Net Worth →

Art & Design archive — Page 32

Oldest entries first, in a fixed order. Newly added articles appear at the end. Explore a shuffled selection →

Auvers, Panoramic View (1873–75; Art Institute 1933.422)

Auvers, Panoramic View (1873–75): Artwork and History

Auvers, Panoramic View at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Vase of Tulips (c. 1890; Art Institute 1933.423)

The Vase of Tulips (c. 1890): Artwork and History

The Vase of Tulips at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Millinery Shop (1879-86; Art Institute 1933.428)

The Millinery Shop (1879-86): Artwork and History

The Millinery Shop at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin) (1875–76; Art Institute 1933.429)

Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin) (1875–76): Artwork and History

Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Woman Reading (1880–82; Art Institute 1933.435)

Woman Reading (1880–82): Artwork and History

Woman Reading at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Portrait of a Woman with a Black Fichu (c. 1878; Art Institute 1933.436)

Portrait of a Woman with a Black Fichu (c. 1878): Artwork and History

Portrait of a Woman with a Black Fichu at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Beach at Sainte-Adresse (1867; Art Institute 1933.439)

The Beach at Sainte-Adresse (1867): Artwork and History

The Beach at Sainte-Adresse at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Cliff Walk at Pourville (1882; Art Institute 1933.443)

Cliff Walk at Pourville (1882): Artwork and History

Cliff Walk at Pourville at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Closed Sallet with Grotesque Face (Schembart visor) (c. 1500; Cleveland 1916.1646)

Closed Sallet with Grotesque Face (Schembart visor) (c. 1500): Art, History and Details

Closed Sallet with Grotesque Face (Schembart visor) at the Cleveland Museum of Art: c. 1500, painted steel. Explore the work's context, creator attribution and collection history.

Breastplate (c. 1550; Cleveland 1916.1647)

Breastplate (c. 1550): Art, History and Details

Breastplate at the Cleveland Museum of Art: c. 1550, steel with etched figure kneeling before Crucifixion. Explore the work's context, creator attribution and collection history.

Close Helmet in Maximilian Style (c. 1510–30; Cleveland 1916.1651)

Close Helmet in Maximilian Style (c. 1510–30): Art, History and Details

Close Helmet in Maximilian Style at the Cleveland Museum of Art: c. 1510–30, steel, brass rivets. Explore the work's context, creator attribution and collection history.

Burgonet (c. 1550–1600; Cleveland 1916.1653)

Burgonet (c. 1550–1600): Art, History and Details

Burgonet at the Cleveland Museum of Art: c. 1550–1600, steel, etched. Explore the work's context, creator attribution and collection history.

Breastplate with Etched Bands of Trophies and Medallions (c. 1550–1600; Cleveland 1916.1654)

Breastplate with Etched Bands of Trophies and Medallions (c. 1550–1600): Art, History and Details

Breastplate with Etched Bands of Trophies and Medallions at the Cleveland Museum of Art: c. 1550–1600, etched steel. Explore the work's context, creator attribution and collection history.

Parrying Dagger (c. 1580–1610; Cleveland 1916.1657)

Parrying Dagger (c. 1580–1610): Art, History and Details

Parrying Dagger at the Cleveland Museum of Art: c. 1580–1610, steel, copper wire. Explore the work's context, creator attribution and collection history.

Officer's Plug Bayonette (c.1690; Cleveland 1916.1659)

Officer's Plug Bayonette (c.1690): Art, History and Details

Officer's Plug Bayonette at the Cleveland Museum of Art: c.1690, steel serrated blade, brass, and wood. Explore the work's context, creator attribution and collection history.

Ogival lattice with horizontal design (1600–1650; Cleveland 1916.1679)

Ogival lattice with horizontal design (1600–1650): Art, History and Details

Ogival lattice with horizontal design at the Cleveland Museum of Art: 1600–1650, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.

Ogival Lattice with Horizontal Design (1600–1650; Cleveland 1916.1679.a)

Ogival Lattice with Horizontal Design (1600–1650): Art, History and Details

Ogival Lattice with Horizontal Design at the Cleveland Museum of Art: 1600–1650, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.

Ogival Lattice with Horizontal Design (1600–1650; Cleveland 1916.1679.b)

Ogival Lattice with Horizontal Design (1600–1650): Art, History and Details

Ogival Lattice with Horizontal Design at the Cleveland Museum of Art: 1600–1650, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.

Ogival Lattice with Horizontal Design (1600–1650; Cleveland 1916.1679.c)

Ogival Lattice with Horizontal Design (1600–1650): Art, History and Details

Ogival Lattice with Horizontal Design at the Cleveland Museum of Art: 1600–1650, Silk and gilt-metal thread: lampas weave. Explore the work's context, creator attribution and collection history.

Hunting Sword (c. 1760–70; Cleveland 1916.1686)

Hunting Sword (c. 1760–70): Art, History and Details

Hunting Sword at the Cleveland Museum of Art: c. 1760–70, steel; pierced and chiseled cast-iron hilt ; blade engraved. Explore the work's context, creator attribution and collection history.

