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Stéphane Mallarmé (1897): Artwork and History

Stéphane Mallarmé at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

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Stéphane Mallarmé (1897; Art Institute 1961.343)
Art Institute of Chicago; Stanley Field Collection · CC0 1.0 / Public Domain

Stéphane Mallarmé (1897) is in the Art Institute of Chicago collection. The museum lists its creator attribution as Edvard Munch (Norwegian, 1863-1944) printed by Auguste Clot (French, 1858-1936).

The work and its context

The Art Institute of Chicago describes the work:

Stéphane Mallarmé is today considered one of France’s most important poets of the second half of the nineteenth century. Although he was known for the obscure imagery and difficult syntax of his verse, Mallarmé enjoyed the friendship of other modern thinkers, in particular, Impressionist and Post-Impressionist artists such as Édouard Manet, Pierre-Auguste Renoir, Odilon Redon, Edgar Degas, Paul Gauguin, and James McNeill Whistler. Despite the fact that much of his poetry is unabashedly extreme and difficult to decipher, artists continue, to this day, to turn to his evocative verse for inspiration. Edvard Munch met Mallarmé during a trip to Paris in 1896–97, and he became a regular guest at Mallarmé’s Tuesday night soirees, where he mingled with other visionaries of the day such as August Strindberg and Vincent van Gogh. In this portrait, Munch depicted the poet as a disembodied head, floating almost mystically. The use of green ink recalls the faded green accouterments of Mallarmé’s study. Of this portrait Munch said, “I drew him in half-shadow which matched his character.” Though it is not known whether this was a commissioned portrait, it might have been intended for the frontispiece of an edition of the complete works of Mallarmé, published in 1897. The project ultimately failed because Munch worked too slowly. Regardless of that disappointment, Mallarmé was pleased with the final print and described it as a “gripping portrait, which gives me an intimate sense of myself.”

Object facts

  • Title: Stéphane Mallarmé
  • Date: 1897
  • Artist attribution: Edvard Munch (Norwegian, 1863-1944) printed by Auguste Clot (French, 1858-1936)
  • Place of origin: Norway
  • Medium: Transfer lithograph with crayon and scraping in green on cream Japanese paper
  • Dimensions: Image: 37.3 × 29.2 cm (14 11/16 × 11 1/2 in.); Sheet: 63.7 × 43.8 cm (25 1/8 × 17 1/4 in.)
  • Type: Print
  • Department: Prints and Drawings
  • Reference number: 1961.343

Collection credit

Stanley Field Collection

View the original

Explore the artwork in the Art Institute's collection, including its image and the museum's current catalogue details.

The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.

Sources

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