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Lifestyle archive — Page 49

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Christ Presented to the People (c. 1480; Art Institute 1933.1049)

Christ Presented to the People (c. 1480): Artwork and History

Christ Presented to the People at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Virgin and Child (c. 1485; Art Institute 1933.1050)

Virgin and Child (c. 1485): Artwork and History

Virgin and Child at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso) (1460–64; Art Institute 1933.1051)

Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso) (1460–64): Artwork and History

Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Virgin and Child (c. 1460; Art Institute 1933.1052)

Virgin and Child (c. 1460): Artwork and History

Virgin and Child at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child (c. 1495; Art Institute 1933.1054)

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child (c. 1495): Artwork and History

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Virgin and Child at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint John the Baptist (c. 1495; Art Institute 1933.1055)

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint John the Baptist (c. 1495): Artwork and History

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint John the Baptist at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper (c. 1495; Art Institute 1933.1056)

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper (c. 1495): Artwork and History

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Last Supper at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Ascension (c. 1495; Art Institute 1933.1057)

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Ascension (c. 1495): Artwork and History

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: The Ascension at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost (c. 1495; Art Institute 1933.1058)

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost (c. 1495): Artwork and History

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Pentecost at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint Honoré (c. 1495; Art Institute 1933.1059)

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint Honoré (c. 1495): Artwork and History

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint Honoré at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint Hugh of Lincoln (c. 1495; Art Institute 1933.1060)

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint Hugh of Lincoln (c. 1495): Artwork and History

Panels from the High Altar of the Charterhouse of Saint-Honoré, Thuison-les-Abbeville: Saint Hugh of Lincoln at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait of Louise de Halluin, dame de Cipierre (c. 1555; Art Institute 1933.1061)

Portrait of Louise de Halluin, dame de Cipierre (c. 1555): Artwork and History

Portrait of Louise de Halluin, dame de Cipierre at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Annunciation (1490–95; Art Institute 1933.1062)

The Annunciation (1490–95): Artwork and History

The Annunciation at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Annunciation (Completed by 1457; Art Institute 1933.1064)

The Annunciation (Completed by 1457): Artwork and History

The Annunciation at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Triptych of the Virgin and Child with Saints (c. 1510; Art Institute 1933.1065)

Triptych of the Virgin and Child with Saints (c. 1510): Artwork and History

Triptych of the Virgin and Child with Saints at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Mountain Road with Travelers (c. 1615; Art Institute 1933.1067)

Mountain Road with Travelers (c. 1615): Artwork and History

Mountain Road with Travelers at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

An Elegant Company (1632; Art Institute 1933.1069)

An Elegant Company (1632): Artwork and History

An Elegant Company at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun (c. 1806; Art Institute 1933.1072)

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun (c. 1806): Artwork and History

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Marc Veyrat devant son auberge de Veyrier-du-Lac en Haute-Savoie - Grand chef cuisinier gastronomique cité 2 fois 3 étoiles Michelin et 20/20 au Gault-Millau

Marc Veyrat: Biography and Background

Marc Veyrat (born 8 May 1950) is a French chef from the Haute-Savoie region, who specialises in molecular gastronomy and the use of mountain plants and herbs.

Gothic Fan-Shaped Pauldron (right) (c. 1485–1500; Cleveland 1916.2080.1)

Gothic Fan-Shaped Pauldron (right) (c. 1485–1500): Art, History and Details

Gothic Fan-Shaped Pauldron (right) at the Cleveland Museum of Art: c. 1485–1500, steel. Explore the work's context, creator attribution and collection history.

Gothic Fan-Shaped Pauldron (left) (c.1485–1500; Cleveland 1916.2080.2)

Gothic Fan-Shaped Pauldron (left) (c.1485–1500): Art, History and Details

Gothic Fan-Shaped Pauldron (left) at the Cleveland Museum of Art: c.1485–1500, steel. Explore the work's context, creator attribution and collection history.

Gothic Mitten Gauntlet for the Right Hand (c. 1490; Cleveland 1916.2081)

Gothic Mitten Gauntlet for the Right Hand (c. 1490): Art, History and Details

Gothic Mitten Gauntlet for the Right Hand at the Cleveland Museum of Art: c. 1490, steel. Explore the work's context, creator attribution and collection history.

Cranequin (c. 1480–1500; Cleveland 1916.2082)

Cranequin (c. 1480–1500): Art, History and Details

Cranequin at the Cleveland Museum of Art: c. 1480–1500, steel and brass; incised decoration; pierced traceried Gothic windows. Explore the work's context, creator attribution and collection history.

