate at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Proper Right Arm (Vambrace, Rerebrace and Couter) (c. 1560–80; Cleveland 1916.1511.d)

Proper Right Arm (Vambrace, Rerebrace and Couter) (c. 1560–80): Art, History and Details

Proper Right Arm (Vambrace, Rerebrace and Couter) at the Cleveland Museum of Art: c. 1560–80, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Proper Left Arm (Vambrace, Rerebrace and Couter) (c. 1560–1580; Cleveland 1916.1511.e)

Proper Left Arm (Vambrace, Rerebrace and Couter) (c. 1560–1580): Art, History and Details

Proper Left Arm (Vambrace, Rerebrace and Couter) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Elbow Cop (left) (c. 1560–1580; Cleveland 1916.1511.f)

Elbow Cop (left) (c. 1560–1580): Art, History and Details

Elbow Cop (left) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Gauntlet with Bell Shaped Cuff (Right) (c. 1560–1580; Cleveland 1916.1511.g)

Gauntlet with Bell Shaped Cuff (Right) (c. 1560–1580): Art, History and Details

Gauntlet with Bell Shaped Cuff (Right) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Tasset (proper right) (c. 1560–1580; Cleveland 1916.1511.h)

Tasset (proper right) (c. 1560–1580): Art, History and Details

Tasset (proper right) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Tasset (proper left) (c. 1560–1580; Cleveland 1916.1511.i)

Tasset (proper left) (c. 1560–1580): Art, History and Details

Tasset (proper left) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Proper Right Cuisse and Knee Cop (c. 1560–1580; Cleveland 1916.1511.j)

Proper Right Cuisse and Knee Cop (c. 1560–1580): Art, History and Details

Proper Right Cuisse and Knee Cop at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Fragment from the Shoulder of a Tunic (Uncu) (1550-1625; Art Institute 1924.459)

Fragment from the Shoulder of a Tunic (Uncu) (1550-1625): Artwork and History

Fragment from the Shoulder of a Tunic (Uncu) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Fragment from the Topacu Waistband of a Tunic (Uncu) (1550-1625; Art Institute 1924.460)

Fragment from the Topacu Waistband of a Tunic (Uncu) (1550-1625): Artwork and History

Fragment from the Topacu Waistband of a Tunic (Uncu) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Coronation of the Virgin and The Flight into Egypt (1648/71; Art Institute 1961.30)

The Coronation of the Virgin and The Flight into Egypt (1648/71): Artwork and History

The Coronation of the Virgin and The Flight into Egypt at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Abigail (c. 1560; Art Institute 1961.33)

Abigail (c. 1560): Artwork and History

Abigail at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Mercury Rescues the Disguised Io after Beheading Argus (c. 1695; Art Institute 1961.37)

Mercury Rescues the Disguised Io after Beheading Argus (c. 1695): Artwork and History

Mercury Rescues the Disguised Io after Beheading Argus at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Diana and Endymion (c. 1695; Art Institute 1961.38)

Diana and Endymion (c. 1695): Artwork and History

Diana and Endymion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Jove Casts His Thunderbolts at the Rebellious Giants (c. 1695; Art Institute 1961.41)

Jove Casts His Thunderbolts at the Rebellious Giants (c. 1695): Artwork and History

Jove Casts His Thunderbolts at the Rebellious Giants at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait of the Artist's Sister (1891; Art Institute 1961.42)

Portrait of the Artist's Sister (1891): Artwork and History

Portrait of the Artist's Sister at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Theodosius Repulsed from the Church by Saint Ambrose (c. 1705; Art Institute 1961.43)

Theodosius Repulsed from the Church by Saint Ambrose (c. 1705): Artwork and History

Theodosius Repulsed from the Church by Saint Ambrose at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

View of Pirna with the Fortress of Sonnenstein (c. 1760; Art Institute 1961.44)

View of Pirna with the Fortress of Sonnenstein (c. 1760): Artwork and History

View of Pirna with the Fortress of Sonnenstein at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Kostverloren Castle in Decay (c. 1652; Art Institute 1961.49)

Kostverloren Castle in Decay (c. 1652): Artwork and History

Kostverloren Castle in Decay at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Elias in the Wilderness, from Six Landscape Subjects from the Old Testament (1650/60; Art Institute 1924.511)

Elias in the Wilderness, from Six Landscape Subjects from the Old Testament (1650/60): Artwork and History

