Cover for the first album of L'Estampe originale (1893): Artwork and History
Cover for the first album of L'Estampe originale at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.
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Cover for the first album of L'Estampe originale at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Nature Print of Moonwort and Adder's Tongue Ferns, plate 51 from The Ferns of Great Britain and Ireland at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Woman Reclining in a Landscape at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Old Tower at the Edge of a River at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Ono no Komachi Washing the Copybook (Soshiarai Komachi) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Herself at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Himself at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait Head of Antinous at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Halberd at the Cleveland Museum of Art: 1600s, steel; new rectangular wood haft with planed corners. Explore the work's context, creator attribution and collection history.

Bardiche (Pole Axe) at the Cleveland Museum of Art: 1500s, steel, leather, brass; wood haft. Explore the work's context, creator attribution and collection history.

Halberd at the Cleveland Museum of Art: c. 1520, steel, pierced quatrefoil; rectangular wood haft with planed corners. Explore the work's context, creator attribution and collection history.

War Hat (or Kettle Hat) at the Cleveland Museum of Art: c. 1475–1500, steel. Explore the work's context, creator attribution and collection history.

Rowel Spur at the Cleveland Museum of Art: c. 1700, steel. Explore the work's context, creator attribution and collection history.

Curb Bit at the Cleveland Museum of Art: c. 1580–1600, iron with gilt bronze bosses. Explore the work's context, creator attribution and collection history.

Seven-Flanged Mace at the Cleveland Museum of Art: c. 1540–50, gilded russet steel; with chiseled foliate decoration. Explore the work's context, creator attribution and collection history.

Battle Axe at the Cleveland Museum of Art: late 1500s, steel, inset with copper rosette. Explore the work's context, creator attribution and collection history.

Sword at the Cleveland Museum of Art: 1400s, steel; wood and leather grip. Explore the work's context, creator attribution and collection history.

Pricked Spur at the Cleveland Museum of Art: 1200s, steel. Explore the work's context, creator attribution and collection history.

Pricked Spur at the Cleveland Museum of Art: 1200s, steel. Explore the work's context, creator attribution and collection history.

Gothic Backplate at the Cleveland Museum of Art: c. 1475–1500, steel, modern leather straps. Explore the work's context, creator attribution and collection history.

Executioner's Sword at the Cleveland Museum of Art: blade dated 1634, steel. Explore the work's context, creator attribution and collection history.

Executioner's Sword at the Cleveland Museum of Art: late 1600s, steel, wood, brass and copper wire. Explore the work's context, creator attribution and collection history.

Hanger (Hunting Sword) at the Cleveland Museum of Art: late 1600s, steel; gold and silver damascened hilt. Explore the work's context, creator attribution and collection history.

Gorget at the Cleveland Museum of Art: c. 1560, steel. Explore the work's context, creator attribution and collection history.

Breast and Backplates from a Maximilian Armor at the Cleveland Museum of Art: c.1510–30, steel, brass rivets. Explore the work's context, creator attribution and collection history.

Breastplate in the Maximilian Style at the Cleveland Museum of Art: c.1510–30, steel, brass rivets. Explore the work's context, creator attribution and collection history.

Backplate in the Maximilian Style at the Cleveland Museum of Art: c.1510–30, steel, brass rivets. Explore the work's context, creator attribution and collection history.

Burgonet at the Cleveland Museum of Art: c. 1510–40, steel, radiate flutings. Explore the work's context, creator attribution and collection history.

Karttikeya, Commander of the Divine Army, Seated on a Peacock at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Bathsheba, from A Collection of Prints in Imitation of Drawings at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Knives, Scissors, and Razors to Grind, plate six from Cries of London at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Visiting Dai Kui on a Snowy Night 雪夜訪戴圖 at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Statuette of a Horse and Rider at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Statuette of a Goddess at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Coast Scene, Bathers at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Study of a Girl's Head and Shoulders at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait of Whistler at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Oscar Wilde and Whistler at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Wounded Götz Cared for by the Bohemians at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Sketch after "Arrangement in Brown and Black: Portrait of Miss Rosa Corder" at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.