Jar (1522–66; Cleveland 1917.13)

Jar (1522–66): Art, History and Details

Jar at the Cleveland Museum of Art: 1522–66, porcelain with underglaze blue decoration. Explore the work's context, creator attribution and collection history.

Landscape (1644–1911; Cleveland 1917.25)

Landscape (1644–1911): Art, History and Details

Landscape at the Cleveland Museum of Art: 1644–1911, soapstone. Explore the work's context, creator attribution and collection history.

Sarong (mid-1800s; Cleveland 1917.26)

Sarong (mid-1800s): Art, History and Details

Sarong at the Cleveland Museum of Art: mid-1800s, Cotton: plain weave, wax-resist dyed (batik). Explore the work's context, creator attribution and collection history.

Tradition (1916; Cleveland 1917.9)

Tradition (1916): Art, History and Details

Tradition at the Cleveland Museum of Art: 1916, oil on canvas. Explore the work's context, creator attribution and collection history.

Sarong (early 1900s; Cleveland 1917.27)

Sarong (early 1900s): Art, History and Details

Sarong at the Cleveland Museum of Art: early 1900s, batik; cotton. Explore the work's context, creator attribution and collection history.

Slendang (Shoulder Cloth) (1800s–early 1900s; Cleveland 1917.31)

Slendang (Shoulder Cloth) (1800s–early 1900s): Art, History and Details

Slendang (Shoulder Cloth) at the Cleveland Museum of Art: 1800s–early 1900s, tabby weave, batik; cotton. Explore the work's context, creator attribution and collection history.

The Thinker (1880–81; Cleveland 1917.42)

The Thinker (1880–81): Art, History and Details

The Thinker at the Cleveland Museum of Art: 1880–81, bronze. Explore the work's context, creator attribution and collection history.

Hubbell Revival-Style Rug with Moki (Moqui) Stripes (c. 1890–1910; Cleveland 1917.62)

Hubbell Revival-Style Rug with Moki (Moqui) Stripes (c. 1890–1910): Art, History and Details

Hubbell Revival-Style Rug with Moki (Moqui) Stripes at the Cleveland Museum of Art: c. 1890–1910, Wool (Germantown): tapestry weave. Explore the work's context, creator attribution and collection history.

Beach Scene (c. 1865–1867; Cleveland 1917.63)

Beach Scene (c. 1865–1867): Art, History and Details

Beach Scene at the Cleveland Museum of Art: c. 1865–1867, oil on wood panel. Explore the work's context, creator attribution and collection history.

An Old Man Had Come out of One of the Houses, from "Not Honorably Discharged" (1904; Cleveland 1917.277)

An Old Man Had Come out of One of the Houses, from "Not Honorably Discharged" (1904): Art, History and Details

An Old Man Had Come out of One of the Houses, from "Not Honorably Discharged" at the Cleveland Museum of Art: 1904, Black and white gouache and black chalk on paper. Explore the work's context, creator attribution and collection history.

Chopstick (918–1392; Cleveland 1917.322)

Chopstick (918–1392): Art, History and Details

Chopstick at the Cleveland Museum of Art: 918–1392, . Explore the work's context, creator attribution and collection history.

Departure from Kashima (1336–92; Cleveland 1917.93)

Departure from Kashima (1336–92): Art, History and Details

Departure from Kashima at the Cleveland Museum of Art: 1336–92, hanging scroll; ink and color on silk. Explore the work's context, creator attribution and collection history.

Landscape (1368–1644; Cleveland 1917.94)

Landscape (1368–1644): Art, History and Details

Landscape at the Cleveland Museum of Art: 1368–1644, handscroll; ink and slight color on silk. Explore the work's context, creator attribution and collection history.

Courtesan (early 1700s; Cleveland 1917.97)

Courtesan (early 1700s): Art, History and Details

Courtesan at the Cleveland Museum of Art: early 1700s, hanging scroll; ink and color on paper. Explore the work's context, creator attribution and collection history.

Chopstick (918–1392; Cleveland 1917.323)

Chopstick (918–1392): Art, History and Details

Chopstick at the Cleveland Museum of Art: 918–1392, silver bronze. Explore the work's context, creator attribution and collection history.

Friar Pedro Wrests the Gun from El Maragato (c. 1806; Art Institute 1933.1073)

Friar Pedro Wrests the Gun from El Maragato (c. 1806): Artwork and History

Friar Pedro Wrests the Gun from El Maragato at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Friar Pedro Clubs El Maragato with the Butt of the Gun (c. 1806; Art Institute 1933.1074)

Friar Pedro Clubs El Maragato with the Butt of the Gun (c. 1806): Artwork and History

Friar Pedro Clubs El Maragato with the Butt of the Gun at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.