The Virgin Surrounded by Many Angels (1518): Art, History and Details
The Virgin Surrounded by Many Angels at the Cleveland Museum of Art: 1518, woodcut. Explore the work's context, creator attribution and collection history.
Art & Design archive — Page 118
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Two Bohemian Peasants in Half-Length (c. 1600): Art, History and Details
Two Bohemian Peasants in Half-Length at the Cleveland Museum of Art: c. 1600, Pen and light- and dark-brown inks over preliminary drawing in black chalk; framing lines in pen and brown ink. Explore the work's context, creator attribution an
Diptych with the Passion of Christ (c. 1400): Art, History and Details
Diptych with the Passion of Christ at the Cleveland Museum of Art: c. 1400, tempera and gold on wood oak. Explore the work's context, creator attribution and collection history.
Diptych with the Passion of Christ (left wing):Flagellation and Christ Before Pilate (c. 1400): Art, History and Details
Diptych with the Passion of Christ (left wing):Flagellation and Christ Before Pilate at the Cleveland Museum of Art: c. 1400, tempera and gold on wood oak. Explore the work's context, creator attribution and collection history.
Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden (c. 1400): Art, History and Details
Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden at the Cleveland Museum of Art: c. 1400, tempera and gold on wood (oak). Explore the work's context, creator attribution and collection history.
Ballgame Stone Head (Hacha) (450–550 CE): Art, History and Details
Ballgame Stone Head (Hacha) at the Cleveland Museum of Art: 450–550 CE, gray volcanic stone. Explore the work's context, creator attribution and collection history.
Footed Dish Depicting Abraham and Isaac (c. 1545–63): Art, History and Details
Footed Dish Depicting Abraham and Isaac at the Cleveland Museum of Art: c. 1545–63, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Pair of Saltcellars (c. 1570–90): Art, History and Details
Pair of Saltcellars at the Cleveland Museum of Art: c. 1570–90, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Saltcellar (c. 1570–90): Art, History and Details
Saltcellar at the Cleveland Museum of Art: c. 1570–90, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Saltcellar (c. 1570–90): Art, History and Details
Saltcellar at the Cleveland Museum of Art: c. 1570–90, tin-glazed earthenware (maiolica). Explore the work's context, creator attribution and collection history.
Plaque with Figures (900–1470): Art, History and Details
Plaque with Figures at the Cleveland Museum of Art: 900–1470, hammered gold alloy. Explore the work's context, creator attribution and collection history.
Miniature Excised from a Psalter: Christ in Majesty with Symbols of the Four Evangelists (c. 1235): Art, History and Details
Miniature Excised from a Psalter: Christ in Majesty with Symbols of the Four Evangelists at the Cleveland Museum of Art: c. 1235, ink, tempera, and gold on vellum. Explore the work's context, creator attribution and collection history.
Bowl with Geometric Designs (1450–1500): Art, History and Details
Bowl with Geometric Designs at the Cleveland Museum of Art: 1450–1500, sheet brass, inlaid with silver and gold. Explore the work's context, creator attribution and collection history.
Mandarin Chain Bead Necklace (1800s): Art, History and Details
Mandarin Chain Bead Necklace at the Cleveland Museum of Art: 1800s, tourmaline, jade, pearls, seed pearls, seed coral and gilt metal. Explore the work's context, creator attribution and collection history.
Portrait of Asaf Khan (1569–1641), from the Late Shah Jahan Album (c. 1653): Art, History and Details
Portrait of Asaf Khan (1569–1641), from the Late Shah Jahan Album at the Cleveland Museum of Art: c. 1653, Gum tempera and gold on paper. Explore the work's context, creator attribution and collection history.
Royal Reception in a Landscape, right folio from a double-page frontispiece of a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025) (1444): Art, History and Details
Royal Reception in a Landscape, right folio from a double-page frontispiece of a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025) at the Cleveland Museum of Art: 1444, opaque watercolor, gold, and silver on paper. Explore the work's
Shamsa (recto) from right folio from a double-page frontispiece of a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025) (c. 1444): Art, History and Details
Shamsa (recto) from right folio from a double-page frontispiece of a Shahnama (Book of Kings) of Firdausi (940–1019 or 1025) at the Cleveland Museum of Art: c. 1444, opaque watercolor and gold on paper. Explore the work's context, creator a
Royal Reception in a Landscape, right folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025) (verso) (1444): Art, History and Details
Royal Reception in a Landscape, right folio from the double frontispiece of a Shahnama (Book of Kings) of Firdausi (Persian, about 940–1019 or 1025) (verso) at the Cleveland Museum of Art: 1444, opaque watercolor, gold, and silver on paper.
Battle between Manuchihr and Tur, from a Shah-nama (Book of Kings) of Firdausi (Persian, c. 934–1020) (c. 1610): Art, History and Details
Battle between Manuchihr and Tur, from a Shah-nama (Book of Kings) of Firdausi (Persian, c. 934–1020) at the Cleveland Museum of Art: c. 1610, Gum tempera, ink, and gold on paper. Explore the work's context, creator attribution and collecti
Pair of Lace Lappets (1700s): Art, History and Details
Pair of Lace Lappets at the Cleveland Museum of Art: 1700s, Linen: bobbin lace. Explore the work's context, creator attribution and collection history.
Lace Lappet (one of a pair) (1700s): Art, History and Details
Lace Lappet (one of a pair) at the Cleveland Museum of Art: 1700s, Linen: bobbin lace. Explore the work's context, creator attribution and collection history.
Lace Lappet (one of a pair) (1700s): Art, History and Details
Lace Lappet (one of a pair) at the Cleveland Museum of Art: 1700s, Linen: bobbin lace. Explore the work's context, creator attribution and collection history.
Pair of Lace Lappets (1774–92): Art, History and Details
Pair of Lace Lappets at the Cleveland Museum of Art: 1774–92, Linen: needle lace (Point d'Alençon). Explore the work's context, creator attribution and collection history.
Wall Covering with Classical Figure (late 1700s - early 1800s): Art, History and Details
Wall Covering with Classical Figure at the Cleveland Museum of Art: late 1700s - early 1800s, Silk: llampas (satin weave and plain weave variant), brocaded, appliquéd, embroidered. Explore the work's context, creator attribution and collect
Kammavacha: Buddhist Ordination Text (1800s): Art, History and Details
Kammavacha: Buddhist Ordination Text at the Cleveland Museum of Art: 1800s, Cover: lacquer, gilding, and glass appliqué on wood; leaves: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Top cover from a Kammavacha: Buddhist Ordination Text (1800s): Art, History and Details
Top cover from a Kammavacha: Buddhist Ordination Text at the Cleveland Museum of Art: 1800s, Cover: lacquer, gilding, and glass appliqué on wood. Explore the work's context, creator attribution and collection history.
Illumination, folio 1 (recto) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Illumination, folio 1 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text and illumination, folio 1 (verso) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text and illumination, folio 1 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text and illumination, folio 2 (recto) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text and illumination, folio 2 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 2 (verso) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 2 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 3 (recto) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 3 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 3 (verso) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 3 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 4 (recto) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 4 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 4 (verso) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 4 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 5 (recto) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 5 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 5 (verso) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 5 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 6 (recto) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 6 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 6 (verso) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 6 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 7 (recto) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 7 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 7 (verso) from a Kammavacha: Buddhist ordination text (1800s): Art, History and Details
Text, folio 7 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.