Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Lord Chancellor's Burse (Purse) with Royal Cypher and Coat of Arms of George III at the Cleveland Museum of Art: 1760–1801, Red silk velvet, silk embroidery, goldwork, pearls, black beads, sequins, pendant tassels. Explore the work's contex
Lord Chancellor's Burse (Purse) with Royal Cypher and Coat of Arms of George III at the Cleveland Museum of Art: 1700s, red silk velvet, silk embroidery, goldwork, pearls, black beads, sequins, pendant tassels. Explore the work's context, c
Ecclesiastical Embroidery (Epigonation) at the Cleveland Museum of Art: 1600s–1700s, embroidery; silk and metallic threads. Explore the work's context, creator attribution and collection history.
Lampas with roundels of the image of Christ in benedictory pose at the Cleveland Museum of Art: 1550–1650, Silk and gilt-metal thread: lampas. Explore the work's context, creator attribution and collection history.
Embroidered Stola at the Cleveland Museum of Art: 1700s, Silk and silver thread on silk damask ground; embroidery. Explore the work's context, creator attribution and collection history.
The Gentleman, plate five from The Ranks and Conditions of Men at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Poetry, plate 27 from Arts and Sciences at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Thalia, plate sixteen from Apollo and the Muses at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Servant, plate two from The Ranks and Conditions of Men at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Artisan, plate three from The Ranks and Conditions of Men at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Pope, plate ten from The Ranks and Conditions of Men at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Euterpe, plate eighteen from Apollo and the Muses at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Saint Andrew at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Portrait Head of a Young Woman at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Figure of a Youth from a Funerary Stele (Monument) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Maitreya Buddha at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Girl's Face, from Spring Fresco of Jusélius Mausoleum at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Woman at Her Toilette at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Tiger Resting in the Desert at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Dreamer (La Rêveuse) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Model of a Two-Story Structure at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Top Story of a Tower (Tomb Model) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Granary (Cang) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Mountain-Shaped Incense Burner at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Léa Bidaut (17 May 1908 – 30 May 1996), known as Mère Léa, was a French cook and Lyon Mère.
Xavier Marcel Boulestin (13 April 1877 – 20 September 1943) was a French chef, restaurateur, and the author of cookery books that popularised French cuisine in the English-speaking world.
Jean-Luc Boulay (born 1955) is a French-born chef, restaurateur and television personality who emigrated to Canada in 1976, and founded his first restaurant Le Saint-Amour in Quebec City with his
Eugénie Brazier (12 June 1895 – 2 March 1977), known as "la Mère Brazier", was a French chef who, in 1933, became the first person awarded six Michelin stars, three each at two restaurants: La Mè
Raymond Calvel (1913 – 30 August 2005) was a bread expert and professor of baking at ENSMIC in Paris, France.
Marie-Antoine Carême (French: [maʁi ɑ̃twan kaʁɛːm]; 8 June 1783 or 1784 – 12 January 1833), also known as Antonin Carême, was a French chef and author who specialised in grande cuisine for the el
Paulette Castaing, née Paule Germaine Célina Penel, often known as Mère Castaing, born 14 March 1911 in Nîmes (Gard) and died 9 August 2012 in Lyon (Rhône) aged 103, was a French chef, twice star
Embroidered Stola at the Cleveland Museum of Art: 1700s, silk and metal on satin: embroidery. Explore the work's context, creator attribution and collection history.
Chasuble at the Cleveland Museum of Art: c. 1720s, Silk; tabby weave. Explore the work's context, creator attribution and collection history.
Chasuble at the Cleveland Museum of Art: 1700s, Silk and metallic threads: embroidery. Explore the work's context, creator attribution and collection history.
Chasuble at the Cleveland Museum of Art: 1700s, embroidery, silk. Explore the work's context, creator attribution and collection history.
Chasuble at the Cleveland Museum of Art: 1700s, Silk and metallic threads: embroidery. Explore the work's context, creator attribution and collection history.
Chasuble, Stole, Burse (Corporal Case), and Maniple at the Cleveland Museum of Art: 1600s, woven polychrome silk and gilt metal threads, cut and uncut velvet. Explore the work's context, creator attribution and collection history.
Chasuble at the Cleveland Museum of Art: c 1600–1700, Silk and gilt metal threads, woven; cut and uncut velvet. Explore the work's context, creator attribution and collection history.
Stole at the Cleveland Museum of Art: 1600s, Velvet: cut and uncut, silk, metal thread. Explore the work's context, creator attribution and collection history.