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Art & Design archive — Page 31

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Cover for the first album of L'Estampe originale (1893; Art Institute 1932.1326)

Cover for the first album of L'Estampe originale (1893): Artwork and History

Cover for the first album of L'Estampe originale at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Nature Print of Moonwort and Adder's Tongue Ferns, plate 51 from The Ferns of Great Britain and Ireland (1855; Art Institute 1961.383)

Nature Print of Moonwort and Adder's Tongue Ferns, plate 51 from The Ferns of Great Britain and Ireland (1855): Artwork and History

Nature Print of Moonwort and Adder's Tongue Ferns, plate 51 from The Ferns of Great Britain and Ireland at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Woman Reclining in a Landscape (1508/09; Art Institute 1932.1331)

Woman Reclining in a Landscape (1508/09): Artwork and History

Woman Reclining in a Landscape at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Old Tower at the Edge of a River (1763; Art Institute 1961.385)

The Old Tower at the Edge of a River (1763): Artwork and History

The Old Tower at the Edge of a River at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Ono no Komachi Washing the Copybook (Soshiarai Komachi) (Edo period (1615–1868), 1735/40; Art Institute 1932.1350)

Ono no Komachi Washing the Copybook (Soshiarai Komachi) (Edo period (1615–1868), 1735/40): Artwork and History

Ono no Komachi Washing the Copybook (Soshiarai Komachi) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Herself (1913; Art Institute 1924.911)

Herself (1913): Artwork and History

Herself at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Himself (1913; Art Institute 1924.912)

Himself (1913): Artwork and History

Himself at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait Head of Antinous (about 130-138; Art Institute 1924.979)

Portrait Head of Antinous (about 130-138): Artwork and History

Portrait Head of Antinous at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Halberd (1600s; Cleveland 1916.1562)

Halberd (1600s): Art, History and Details

Halberd at the Cleveland Museum of Art: 1600s, steel; new rectangular wood haft with planed corners. Explore the work's context, creator attribution and collection history.

Bardiche (Pole Axe) (1500s; Cleveland 1916.1563)

Bardiche (Pole Axe) (1500s): Art, History and Details

Bardiche (Pole Axe) at the Cleveland Museum of Art: 1500s, steel, leather, brass; wood haft. Explore the work's context, creator attribution and collection history.

Halberd (c. 1520; Cleveland 1916.1564)

Halberd (c. 1520): Art, History and Details

Halberd at the Cleveland Museum of Art: c. 1520, steel, pierced quatrefoil; rectangular wood haft with planed corners. Explore the work's context, creator attribution and collection history.

War Hat (or Kettle Hat) (c. 1475–1500; Cleveland 1916.1565)

War Hat (or Kettle Hat) (c. 1475–1500): Art, History and Details

War Hat (or Kettle Hat) at the Cleveland Museum of Art: c. 1475–1500, steel. Explore the work's context, creator attribution and collection history.

Rowel Spur (c. 1700; Cleveland 1916.1568)

Rowel Spur (c. 1700): Art, History and Details

Rowel Spur at the Cleveland Museum of Art: c. 1700, steel. Explore the work's context, creator attribution and collection history.

Curb Bit (c. 1580–1600; Cleveland 1916.1581)

Curb Bit (c. 1580–1600): Art, History and Details

Curb Bit at the Cleveland Museum of Art: c. 1580–1600, iron with gilt bronze bosses. Explore the work's context, creator attribution and collection history.

Seven-Flanged Mace (c. 1540–50; Cleveland 1916.1589)

Seven-Flanged Mace (c. 1540–50): Art, History and Details

Seven-Flanged Mace at the Cleveland Museum of Art: c. 1540–50, gilded russet steel; with chiseled foliate decoration. Explore the work's context, creator attribution and collection history.

Battle Axe (late 1500s; Cleveland 1916.1599)

Battle Axe (late 1500s): Art, History and Details

Battle Axe at the Cleveland Museum of Art: late 1500s, steel, inset with copper rosette. Explore the work's context, creator attribution and collection history.

Sword (1400s; Cleveland 1916.1600)

Sword (1400s): Art, History and Details

Sword at the Cleveland Museum of Art: 1400s, steel; wood and leather grip. Explore the work's context, creator attribution and collection history.

Pricked Spur (1200s; Cleveland 1916.1604)

Pricked Spur (1200s): Art, History and Details

Pricked Spur at the Cleveland Museum of Art: 1200s, steel. Explore the work's context, creator attribution and collection history.

Pricked Spur (1200s; Cleveland 1916.1611)

Pricked Spur (1200s): Art, History and Details

Pricked Spur at the Cleveland Museum of Art: 1200s, steel. Explore the work's context, creator attribution and collection history.

Gothic Backplate (c. 1475–1500; Cleveland 1916.1613)

Gothic Backplate (c. 1475–1500): Art, History and Details

Gothic Backplate at the Cleveland Museum of Art: c. 1475–1500, steel, modern leather straps. Explore the work's context, creator attribution and collection history.

