The Annunciation (Completed by 1457): Artwork and History

The Annunciation (Completed by 1457) is in the Art Institute of Chicago collection. The museum lists its creator attribution as Johann Koerbecke (German, about 1420–1490).

The work and its context

The Art Institute of Chicago describes the work:

The Annunciation was one of eight scenes from the life of the Virgin decorating the inside of the wings of Johann Koerbecke’s masterpiece, the altarpiece formerly on the high altar of the Cistercian abbey of Marienfeld, near Münster in northwest Germany. The wings framed the altarpiece’s center, where relics and a gilded statue of the Virgin and Child were displayed when the altarpiece was opened on feast days. The gilded backgrounds and festive architecture of the wings enhanced the splendor of the open altarpiece. The backs of the moveable wings, decorated with more somber Passion subjects in naturalistic landscape settings, were visible when the altarpiece was closed. The ensemble was dismantled in the late 17th century, and the panels were dispersed in the early 19th century, after the wings had been sawn apart, separating the Passion scenes from those on the interior.

Object facts

• Title: The Annunciation
• Date: Completed by 1457
• Artist attribution: Johann Koerbecke (German, about 1420–1490)
• Place of origin: Germany
• Medium: Oil on panel, transferred to canvas
• Dimensions: Panel: 93.3 × 65.8 cm (36 3/4 × 25 7/8 in.)
• Type: Painting
• Department: Painting and Sculpture of Europe
• Reference number: 1933.1064

Collection credit

Mr. and Mrs. Martin A. Ryerson Collection

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The description above is credited to the Art Institute of Chicago and reused under Creative Commons Attribution 4.0; HTML formatting has been converted to plain text. Other catalogue metadata and the public-domain image are provided under CC0 1.0.