Partial Suit of Armor in Maximilian Style (c. 1525; Cleveland 1916.1714)

Partial Suit of Armor in Maximilian Style (c. 1525): Art, History and Details

Partial Suit of Armor in Maximilian Style at the Cleveland Museum of Art: c. 1525, steel. Explore the work's context, creator attribution and collection history.

Sword (c.1550; Cleveland 1916.1715)

Sword (c.1550): Art, History and Details

Sword at the Cleveland Museum of Art: c.1550, steel, hilt russetted, leather grip. Explore the work's context, creator attribution and collection history.

Rapier (c. 1610; Cleveland 1916.1719)

Rapier (c. 1610): Art, History and Details

Rapier at the Cleveland Museum of Art: c. 1610, steel; hilt of deeply blued steel; wood. Explore the work's context, creator attribution and collection history.

Gothic Breastplate (late 1400s; Cleveland 1916.1720)

Gothic Breastplate (late 1400s): Art, History and Details

Gothic Breastplate at the Cleveland Museum of Art: late 1400s, steel. Explore the work's context, creator attribution and collection history.

"Waistcoat" Cuirass (Combined Breast and Backplates) (c. 1580; Cleveland 1916.1721)

"Waistcoat" Cuirass (Combined Breast and Backplates) (c. 1580): Art, History and Details

"Waistcoat" Cuirass (Combined Breast and Backplates) at the Cleveland Museum of Art: c. 1580, Steel; brass rivets simulating buttons. Explore the work's context, creator attribution and collection history.

Crossbow and Cranequin of Elector Augustus I of Saxony (c. 1553–73; Cleveland 1916.1723)

Crossbow and Cranequin of Elector Augustus I of Saxony (c. 1553–73): Art, History and Details

Crossbow and Cranequin of Elector Augustus I of Saxony at the Cleveland Museum of Art: c. 1553–73, wood (walnut?), bone veneers, flax cord, steel (etched, traces of gilding). woolen pompoms, stock decorated wih inlaid trophies of arms. Expl

Crossbow of Elector Augustus I of Saxony (c. 1553–73; Cleveland 1916.1723.a)

Crossbow of Elector Augustus I of Saxony (c. 1553–73): Art, History and Details

Crossbow of Elector Augustus I of Saxony at the Cleveland Museum of Art: c. 1553–73, wood (walnut?), bone veneers, flax cord, steel (etched, traces of gilding). woolen pompoms, stock decorated wih inlaid trophies of arms. Explore the work's

Cranequin with Arms of Elector Augustus I of Saxony (c. 1553–73; Cleveland 1916.1723.b)

Cranequin with Arms of Elector Augustus I of Saxony (c. 1553–73): Art, History and Details

Cranequin with Arms of Elector Augustus I of Saxony at the Cleveland Museum of Art: c. 1553–73, steel; etched, chased and gilded. Explore the work's context, creator attribution and collection history.

Stacks of Wheat (End of Day, Autumn) (1890–91; Art Institute 1933.444)

Stacks of Wheat (End of Day, Autumn) (1890–91): Artwork and History

Stacks of Wheat (End of Day, Autumn) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Venice, Palazzo Dario (1908; Art Institute 1933.446)

Venice, Palazzo Dario (1908): Artwork and History

Venice, Palazzo Dario at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Vétheuil (1901; Art Institute 1933.447)

Vétheuil (1901): Artwork and History

Vétheuil at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Young Woman Sewing (1879; Art Institute 1933.452)

Young Woman Sewing (1879): Artwork and History

Young Woman Sewing at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Two Sisters (On the Terrace) (1881; Art Institute 1933.455)

Two Sisters (On the Terrace) (1881): Artwork and History

Two Sisters (On the Terrace) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Moulin de la Galette (1889; Art Institute 1933.458)

Moulin de la Galette (1889): Artwork and History

Moulin de la Galette at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Abundantia from The Four Continents and Related Allegories (c. 1680/1700; Art Institute 1962.462)

Abundantia from The Four Continents and Related Allegories (c. 1680/1700): Artwork and History

Abundantia from The Four Continents and Related Allegories at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

The Tale of Genji (Early 17th century; Art Institute 1962.575)

The Tale of Genji (Early 17th century): Artwork and History

The Tale of Genji at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Ballad Singer at a Shrine of the Virgin (1720/25; Art Institute 1962.585)

Ballad Singer at a Shrine of the Virgin (1720/25): Artwork and History

Ballad Singer at a Shrine of the Virgin at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Square-Sectioned Jars (Fanghu) (Western Han dynasty, 206 BCE–9 CE; Art Institute 1962.588)

Square-Sectioned Jars (Fanghu) (Western Han dynasty, 206 BCE–9 CE): Artwork and History

Square-Sectioned Jars (Fanghu) at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Netting the Fish (1889; Art Institute 1933.526)

Netting the Fish (1889): Artwork and History

Netting the Fish at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.

Length of Dress Fabric (c. 1785; Art Institute 1925.135)

Length of Dress Fabric (c. 1785): Artwork and History

Length of Dress Fabric at the Art Institute of Chicago: date, artist attribution, materials and the museum's explanation of the work.