Circe with Companions of Ulysses Changed into Animals (1650–51): Artwork and History
Circe with Companions of Ulysses Changed into Animals at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Art & Design archive — Page 29
Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →
Wine Container (Western Zhou dynasty ( 1046–771 BC ), late 11th century BC): Artwork and History
Wine Container at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Actor Ichikawa Danzo III as Shoki the Demon Queller in the Play Date Moyo Kumo ni Inazuma, Performed at the Morita Theater in the Tenth Month, 1768 (c. 1768): Artwork and History
The Actor Ichikawa Danzo III as Shoki the Demon Queller in the Play Date Moyo Kumo ni Inazuma, Performed at the Morita Theater in the Tenth Month, 1768 at the Art Institute of Chicago: date, artist attribution, materials and the museum's ex
Ritual Impersonator of the Deity Xipe Totec (1450–1500): Artwork and History
Ritual Impersonator of the Deity Xipe Totec at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Pair of Tomb Chamber Doors (Western Han dynasty (206 B.C.–A.D. 9), 1st century B.C.): Artwork and History
Pair of Tomb Chamber Doors at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Equestrian Portrait of the Emperor Maximilian I (1508): Artwork and History
Equestrian Portrait of the Emperor Maximilian I at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Pillar from Tomb Chamber (Western Han dynasty (206 B.C.–A.D. 9), 1st century B.C.): Artwork and History
Pillar from Tomb Chamber at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Pillar from Tomb Chamber (Western Han dynasty (206 B.C.–A.D. 9); 1st century B.C.): Artwork and History
Pillar from Tomb Chamber at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Pillow Sword (c. 1650): Art, History and Details
Pillow Sword at the Cleveland Museum of Art: c. 1650, steel, pierced; leather and wood. Explore the work's context, creator attribution and collection history.
Rapier (c. 1630–50): Art, History and Details
Rapier at the Cleveland Museum of Art: c. 1630–50, steel; blued, gilded, and perforated blade. Explore the work's context, creator attribution and collection history.
Small Sword (c. 1770): Art, History and Details
Small Sword at the Cleveland Museum of Art: c. 1770, steel, gilt-brass, porcelain grip. Explore the work's context, creator attribution and collection history.
Helmet (c. 1560–80): Art, History and Details
Helmet at the Cleveland Museum of Art: c. 1560–80, steel. Explore the work's context, creator attribution and collection history.
Rondache (Round Shield) (c. 1570): Art, History and Details
Rondache (Round Shield) at the Cleveland Museum of Art: c. 1570, etched and gilded steel with brass rivets. Explore the work's context, creator attribution and collection history.
Hand-and-a-Half Sword (c. 1550): Art, History and Details
Hand-and-a-Half Sword at the Cleveland Museum of Art: c. 1550, steel, blued pommel and quillions, leather grip. Explore the work's context, creator attribution and collection history.
Two-Handed Sword of the State Guard of Julius of Brunswick-Lunüneburg (1574): Art, History and Details
Two-Handed Sword of the State Guard of Julius of Brunswick-Lunüneburg at the Cleveland Museum of Art: 1574, steel, leather and wire bound grip. Explore the work's context, creator attribution and collection history.
Two-Handed Sword (1550–1600): Art, History and Details
Two-Handed Sword at the Cleveland Museum of Art: 1550–1600, steel, wood and leather grip; fluted pommel. Explore the work's context, creator attribution and collection history.
Tilting Suit (composed) (c. 1560–80): Art, History and Details
Tilting Suit (composed) at the Cleveland Museum of Art: c. 1560–80, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Jousting Glove (Main-de-Fer Gauntlet) (c.1530–60): Art, History and Details
Jousting Glove (Main-de-Fer Gauntlet) at the Cleveland Museum of Art: c.1530–60, steel. Explore the work's context, creator attribution and collection history.
Pauldron (proper right) and Gardbrace (c. 1560–1580): Art, History and Details
Pauldron (proper right) and Gardbrace at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Pauldron (proper left) and Grandguard (c. 1560–1580): Art, History and Details
Pauldron (proper left) and Grandguard at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Breastplate (c. 1560–1580): Art, History and Details
Breastplate at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Proper Right Arm (Vambrace, Rerebrace and Couter) (c. 1560–80): Art, History and Details
Proper Right Arm (Vambrace, Rerebrace and Couter) at the Cleveland Museum of Art: c. 1560–80, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Proper Left Arm (Vambrace, Rerebrace and Couter) (c. 1560–1580): Art, History and Details
Proper Left Arm (Vambrace, Rerebrace and Couter) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Elbow Cop (left) (c. 1560–1580): Art, History and Details
Elbow Cop (left) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Gauntlet with Bell Shaped Cuff (Right) (c. 1560–1580): Art, History and Details
Gauntlet with Bell Shaped Cuff (Right) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Tasset (proper right) (c. 1560–1580): Art, History and Details
Tasset (proper right) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Tasset (proper left) (c. 1560–1580): Art, History and Details
Tasset (proper left) at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Proper Right Cuisse and Knee Cop (c. 1560–1580): Art, History and Details
Proper Right Cuisse and Knee Cop at the Cleveland Museum of Art: c. 1560–1580, steel, leather straps, brass rivets. Explore the work's context, creator attribution and collection history.
Fragment from the Shoulder of a Tunic (Uncu) (1550-1625): Artwork and History
Fragment from the Shoulder of a Tunic (Uncu) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Fragment from the Topacu Waistband of a Tunic (Uncu) (1550-1625): Artwork and History
Fragment from the Topacu Waistband of a Tunic (Uncu) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
The Coronation of the Virgin and The Flight into Egypt (1648/71): Artwork and History
The Coronation of the Virgin and The Flight into Egypt at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Abigail (c. 1560): Artwork and History
Abigail at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Mercury Rescues the Disguised Io after Beheading Argus (c. 1695): Artwork and History
Mercury Rescues the Disguised Io after Beheading Argus at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Diana and Endymion (c. 1695): Artwork and History
Diana and Endymion at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Jove Casts His Thunderbolts at the Rebellious Giants (c. 1695): Artwork and History
Jove Casts His Thunderbolts at the Rebellious Giants at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Portrait of the Artist's Sister (1891): Artwork and History
Portrait of the Artist's Sister at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Theodosius Repulsed from the Church by Saint Ambrose (c. 1705): Artwork and History
Theodosius Repulsed from the Church by Saint Ambrose at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
View of Pirna with the Fortress of Sonnenstein (c. 1760): Artwork and History
View of Pirna with the Fortress of Sonnenstein at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Kostverloren Castle in Decay (c. 1652): Artwork and History
Kostverloren Castle in Decay at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
Elias in the Wilderness, from Six Landscape Subjects from the Old Testament (1650/60): Artwork and History
Elias in the Wilderness, from Six Landscape Subjects from the Old Testament at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.