Pauldron for Right Shoulder (1600s): Art, History and Details
Pauldron for Right Shoulder at the Cleveland Museum of Art: 1600s, blued steel with gilt borders. Explore the work's context, creator attribution and collection history.
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Pauldron for Right Shoulder at the Cleveland Museum of Art: 1600s, blued steel with gilt borders. Explore the work's context, creator attribution and collection history.

Demi-Chanfron at the Cleveland Museum of Art: c. 1550, steel, etched and gilded; leather. Explore the work's context, creator attribution and collection history.

Pauldron for Right shoulder at the Cleveland Museum of Art: c. 1560–70, steel, blued and gilded. Explore the work's context, creator attribution and collection history.

Close Helmet, from a Small Garniture, perhaps for Siegmund Friedrich, Freiherr von Herbertstein (d. 1621) at the Cleveland Museum of Art: c. 1580, steel, etched and gilded, brass rivets. Explore the work's context, creator attribution and c

Glaive (with Arms of Giustini Family) at the Cleveland Museum of Art: c. 1600–1620, steel, etched; wood haft. Explore the work's context, creator attribution and collection history.

Corsèque at the Cleveland Museum of Art: c. 1520, steel; round wood haft; tassel. Explore the work's context, creator attribution and collection history.

Halberd at the Cleveland Museum of Art: c. 1550, steel, with pierced trefoils; wood haft (rectangular with planed corners). Explore the work's context, creator attribution and collection history.

Hauberk at the Cleveland Museum of Art: 1400s, riveted steel rings. Explore the work's context, creator attribution and collection history.

Wheel-Lock from a Hunting Rifle at the Cleveland Museum of Art: c. 1660–1720, steel, inlaid with gold design of Habsburg eagle, pierced and chiseled. Explore the work's context, creator attribution and collection history.

Mount for Purse or Escarcelle at the Cleveland Museum of Art: c. 1559, steel with gold inlay. Explore the work's context, creator attribution and collection history.

Armet à Rondelle at the Cleveland Museum of Art: c. 1460–75, steel. Explore the work's context, creator attribution and collection history.

Hauberk at the Cleveland Museum of Art: 1400s, riveted steel rings; close woven. Explore the work's context, creator attribution and collection history.

Halberd at the Cleveland Museum of Art: 1600s, steel; rectangular wood haft with planed corners. Explore the work's context, creator attribution and collection history.

Halberd at the Cleveland Museum of Art: c. 1480–1500, steel; wood haft (rectangular with planed corners). Explore the work's context, creator attribution and collection history.

Halberd at the Cleveland Museum of Art: 1475–1500, steel, pierced circular holes; wood haft. Explore the work's context, creator attribution and collection history.

Halberd at the Cleveland Museum of Art: c. 1500–1525, steel, quatrefoil piercing; wood haft (rectangular with planed corners). Explore the work's context, creator attribution and collection history.

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Diogenes at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Woman Bathing at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Letter at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Fairy of the Alps at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Stéphane Mallarmé at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Maternal Caress at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Self-Portrait at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Execution of Maximilian at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Pilgrimage to the Französisch Bucholz Spa near Berlin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

La revue blanche at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Penitence of Saint John Chrysostom at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Cover for the first album of L'Estampe originale at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Nature Print of Moonwort and Adder's Tongue Ferns, plate 51 from The Ferns of Great Britain and Ireland at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Woman Reclining in a Landscape at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Old Tower at the Edge of a River at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Ono no Komachi Washing the Copybook (Soshiarai Komachi) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Herself at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Himself at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait Head of Antinous at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

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