Executioner's Sword (blade dated 1634; Cleveland 1916.1616)

Executioner's Sword (blade dated 1634): Art, History and Details

Executioner's Sword at the Cleveland Museum of Art: blade dated 1634, steel. Explore the work's context, creator attribution and collection history.

Executioner's Sword (late 1600s; Cleveland 1916.1620)

Executioner's Sword (late 1600s): Art, History and Details

Executioner's Sword at the Cleveland Museum of Art: late 1600s, steel, wood, brass and copper wire. Explore the work's context, creator attribution and collection history.

Hanger (Hunting Sword) (late 1600s; Cleveland 1916.1629)

Hanger (Hunting Sword) (late 1600s): Art, History and Details

Hanger (Hunting Sword) at the Cleveland Museum of Art: late 1600s, steel; gold and silver damascened hilt. Explore the work's context, creator attribution and collection history.

Gorget (c. 1560; Cleveland 1916.1639)

Gorget (c. 1560): Art, History and Details

Gorget at the Cleveland Museum of Art: c. 1560, steel. Explore the work's context, creator attribution and collection history.

Breast and Backplates from a Maximilian Armor (c.1510–30; Cleveland 1916.1640)

Breast and Backplates from a Maximilian Armor (c.1510–30): Art, History and Details

Breast and Backplates from a Maximilian Armor at the Cleveland Museum of Art: c.1510–30, steel, brass rivets. Explore the work's context, creator attribution and collection history.

Breastplate in the Maximilian Style (c.1510–30; Cleveland 1916.1640.a)

Breastplate in the Maximilian Style (c.1510–30): Art, History and Details

Breastplate in the Maximilian Style at the Cleveland Museum of Art: c.1510–30, steel, brass rivets. Explore the work's context, creator attribution and collection history.

Backplate in the Maximilian Style (c.1510–30; Cleveland 1916.1640.b)

Backplate in the Maximilian Style (c.1510–30): Art, History and Details

Backplate in the Maximilian Style at the Cleveland Museum of Art: c.1510–30, steel, brass rivets. Explore the work's context, creator attribution and collection history.

Burgonet (c. 1510–40; Cleveland 1916.1642)

Burgonet (c. 1510–40): Art, History and Details

Burgonet at the Cleveland Museum of Art: c. 1510–40, steel, radiate flutings. Explore the work's context, creator attribution and collection history.

Karttikeya, Commander of the Divine Army, Seated on a Peacock (Ganga Period, about 12th century; Art Institute 1962.203)

Karttikeya, Commander of the Divine Army, Seated on a Peacock (Ganga Period, about 12th century): Artwork and History

Karttikeya, Commander of the Divine Army, Seated on a Peacock at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Bathsheba, from A Collection of Prints in Imitation of Drawings (1764, published 1778; Art Institute 1932.1457)

Bathsheba, from A Collection of Prints in Imitation of Drawings (1764, published 1778): Artwork and History

Bathsheba, from A Collection of Prints in Imitation of Drawings at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Knives, Scissors, and Razors to Grind, plate six from Cries of London (1795; Art Institute 1932.1458)

Knives, Scissors, and Razors to Grind, plate six from Cries of London (1795): Artwork and History

Knives, Scissors, and Razors to Grind, plate six from Cries of London at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Visiting Dai Kui on a Snowy Night 雪夜訪戴圖 (Ming dynasty (1368–1644), 15th century; Art Institute 1924.1045)

Visiting Dai Kui on a Snowy Night 雪夜訪戴圖 (Ming dynasty (1368–1644), 15th century): Artwork and History

Visiting Dai Kui on a Snowy Night 雪夜訪戴圖 at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Statuette of a Horse and Rider (575-525 BCE; Art Institute 1924.1054)

Statuette of a Horse and Rider (575-525 BCE): Artwork and History

Statuette of a Horse and Rider at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Statuette of a Goddess (600-580 BCE; Art Institute 1924.1055)

Statuette of a Goddess (600-580 BCE): Artwork and History

Statuette of a Goddess at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Coast Scene, Bathers (1884–85; Art Institute 1933.208)

Coast Scene, Bathers (1884–85): Artwork and History

Coast Scene, Bathers at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Study of a Girl's Head and Shoulders (1896–97; Art Institute 1933.212)

Study of a Girl's Head and Shoulders (1896–97): Artwork and History

Study of a Girl's Head and Shoulders at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait of Whistler (1877; Art Institute 1933.230)

Portrait of Whistler (1877): Artwork and History

Portrait of Whistler at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Oscar Wilde and Whistler (1894; Art Institute 1933.238)

Oscar Wilde and Whistler (1894): Artwork and History

Oscar Wilde and Whistler at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Wounded Götz Cared for by the Bohemians (1836; Art Institute 1962.367)

The Wounded Götz Cared for by the Bohemians (1836): Artwork and History

The Wounded Götz Cared for by the Bohemians at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder" (c. 1879; Art Institute 1933.295)

Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder" (c. 1879): Artwork and History

Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder" at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.