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Nō Costume (Nuihaku) with Blossoming Trees and Flowers (1675–99): Art, History and Details

Nō Costume (Nuihaku) with Blossoming Trees and Flowers at the Cleveland Museum of Art: 1675–99, embroidery, silk and applied gold leaf on silk ground. Explore the work's context, creator attribution and collection history.

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Nō Costume (Nuihaku) with Blossoming Trees and Flowers (1675–99; Cleveland 1974.36)
Cleveland Museum of Art; Purchase from the J. H. Wade Fund · CC0 1.0 / Public Domain

Nō Costume (Nuihaku) with Blossoming Trees and Flowers (1675–99) is in the Cleveland Museum of Art collection.

The work and its context

The museum's open-access catalogue describes the work:

This magnificent robe was a costume specifically designed for performances of Noh theater in Japan. Originating during the 1300s from simple folk plays, Noh drama evolved into formal presentations of ritual, theater, dance, and music performed in the courts and shrines of the nobility. Stories were derived from a variety of sources—myths, legends, poetry, and prose—many dating back to the medieval period. Because great importance was placed on subtlety and elegance, plots tended to be minimal. Whether male or female all roles were played by men. Central to these performances were the masks and costumes worn by the actors. The brilliance and elegance of this robe are characteristic of costumes made solely for Noh theater. Its date in the first half of the 1700s is indicated by the proportions of the robe, the choice of embroidery stitches (satin, couching, and outline), and the absence of decoration at the hips, a fashion also reflected in kimonos at that time. The design of weeping cherry trees and irises in the snow was very likely inspired by a medieval Japanese poem. Robes decorated with embroidery against a gold ground were reserved for female roles. These robes were worn under the external garment and were only partially visible.

Object facts

  • Title: Nō Costume (Nuihaku) with Blossoming Trees and Flowers
  • Date: 1675–99
  • Culture: Japan, Edo period (1615–1868)
  • Type: Garment
  • Technique: embroidery, silk and applied gold leaf on silk ground
  • Dimensions: Overall: 164 x 138 cm (64 9/16 x 54 5/16 in.)
  • Collection: Textiles
  • Department: Textiles
  • Accession number: 1974.36

Collection credit

Purchase from the J. H. Wade Fund

Further reading listed by the museum

  • Lee, Sherman E. "Noh: Masks and Robe." The Bulletin of the Cleveland Museum of Art 62, no. 2 (February 1975): 26-35.
  • Lee, Sherman E. "The Year in Review for 1974." The Bulletin of the Cleveland Museum of Art 62, no. 3 (March 1975): 62-103.
  • The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.

View the collection record

See the museum's photographs and full catalogue entry. Catalogue text is reproduced from the Cleveland Museum of Art's open-access data, with HTML formatting removed. This object and its supplied image are designated CC0.

Sources

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