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Abundantia from The Four Continents and Related Allegories (c. 1680/1700): Artwork and History

Abundantia from The Four Continents and Related Allegories at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

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Abundantia from The Four Continents and Related Allegories (c. 1680/1700; Art Institute 1962.462)
Art Institute of Chicago; Gift of Benjamin E. Bensinger, III · CC0 1.0 / Public Domain

Abundantia from The Four Continents and Related Allegories (c. 1680/1700) is in the Art Institute of Chicago collection. The museum lists its creator attribution as After a cartoon by Lodewijk van Schoor (died 1702) and Pieter Spierinckx (1635–1711) Woven at the workshop of Albert Auwercx (1629–1709) Brussels.

The work and its context

The Art Institute of Chicago describes the work:

In this tapestry, part of a Four Continents and Related Allegories set, Abundantia, a female personification of abundance, sits on a horn of plenty overflowing with fruit, surrounded by three female attendants, each representing a continent. The kneeling woman crowned with a circlet of blossoms, offering a basket of flowers and fruit, personifies Asia. The dark-skinned woman bearing a horn of plenty full of sheaves of grain represents Africa. The third attendant, who wears a feathered headdress and displays gold, silver, and pearls, can be identified as America. The attributes of all four figures are based on Cesare Ripa’s Iconologia (1593), and their depiction exemplifies the early style of their designer, Lodewijck van Schoor: they have elongated bodies, small heads, long noses, and broad arms and legs, and though they gesture dramatically, their poses are formulae repeated throughout the set.

Object facts

  • Title: Abundantia from The Four Continents and Related Allegories
  • Date: c. 1680/1700
  • Artist attribution: After a cartoon by Lodewijk van Schoor (died 1702) and Pieter Spierinckx (1635–1711) Woven at the workshop of Albert Auwercx (1629–1709) Brussels
  • Place of origin: Brussels
  • Medium: Wool and silk, slit and double interlocking tapestry weave Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm Weft: Count: varies from 28 to 44 wefts per cm; wool: single S-spun elements; S-ply of two Z-spun elements; diameters: 0.2–0.8 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.6–0.8 mm
  • Dimensions: 371.2 × 382.5 cm (146 1/8 × 150 1/2 in.)
  • Type: Textile
  • Department: Textiles
  • Reference number: 1962.462

Collection credit

Gift of Benjamin E. Bensinger, III

View the original

Explore the artwork in the Art Institute's collection, including its image and the museum's current catalogue details.

The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.

Sources

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