Claude Le Tohic: Biography and Background
Claude Le Tohic is a French chef and restaurateur who earned a three Michelin star rating in Las Vegas for his work at Joël Robuchon, in the MGM Grand Hotel.
Lifestyle archive — Page 45
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Cyril Lignac: Biography and Background
Cyril Lignac (French pronunciation: [siʁil liɲak]; born 5 November 1977) is a French chef.
Bernard Loiseau: Biography and Background
Bernard Daniel Jacques Loiseau (French pronunciation: [bɛʁnaʁ danjɛl ʒak lwazo]; 13 January 1951 – 24 February 2003) was a French chef at Le Relais Bernard Loiseau in Saulieu, Côte-d'Or.
Louis Eustache Ude: Biography and Background
Louis Eustache Ude (c.
Closed Sallet with Grotesque Face (Schembart visor) (c. 1500): Art, History and Details
Closed Sallet with Grotesque Face (Schembart visor) at the Cleveland Museum of Art: c. 1500, painted steel. Explore the work's context, creator attribution and collection history.
Breastplate (c. 1550): Art, History and Details
Breastplate at the Cleveland Museum of Art: c. 1550, steel with etched figure kneeling before Crucifixion. Explore the work's context, creator attribution and collection history.
Close Helmet in Maximilian Style (c. 1510–30): Art, History and Details
Close Helmet in Maximilian Style at the Cleveland Museum of Art: c. 1510–30, steel, brass rivets. Explore the work's context, creator attribution and collection history.
Burgonet (c. 1550–1600): Art, History and Details
Burgonet at the Cleveland Museum of Art: c. 1550–1600, steel, etched. Explore the work's context, creator attribution and collection history.
Breastplate with Etched Bands of Trophies and Medallions (c. 1550–1600): Art, History and Details
Breastplate with Etched Bands of Trophies and Medallions at the Cleveland Museum of Art: c. 1550–1600, etched steel. Explore the work's context, creator attribution and collection history.
Parrying Dagger (c. 1580–1610): Art, History and Details
Parrying Dagger at the Cleveland Museum of Art: c. 1580–1610, steel, copper wire. Explore the work's context, creator attribution and collection history.
Officer's Plug Bayonette (c.1690): Art, History and Details
Officer's Plug Bayonette at the Cleveland Museum of Art: c.1690, steel serrated blade, brass, and wood. Explore the work's context, creator attribution and collection history.
Ogival lattice with horizontal design (1600–1650): Art, History and Details
Ogival lattice with horizontal design at the Cleveland Museum of Art: 1600–1650, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.
Ogival Lattice with Horizontal Design (1600–1650): Art, History and Details
Ogival Lattice with Horizontal Design at the Cleveland Museum of Art: 1600–1650, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.
Ogival Lattice with Horizontal Design (1600–1650): Art, History and Details
Ogival Lattice with Horizontal Design at the Cleveland Museum of Art: 1600–1650, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.
Ogival Lattice with Horizontal Design (1600–1650): Art, History and Details
Ogival Lattice with Horizontal Design at the Cleveland Museum of Art: 1600–1650, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.
Hunting Sword (c. 1760–70): Art, History and Details
Hunting Sword at the Cleveland Museum of Art: c. 1760–70, steel; pierced and chiseled cast-iron hilt ; blade engraved. Explore the work's context, creator attribution and collection history.
Partial Suit of Armor in Maximilian Style (c. 1525): Art, History and Details
Partial Suit of Armor in Maximilian Style at the Cleveland Museum of Art: c. 1525, steel. Explore the work's context, creator attribution and collection history.
Sword (c.1550): Art, History and Details
Sword at the Cleveland Museum of Art: c.1550, steel, hilt russetted, leather grip. Explore the work's context, creator attribution and collection history.
Rapier (c. 1610): Art, History and Details
Rapier at the Cleveland Museum of Art: c. 1610, steel; hilt of deeply blued steel; wood. Explore the work's context, creator attribution and collection history.
Gothic Breastplate (late 1400s): Art, History and Details
Gothic Breastplate at the Cleveland Museum of Art: late 1400s, steel. Explore the work's context, creator attribution and collection history.
"Waistcoat" Cuirass (Combined Breast and Backplates) (c. 1580): Art, History and Details
"Waistcoat" Cuirass (Combined Breast and Backplates) at the Cleveland Museum of Art: c. 1580, Steel; brass rivets simulating buttons. Explore the work's context, creator attribution and collection history.
Crossbow and Cranequin of Elector Augustus I of Saxony (c. 1553–73): Art, History and Details
Crossbow and Cranequin of Elector Augustus I of Saxony at the Cleveland Museum of Art: c. 1553–73, wood (walnut?), bone veneers, flax cord, steel (etched, traces of gilding). woolen pompoms, stock decorated wih inlaid trophies of arms. Expl
Crossbow of Elector Augustus I of Saxony (c. 1553–73): Art, History and Details
Crossbow of Elector Augustus I of Saxony at the Cleveland Museum of Art: c. 1553–73, wood (walnut?), bone veneers, flax cord, steel (etched, traces of gilding). woolen pompoms, stock decorated wih inlaid trophies of arms. Explore the work's
Cranequin with Arms of Elector Augustus I of Saxony (c. 1553–73): Art, History and Details
Cranequin with Arms of Elector Augustus I of Saxony at the Cleveland Museum of Art: c. 1553–73, steel; etched, chased and gilded. Explore the work's context, creator attribution and collection history.
Stacks of Wheat (End of Day, Autumn) (1890–91): Artwork and History
Stacks of Wheat (End of Day, Autumn) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Venice, Palazzo Dario (1908): Artwork and History
Venice, Palazzo Dario at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Vétheuil (1901): Artwork and History
Vétheuil at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Young Woman Sewing (1879): Artwork and History
Young Woman Sewing at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Two Sisters (On the Terrace) (1881): Artwork and History
Two Sisters (On the Terrace) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Moulin de la Galette (1889): Artwork and History
Moulin de la Galette at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Abundantia from The Four Continents and Related Allegories (c. 1680/1700): Artwork and History
Abundantia from The Four Continents and Related Allegories at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Tale of Genji (Early 17th century): Artwork and History
The Tale of Genji at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Ballad Singer at a Shrine of the Virgin (1720/25): Artwork and History
Ballad Singer at a Shrine of the Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Square-Sectioned Jars (Fanghu) (Western Han dynasty, 206 BCE–9 CE): Artwork and History
Square-Sectioned Jars (Fanghu) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Netting the Fish (1889): Artwork and History
Netting the Fish at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Length of Dress Fabric (c. 1785): Artwork and History
Length of Dress Fabric at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Mural Fragment Depicting a Maguey Bloodletting Ritual (500–600 CE): Artwork and History
Mural Fragment Depicting a Maguey Bloodletting Ritual at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Three Studies of a Dancer in Fourth Position (1879/80): Artwork and History
Three Studies of a Dancer in Fourth Position at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Woman Spinning (1652): Artwork and History
The Woman Spinning at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Calumny of Apelles (1500/1506): Artwork and History
The Calumny of Apelles at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.