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Text, folio 8 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 8 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 9 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 9 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 10 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 10 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 11 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 11 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 12 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 12 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 13 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 13 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 14 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 14 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text, folio 15 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text and illumination, folio 15 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Illumination, folio 16 (recto) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Text and illumination, folio 16 (verso) from a Kammavacha: Buddhist ordination text at the Cleveland Museum of Art: 1800s, Leaf: lacquer and gilding on cloth. Explore the work's context, creator attribution and collection history.
Bottom cover from a Kammavacha: Buddhist Ordination Text at the Cleveland Museum of Art: 1800s, Cover: lacquer, gilding, and glass appliqué on wood. Explore the work's context, creator attribution and collection history.
A Clam-Bake at the Cleveland Museum of Art: 1873, watercolor, gouache, and graphite. Explore the work's context, creator attribution and collection history.
An Old Man Standing at the Cleveland Museum of Art: 1725, chiaroscuro woodcut. Explore the work's context, creator attribution and collection history.
Twelve Months of Fruit: August at the Cleveland Museum of Art: 1732, engraving, hand-colored. Explore the work's context, creator attribution and collection history.
The Temptation of St. Anthony at the Cleveland Museum of Art: 1506, woodcut. Explore the work's context, creator attribution and collection history.
Piping and Dancing Satyr at the Cleveland Museum of Art: 300–100 BCE, bronze. Explore the work's context, creator attribution and collection history.
Personification of the Discus at the Cleveland Museum of Art: 670, chlorite. Explore the work's context, creator attribution and collection history.
Mouth Mask at the Cleveland Museum of Art: 100 BCE–700 CE, hammered gold alloy. Explore the work's context, creator attribution and collection history.
Necklace at the Cleveland Museum of Art: 700s, jade, amethyst, gold, rock crystal. Explore the work's context, creator attribution and collection history.
Qualities of Ringdoves (recto); On the Benefits of Quails (verso), from a Persian Manafi‘ al-Hayawan (The Benefits of Animals) of Abu Said Ubaid-Allah ibn Jibrail ibn Bakhtishu (died 1058–68) at the Cleveland Museum of Art: c. 1300, opaque
Folio from a Persian Manafi‘ al-Hayawan (The Benefits of Animals) of Abu Said Ubaid-Allah ibn Jibrail ibn Bakhtishu (died 1058–68) (recto) at the Cleveland Museum of Art: c. 1300, opaque watercolor, ink, and gold on paper. Explore the work'
Folio from a Persian Manafi‘ al-Hayawan (The Benefits of Animals) of Abu Said Ubaid-Allah ibn Jibrail ibn Bakhtishu (died 1058–68) (verso) at the Cleveland Museum of Art: c. 1300, opaque watercolor, ink, and gold on paper. Explore the work'
Peacock-shaped Hand Washing Device (recto); Text Page, Arabic Prose (verso) at the Cleveland Museum of Art: 1315, opaque watercolor and gold on paper. Explore the work's context, creator attribution and collection history.
Peacock-shaped Hand Washing Device: Illustration from The Book of Knowledge of Ingenious Mechanical Devices (Automata) of Ibn al-Razza al-Jazari (recto) at the Cleveland Museum of Art: 1315, opaque watercolor and gold on paper. Explore the
Text Page, Arabic Prose (verso) Text from The Book of Knowledge of Ingenious Mechanical Devices (Automata) of Inb al-Razza al-Jazari at the Cleveland Museum of Art: 1315, ink and opaque watercolor on paper. Explore the work's context, creat
Text Page, Persian Prose (recto); The Story of Adam peace upon him, his Sons and Progeny (verso) at the Cleveland Museum of Art: c. 1425, ink and opaque watercolor on paper. Explore the work's context, creator attribution and collection his
Text Page, Persian Prose (recto) from a Manuscript of the Majma' al-Tavarikh (A Compendium of Histories) by Hafiz-i Abru: at the Cleveland Museum of Art: c. 1425, ink and opaque watercolor on paper. Explore the work's context, creator attri
The Story of Adam, peace upon him, his Sons and Progeny, from a Jami al-tavarikh (Compendium of Chronicles) of Rashid al-din (verso) at the Cleveland Museum of Art: c. 1425, opaque watercolor and ink on paper. Explore the work's context, cr
Animals, Precious Stones, Coins, and Musical Instruments (recto); Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (acti
Animals, Precious Stones, Coins, and Musical Instruments (recto) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s) at the Cleveland Museum of
Animals, Birds, and Plants (verso) from a Mu'nis al-Ahrar fi Daqa'iq al-Ash'ar (The Free Men's Companion to the Subtleties of Poems) of Muhammad Ibn Badr al-Din Jajarmi (active 1340s) at the Cleveland Museum of Art: c. 1341, opaque watercol
Tray Portraying Courtly Pleasures at the Cleveland Museum of Art: 1240s, sheet brass inlaid with silver. Explore the work's context, creator attribution and collection history.