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Green Tara, Seated in Pose of Royal Ease (Lalitasana), with Lotus Stalks on Right Shoulder and Hands in Gestures of Reasoning (Vitarkamudra) and Gift Conferring (Varadamudra) at the Art Institute of Chicago: date, artist attribution, materi
Mihrab or Jai-namaz Suzani at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Study at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Bowl Fragment with Arabic Inscription at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Vessel Fragment with Polo Stick Emblem at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Vessel Fragment with Bird Decoration at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Bowl Fragment with Rosette Emblem at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Vessel Fragment at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Vessel Fragment with Fleur-de-lis Emblems at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Flight into Egypt at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Descent from the Cross at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Henri-Paul Pellaprat (pronounced [ɑ̃ʁi pɔl pɛlapʁa]; Saint-Maur-des-Fossés, 1869–1954) was a French chef, founder with the journalist Marthe Distel of Le Cordon Bleu cooking school in Paris.
Alfred Prunier (French pronunciation: [alfʁɛd pʁynje]; 1848 in Yerville, France – 1925) was a French chef and restaurant owner.
![Parade Halberd (from the state guard of Elector Christian I of Saxony [ 1560- 91]) (1586–91; Cleveland 1916.1819)](https://openaccess-cdn.clevelandart.org/1916.1819/1916.1819_web.jpg)
Parade Halberd (from the state guard of Elector Christian I of Saxony [ 1560- 91]) at the Cleveland Museum of Art: 1586–91, steel, gilt and etched; round wood haft. Explore the work's context, creator attribution and collection history.
Parade Halberd at the Cleveland Museum of Art: c. 1600–50, steel, engraved; rectangular wood haft with planed corners. Explore the work's context, creator attribution and collection history.
Bill at the Cleveland Museum of Art: c. 1480, steel, wood haft. Explore the work's context, creator attribution and collection history.
Chanfron in Maximilian Style at the Cleveland Museum of Art: c. 1510, steel. Explore the work's context, creator attribution and collection history.
Close Helmet in Maximilian Style at the Cleveland Museum of Art: c. 1520, steel and brass. Explore the work's context, creator attribution and collection history.
Medal Commemorating Commodore Oliver Hazard Perry (1785-1819) and the Battle of Lake Erie at the Cleveland Museum of Art: 1813, bronze. Explore the work's context, creator attribution and collection history.
Medal Commemorating Commodore Oliver Hazard Perry (1785-1819) and the Battle of Lake Erie (obverse) at the Cleveland Museum of Art: 1813, bronze. Explore the work's context, creator attribution and collection history.
Medal Commemorating Commodore Oliver Hazard Perry (1785-1819) and the Battle of Lake Erie (reverse) at the Cleveland Museum of Art: 1813, bronze. Explore the work's context, creator attribution and collection history.
Cloth with Border of Peacocks and Vegetation at the Cleveland Museum of Art: 1600s–1700s, plain weave bleached linen (est.): needle lace, burato (twined ground and darned in one direction). Explore the work's context, creator attribution an
Banner with a Quartered Royal Arms of Spain and the Madonna and Child at the Cleveland Museum of Art: 1500s, red and dark brown velvet, embroidered; fringe. Explore the work's context, creator attribution and collection history.
Powder Flask at the Cleveland Museum of Art: c. 1680, boxwood with design of stag and hounds carved in high relief; steel funnel, mounts, springcatch. Explore the work's context, creator attribution and collection history.
Pommel Plates from the Garniture of Rudolf II at the Cleveland Museum of Art: c. 1571, blued, etched, and gilded steel. Explore the work's context, creator attribution and collection history.
Pommel Plate of a Saddle, from the "Flechtband" Garniture of Rudolf II and Archduke Ernst, Vienna at the Cleveland Museum of Art: c. 1571, blued, etched, and gilded steel. Explore the work's context, creator attribution and collection histo
Pommel Plate of a Saddle, from the Garniture of Rudolf II at the Cleveland Museum of Art: c. 1571, blued, etched, and gilded steel. Explore the work's context, creator attribution and collection history.
Powder Flask at the Cleveland Museum of Art: c. 1580, staghorn (two branches) carved with relief, scene of David and Bathsheba; iron suspension loop; mounts missing. Explore the work's context, creator attribution and collection history.
Kettle Hat (War Hat) at the Cleveland Museum of Art: c. 1460, steel. Explore the work's context, creator attribution and collection history.
Gothic Bevor at the Cleveland Museum of Art: c. 1480, steel. Explore the work's context, creator attribution and collection history.
Buffe (etched with bands of trophies) at the Cleveland Museum of Art: c. 1550–1600, etched steel. Explore the work's context, creator attribution and collection history.
Pricked Spur at the Cleveland Museum of Art: 1200s, steel. Explore the work's context, creator attribution and collection history.
Portrait of Jean Terford David at the Cleveland Museum of Art: 1813, oil on canvas. Explore the work's context, creator attribution and collection history.
The Nativity at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Equestrienne (At the Cirque Fernando) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Portrait of a Gentleman at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Saint John the Baptist Entering the Wilderness at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Ecce Agnus Dei at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Tile with Floral Design at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Saint John the Baptist in Prison Visited by Two Disciples at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.