Elias in the Wilderness, from Six Landscape Subjects from the Old Testament at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Cow Drinking (1680; Art Institute 1924.517)

Cow Drinking (1680): Artwork and History

Cow Drinking at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Fragment of a Stela of Neferhotep (New Kingdom, mid-Dynasty 19, about 1240-1195 BCE; Art Institute 1924.579)

Fragment of a Stela of Neferhotep (New Kingdom, mid-Dynasty 19, about 1240-1195 BCE): Artwork and History

Fragment of a Stela of Neferhotep at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Jan Lutma, Goldsmith (1656; Art Institute 1924.626)

Jan Lutma, Goldsmith (1656): Artwork and History

Jan Lutma, Goldsmith at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Old Battersea Bridge (1879; Art Institute 1924.647)

Old Battersea Bridge (1879): Artwork and History

Old Battersea Bridge at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Fox Fires on New Year's Eve at the Changing Tree in Oji (Oji shozoku enoki omisoka no kitsunebi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)" (1857; Art Institute 1961.144)

Fox Fires on New Year's Eve at the Changing Tree in Oji (Oji shozoku enoki omisoka no kitsunebi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)" (1857): Artwork and History

Fox Fires on New Year's Eve at the Changing Tree in Oji (Oji shozoku enoki omisoka no kitsunebi), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)" at the Art Institute of Chicago: date, artist attribution, materials an

Night Rain at the Paulownia Grove at Akasaka (Akasaka Kiribatake uchu yukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)" (1859; Art Institute 1961.159)

Night Rain at the Paulownia Grove at Akasaka (Akasaka Kiribatake uchu yukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)" (1859): Artwork and History

Night Rain at the Paulownia Grove at Akasaka (Akasaka Kiribatake uchu yukei), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)" at the Art Institute of Chicago: date, artist attribution, materials and the museum's expla

Pilate Washing His Hands, from Passio domini nostri Jesu Christi (c. 1503; Art Institute 1932.1216)

Pilate Washing His Hands, from Passio domini nostri Jesu Christi (c. 1503): Artwork and History

Pilate Washing His Hands, from Passio domini nostri Jesu Christi at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Statue of Shebenhor (Late Period, Dynasty 26 (664-525 BCE); Art Institute 1924.754)

Statue of Shebenhor (Late Period, Dynasty 26 (664-525 BCE)): Artwork and History

Statue of Shebenhor at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

AI-generated editorial illustration — not a photograph of the subject

Christian Etchebest: Biography and Background

Christian Etchebest (French pronunciation: [kʁistjɑ̃ ɛtʃɛbɛst]; born on February 17, 1969), is a French chef, television personality, and advocate for French cuisine.

Joseph Favre

Joseph Favre: Biography and Background

Joseph Favre (pronounced [ʒosɛf favʁ]; 17 February 1849 – 17 February 1903) was a Swiss chef who worked in Switzerland, France, Germany, and England.

AI-generated editorial illustration — not a photograph of the subject

Jacques Genin: Biography and Background

Jacques Génin is a French chef, cookery book writer, and well-known chocolate and caramel maker in Paris.

AI-generated editorial illustration — not a photograph of the subject

Adolphe Gérard: Biography and Background

Adolphe Gérard (1844–1900) was a French chef, restaurant and hotel owner in Colorado, US.

AI-generated editorial illustration — not a photograph of the subject

Bruno Goussault: Biography and Background

Bruno Goussault (born 26 January 1942) is a French scientist, economist, inventor, and chef.

Proper Left Cuisse and Knee Cop (c. 1560–1580; Cleveland 1916.1511.k)

Proper Left Cuisse and Knee Cop (c. 1560–1580): Art, History and Details

Proper Left Cuisse and Knee Cop at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Proper Right Greave (c. 1560–1580; Cleveland 1916.1511.l)

Proper Right Greave (c. 1560–1580): Art, History and Details

Proper Right Greave at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Proper Left Greave (c. 1560–80; Cleveland 1916.1511.m)

Proper Left Greave (c. 1560–80): Art, History and Details

Proper Left Greave at the Cleveland Museum of Art: c. 1560–80, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.

Breastplate from Hussar's Cuirass (c. 1580; Cleveland 1916.1521)

Breastplate from Hussar's Cuirass (c. 1580): Art, History and Details

Breastplate from Hussar's Cuirass at the Cleveland Museum of Art: c. 1580, Steel (originally blued, now russet), etched and gilded strapwork bands;. Explore the work's context, creator attribution and collection history.